Leather Dining Room Sets

This listing is for a Mid-Century Modern Brody Walnut Dining Set. Featuring a laminated walnut round table that expands to 59” L with one leaf, black metal base, four swivel dining c...

Manufactured by Frem Rojle in Denmark and designed by Hans Olsen. The chairs feature a teak frame with a triangular seat upholstered in black new natural leather. The woods items hav...

The ultimate mid-century modern ensemble: the T-chairs by Katavolos, Kelley, and Littell, accompanied by a round dining table by Eero Saarinen. Crafted in 1952, the T-chairs boast ch...

Transform your dining space into a mid-century masterpiece with this stunning dining room set that combines iconic design with exquisite craftsmanship. This set includes six dining c...

This collection presents a rare opportunity to own a piece of Los Angeles design history. The house, originally designed by Paul Williams in 1933 was given the Haines touch when his...

Set of 4 Mid Century Totem dining chairs by Torstein Nilsen for Westnofa with Italian design dining table .Norway 1980s Beautiful vintage Set of 4 dining chairs, with table ,model T...

Dining room set consisting of a Pierre Chapo dining table model T20A paired with a set of eight dining chairs by Yrjö Kukkapuro. Pierre Chapo, dining table, model T20A, elmwood, F...

An exceptional set of 10 Preben Fabricius and Jørgen Kastholm limited edition cognac leather FK6728 armchairs matched to a large an impressive Matteo Grassi cream leather and glass dining table. The price shown is for all 10 chairs and the table including the glass top. Originally designed by powerhouse 1960s design team Preben Fabricius and Jørgen Kastholm in 1964, their ‘Tulip’ chair has become an icon of Mid Century Danish design. The actual original name for this chair that was produced by Kill International is ‘The Bucket Chair’ and it is still produced today by Walter Knoll under that name. Needless to say the name comes nowhere near close to portraying the beautiful and curvaceous lines it exhibits which is why over the years it’s often been referred to as the ‘Tulip’ or ‘Bird’ Chair. The original production name was the FK 6725 which relates to the chair with the fixed base and seat. Other production variants number from 6725-6729 and also have been produced in a 3 leg (3G), 4 leg (4G) or 5 star (5R) base and with or without castors. The original chair was produced with a fixed seat and base, but later versions had a rotating seat - and later still a 4 star and 5 star base with both a tilting and rotating seat. All production models had circular slides or castors fitted to the base of the feet so if you ever see a listing without one or the other they are missing in action. The FK high back armchair version, as shown here, has a leather pad and a gloss white shell and a 4 star rotating base. This was a special edition, as confirmed by email via Walter Knoll, and was therefore only produced in very limited numbers. The fine lines and contours found on the FK chair are still as compelling today as they were when the chair was first introduced. The sculptured arm rests elegantly curve up and away from the chair base and provide both comfort and support. It’s a stylish, easy going chair that works well both in a domestic environment as a dining, side or desk chair, or in a business environment as a meeting room or conference room chair. All the chairs in this set are in good used condition with just minor signs of wear here and there as expected. There really is nothing much to choose between any of the 10 as there are no major marks or damages. The polished 4 star base on all the chairs are also in good condition with just a few scuff marks and scratches on the tops of the profiles, again just as you would expect. The chairs are matched to a beautifully designed and constructed Matteo Grassi cream leather and glass dining table. This large and impressive table has a steel core base that has been upholstered in cream leather and that features a thick glass, floating table top. Matteo Grassi had a long history of producing high quality and finely crafted saddlery going as far back as 1880, and this shines through in the quality of the construction and stitching on all of their products. Like many of their designs the point of identification is that the metal framework is an analogy for the human skeleton with the leather acting as the ‘skin’ that shrouds the frame. The Matteo Grassi family company first came to the notice of interior designers and retailers when the Korium series of chairs were first introduced in 1978. This was the first design they produced under their own name after they moved into mainstream furniture production. This change was based on their increasing involvement in furniture prototyping in the previous 10 years that saw them create and develop bespoke designs for many leading architects and designers. They have ever since been known for producing quality pieces of furniture including the MG5 cantilever chair. This table is the Gazelle model and was produced from the late 1990s through to around 2010 and features their trademark stitching and thick leather; it really is a rare and beautiful table and one that is almost impossible to find on the resale market. It’s constructed of a heavy metal frame with adjustable pads that support a thick glass, racetrack oval shaped top that simply floats above the frame. Whilst it is a very well made and solid piece, it can still be moved by two strong people. This particular table dates from the late 90s and is in excellent condition with only very light marks to the frame and glass – there are no chips in the glass edge. The table has the Matteo Grassi imprint on leather plaques on the underneath of the main frame. As you can see by reference to the photographs, the table can accommodate 10 chairs, but also works well with 8, or 6 chairs too. On this basis you can adapt the seating to your needs and maybe only have all 10 chairs out for larger gatherings and special occasions. Whilst both the chairs and table were designed for the domestic environment the set would work equally as well in an office setting as a funky meeting room or conference table set...

