Dining Room Sets

Vintage Woodard Wrought Iron Green Spring Bouncy Patio Dining Set - Set of 5. Item features a wrought iron frames, round glass top with umbrella hole, green finish, scrolling frame, ...

On offer on this occasion is one of the most stunning, extension dining table and wood chairs you could hope to find. This is an ultra-rare opportunity to acquire what is, unequivoca...

Midcentury tulip dining table styled after Eero Saarinen; This beautiful set is just so unique and amazing dining set. It features four...

ELODIA Sculptural Brass Cobra and Glass Dining Table. Beautiful patina to brass serpent snake bases. Glass top has a multifaceted/polished chip edge, which increases its ability to r...

Giovanni Michelucci for Poltronova, ´Torbecchia', table and bench, walnut, Italy, design 1964 This dining room set consisting of a beautiful table and bench in walnut wood is desig...

Chic garden, patio, dinette set consisting of a dining table , and four side chairs. The table has a tempered glass top, the chairs have their original upholstered pad seats, metal e...

Fabulous 8 piece set consisting of a large dining table from the early 50s, heavy decorative iron with a large beveled glass top. 6 armchairs from the late...

A vintage dining set of consisting of an extending table and 4 chairs produced in the 1950s for Heal's by Gordon Russell. This Classic shape by Gordon Russell references other pieces...

Set of 8 chairs with table by Horst Burning Chair Model Sedia for COR. Dining table group model Sedia, German design by Horst Burning for COR. Designed in 1966. Seats upholstered in ...

Restored.

Rare and very nice example of the "Bossche school" furniture by architect Jacques Uppelschoten, made for his own house at the Raffendonkstraat 20 in Oirschot. Dom Hans van der Laan s...

White wrought iron French Country Victorian style Lattice Garden Patio dining set - table and 4 chairs. Set includes rectangular glass top dining table...

Set of eight sculptural dining chairs, designed by Norman Cherner for Plycraft, American, circa 1950s. They have all been refinished and reupholstered in black vinyl. They measure: 3...

HOLIDAY SALE Vintage 1960s dining table and six chairs designed by William Doezema for Mastercraft retailed by Charak of Boston. Briar root burl veneer although frequently identifi...

Super cabin-modern and hard to find California design outdoor patio set. The wicker on all pieces is still in very good condition! All these pieces were procured together, and are in original unrestored condition. The upholstery on the 4 stools okay, two stools each have a puncture each to the tops, and one a hole/nick to the edge. It is recommended you recover the stools to match your situation/uses...

Set composed of four Medea dining chairs, designed by Vittorio Nobili for Fratelli Tagliabue in 1954. Made of teak plywood, excellent vintage condition. Reported at “Compasso d...

A dining set composed of four “model 121” dining chairs and a “model 778” dining table designed by Afra & Tobia Scarpa in 1965 and produced in I...

Bamboo lounge set from the 1960s attributed to designer Franco Albini, consisting of four chairs/armchairs and a round table. Finely worked curved ba...

The midcentury Italian set of four chairs and marble table from the 1980s offers a blend of sophistication and luxury. The chairs have been thoughtfully reupholstered in green suede,...

- newly upholstered in velvet fabric - good/very good condition with minor signs of use - heigh of seat 43 cm.

Stylish and elegant mid century modern Jatoba Arne Vodder dining room set. Elegant early 1960s dining room table and chairs, model 422, designed by Arne Vodder for Sibast Denmark. Th...

Outstanding midcentury walnut dining table, designed by Kipp Stewart for Directional, American, circa 1960s. Beautiful grained walnut throughout. It expands from a compact ovaled squ...

Italian midcentury Giorgetti dining set including dining table and four chairs. The dining table is in black painted wood with walnut top and brass details on the legs. The chairs...

We offer this original Domus dinning set (Table and 4 chairs) in pine wood and with the characteristic green Van Beuren color, designed by the American Bau...

An original American 1960s Heywood Wakefield Cliff House dining table and 4 coordinating chairs, composed of solid cherry with a brown doeskin finish. The late 1960s brought the Cliff House...

The midcentury Italian set of four chairs and table from the 1970s, crafted in giunco wood, exudes a rustic charm and timeless elegance. The chairs feature a stylish and ergonomic de...

A charming Arthur Umanoff patio set-dining table with four armchairs. Freshly powdercoated and seats reupholstered. Table measures 30" H, 42" D.

A stylish and iconic design, this tulip dining table and four matching swivel dining chairs were designed by Eero Saarinen for Knoll in the 1950’s. This example is from the 50th a...

Thaden-Jordan 1940’s Herbert Von Thaden Mid-Century Modern table & chairs 5pc set • As designed by Herbert Von Thaden & Donald Lewis Jordan • Manufactured by Thaden-Jordan Furniture...

Scandinavian Table and Bench set. The set is solid elm with an X stretcher base. Dining Room Set. Benches measures: 16.75H x 59W x 14.5D. Table Measures: 2...

Set of Six Mid Century Dining Chairs, designed by Paul McCobb for Calvin Furniture's Directional Line, American, circa 1950s. These chairs are currently being refinished and reuphols...