Dining room set consisting of ten S11 dining chairs with Aban T35D dining table by Pierre Chapo Pierre Chapo, set of ten dining chairs, model 'S11', elm, leather, rope, France, cir...

Dining room set made by Biosca containing a dining table and six chairs Biosca, dining table, stained pine, iron, Spain, 1960s Outstanding Spanish dining table that is executed by ...

Le Corbusier, Perriand and Jeanneret LC6 'Table Tube D’avion', Cassina edition, Italy, 1990s & Set of 4 Black Leather Chairs by Matteo Grassi, Italy, 1990s. The table: The core con...

Afra & Tobia Scarpa for Maxalto, Artona dining table with 'Africa chairs', black leather, walnut, ebony, and brass, Italy, the 1970s the Africa d...

Dining room set containing Angelo Mangiarotti for Skipper set of six chairs with Pierre Chapo dining table model T21D Angelo Mangiarotti for Skipper, set of six chairs, model 'Tre ...

Dining room set containing Børge Mogensen for Fredericia Stolefabrik set of six dining chairs with Angelo Mangiarotti for Skipper 'Eros' dining table Børge Mogensen for Fredericia ...

Italian mid-century Giorgetti set of 4 pcs. dining chairs. The chairs are created in black painted wood with walnut details and authentic excellent quality black natural leather. Ver...

Wonderful set of 6 chairs. Two of the chairs are armchairs for each end of the table. The complete set consists of eggshell-white painted bamboo wood paneling. Inside the bamboo stic...

Late 70’s Pacific Green dining suite Made from coconut palm wood, leather and steel. All in very good condition. We would consider selling the table and chairs seperatly if you woul...

Elevate your dining experience with our exquisite seven-piece dining set, a vintage masterpiece designed by the renowned Paul McCobb for The Calvin Group, dating back to the illustri...

Guido Faleschini for i4 Mariani, dining or conference table, leather, wood, metal, Italy, 1970s, with Giovanni Battista Bassi for Poltronova, set of ten armchairs model 'Elisa', velv...

Rare Blond Maple Round Expandable Dining Table 6 Chairs Set Set Denmark MINT! Table Dimensions Extended: 59x57.5x29 Chair Dimensions: 17.5 x 18 x 37

Scuderia dining room set, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Composed of 5 mod. 783 “Kentucky” dining chairs...

Introducing the Armonia Chair. This set of 8 Italian walnut chairs is an unique and timeless dining chair set. The chairs are made from...

Set of Eero Saarinen for Knoll set of six 'Tulip' armchairs with Centro Progetti Tecno round dining table Eero Saarinen for Knoll, set of six 'Tulip' armchairs, fiberglass, aluminu...

SALE ONE WEEK ONLY Rare Mid-Century Modern dining table and eight dining chairs with black leather seats by Erik Worts for Henrik Worts Mobelsnedkeri, Denmark. A beautiful hand-c...

Stylish and elegant mid century modern Jatoba Arne Vodder dining room set. Elegant early 1960s dining room table and chairs, model 422, designed by Arne Vodder for Sibast Denmark. Th...

A dining set composed of four “model 121” dining chairs and a “model 778” dining table designed by Afra & Tobia Scarpa in 1965 and produced in I...

Italian midcentury Giorgetti dining set including dining table and four chairs. The dining table is in black painted wood with walnut top and brass details on the legs. The chairs...

A dining set composed of four “Africa” dining chairs and an “Artona” table, designed by Afra and Tobia Scarpa for Maxalto in 1975. Made of walnut, burl...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Set of eight sculptural dining chairs, designed by Wendell Castle, American, circa 2010s. Signed with Wendell Castle's branded monogram on the leg. Wendell Castle licensed several of his designs for the Wendell Castle Collection...