Mid-Century Modern Dining Set in the style of Clifford Pascoe, c. 1960s. This unique set is perfectly sized for smaller spaces and consists of 4 dining chairs and round dining table,...

A dining set composed of four “Africa” dining chairs and an “Artona” table, designed by Afra and Tobia Scarpa for Maxalto in 1975. Made of walnut, burl...

An Original & Rare Black Ash & Aluminium Arkana Circular Dining Table With Three Black & Orange Matching Tulip Model 115 Dining Chairs Engraved with mak...

Danish modern rosewood extending dining table manufactured by AM Mobler in Denmark. This vintage dining table was built ...

Round end table with the famous Roger Capron Herbier tiles, designed from 1968 to 1982. The handcrafted Garrigue tiles produced by a technique in whic...

A fabulous table and four coordinating chairs. Made by the iconic Brown Jordan. Part of their Classic ll series. The table retains the original label, the chairs come with a clot...

This stylish vintage chrome dining set includes six matching Stendig style chairs with matching chrome frame dining table. Making a beautiful Mid-Century Modern statement in any sett...

We are delighted to offer for sale this stunning vintage Mahogany Marble topped side table with Butlers serving tray and x20 bottle holders A very good looking and well-made piece...

Mid-Century Modern; Hollywood Regency; Dining Room Set; Dining Area; Dining Chairs; Dining Table; Italian Design; 1970s, Vivai del Sud Inspired; Wood; Glass; Geometric Shape; 1950s; ...

“Delfi” dining table, designed by Carlo Scarpa and Marcel Breuer and produced by the Italian manufacturer Studio Simon in 1969. Made of white Nax...

Dining set designed by Alvar Aalto for Finmar Ltd., Finland, 1929. Birch. Stamped. This rare dining set by the Finish design icon Alvar Aalto is character...

This original dining set includes a dining table produced by Samuel Marx for the Quigley Company Marx in 1939, an important architect and designer renowned for his custom one of kind...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Iconic dining table and six dining chairs by Osvaldo Borsani and Eugenio Gerli for TECNO, Italy, circa 1960. Four chairs have galvanized metal details and two chairs have brass detai...

A stunning dining table crafted by a Danish cabinetmaker in luxurious rosewood, featuring a Dutch extension mechanism, dating back to the 1960s. This dining table epitomizes the ele...

Wonderful vintage maple drop-leaf table featuring unique carved gate legs. Use with one leaf or two to adjust the table top from a compact 44"x34" table top to an ample 44"x60". Perf...

Elegant Mid Century Dining Table, designed by Paul McCobb for Calvin Furniture's Directional Line, American, circa 1960s. The table expands from a 48" round to a 68" width oval with ...

A Classic design, beautifully executed, in walnut. The finish is original. The chairs are upholstered in the original fabric.

Set of four sculptural "Costa" Model Dining Chairs, designed by Philippe Starck for Driade, Italy, circa 1980s. These chairs are being refinished and reupholstered and can be complet...

Outdoor Wrough Iron Round White Marble Top Dining Table 6 Chairs w/ Brass Finials Set MINT! Table: dia 48 x 31h' Chairs: 20'' x 17'' ...

Wonderful 1960’s vintage Mid-Century Modern spun fiberglass forest green painted outdoor or patio dining table & four armchairs on casters. Beautiful condition, keeping in mind that these are vintage and not new so will have signs of use and wear. New paint but not done by us. Needs cushions. Please see photos and zoom in for details. We attempt to portray any imperfections, circa, Mid-20th Century. Who needs to go to a fancy restaurant for dinner when you can stay home and have fine dining like this? This is a fabulous spun fiberglass outdoor dining set comprised of a table with a cinched pedestal base and a round top with a glass insert and four armchairs on casters. So often pieces like this are Attributed to Russell Woodard, and throughout the design community there are debates and discussions as to what in fact defines a Russell Woodard piece, but in fact he never produced spun fiberglass furniture...

Beautiful table designed by the famous Italian Mid-Century Modern designer Vittorio Dassi, 1950. The exceptional woodwork is highlighted by the curved green glass top and the rounde...

“Scuderia” dining table, designed by Carlo Scarpa and produced by the Italian manufacturer Bernini in 1977. Originally, Carlo Scarpa designed the table to restore the stable of Villa Valmarana in Vicenza in 1972. The table features a solid walnut structure. Available also five “Kentucky” dining...

Set of six Milo Baughman-designed thin-Line Series Dining Chairs produced by Thayer Coggin in the Early 1970s. Very Good Condition structurally but the material is unfortunately fade...

Gorgeous fun set of four dining chairs with matching orange slice flower dining table. All the metal frames have been freshly powder coated in the same exact color they originally we...

Presumably unique spider dining set made by a master carpenter. Made of solid pine with a star-shaped table top.

This set is absolutely divine! Designed by Edward Wormley for Dunbar in the 1950's this set was manufactured to be of the absolute highest quality, and to last forever... which it ki...