Mid-Century dining table designed by Finn Juhl for Niels Vodder. Made in Denmark, 1948. The 'Judas' table deserves to be seen as the embodiment of fundamental Mid-Century Danish de...

Fully restored outdoor or patio dining set consisting of four marvelous steam bent arm or club chairs with new vintage stock Sunbrella upholstery, foam a...

This brass and chrome set is the 1970s personified. A square piece of glass covers a chrome and brass base with four tan leather topped stainless steel round stools.

1950's Mid-Century Modern wrought iron dining set by John Salterini, newly painted with new glass top and new leather upholstery seats.

Astonishing Brutalise 1960 set consisting of 1 table and 4 oak chairs covered in leather, which can be used as a side table or a games table. Certainly of eas...

Danish Modern mahogany dining chairs by Frits Henningsen, Denmark, circa 1930s. They have probably been refinished and reupholstered at some point. Beautiful caramel color leather se...

A rare rosewood dining set designed by Arne Vodder including a square dining table and four elegant chairs. Made in Denmark in the 1950s, by Sibast. In very good vintage condition, c...

This gorgeous dining set is manufactured by Chromcraft from USA. It is a beautiful example of the space age era. The beautiful tulip swivel chairs are beautiful sculptured with a thin body shape. The shell of the chair is made of Lucite opak acryl and the base of aluminium and acryl. The seati g is made of aniline black leather. The dining table is made of glass and leather and the feet is in acryl and aluminium. It contents 4x dining chairs...

The iconic Guarujá is a table designed by Jorge Zalszupin (1922-2020) in 1959 and produced by his company, L'atelier. A rosewood patchwork top rests over one concrete base finished w...

We are delighted to offer for sale this very well made, solid English Oak Habitat refectory dining table and eight Potocco leather and oak dining chairs This is a lovely, lightly used suite...

We are delighted to offer for sale this exceptionally rare original vintage Giancarlo Vegni designed for Fasem Italy dining table and Net chair suite A very good looking and well ...

- Good original condition with some signs of use - Leather upholstery in good condition with some signs of use - The table dimensions : H:74 W:121 D:77 - Chair - high of seat 43...

Leather basket weave wicker style square dining room table 4 chairs glass top set. All new beige wool upholstery. Table measures 42 x 42 x ...

Insanely conceived and executed 1980's Italian carved elm table and 6 chair set. The drum shaped table and pedestal base is wrapped in red leather with Chrome Trim. The concave top is lined with inlaid wood and topped with a thick inset glass plate. The Whimsical Primitive chairs are hand carved with matching red leather seating...

Mid-Century Modern Italian set of 4 bamboo dining chairs with original floral fabric cushions. All the binding of the chairs are made with leather laces. The chairs can become a s...

This is a beautiful armchair in darkwood and teak designed by Arne Vodder for Sibast. This amazing armchair is made of solid darkwood with black leather on the seat and back. This beautiful chair has great seating comfort and is especially suitable as an office chair or at the table. The chair has a great look that exudes quality and design. This is model 62a. The seats have all been reupholstered with black leather and new padding. The table has 2 extra extensions that can be used very easily when there is a lot of visitors. Very nice round to oval dining table designed by Arne Vodder for Sibast Mobler, Denmark 1955. This table has 2 extension leaves so it goes from 115 cm diameter round, to 170 cm wide with 1 extension leaf and to 215 cm wide with both extension leaves. The table is still in remarkable condition so we chose to keep it original. If you have a large family and do not always need a large table, this is the solution. You have a round or oval table or an extra long table...

Here we offer a set of three Dan Wenger designs dining chairs and glass top table. The leather can be chosen in black, cognac, red and dark brown. Frame is lacquered in black. Chairs...

The iconic Guanabara is a table designed by Jorge Zalszupin (1922-2020) in 1959 and produced by his company, L'atelier. A rosewood patchwork top rests over one concrete base finished...

Stainless steel dining set designed by Gary Gutterman for Axius Designs in 1970s. Set includes glass top dining table and 8 chairs. All original and in very condition.

A rare and beautiful set of 8 sculptural rosewood dining chairs retaining their original black leather; there are six side and two armchairs in the set. Designed by Helge Vestergaard...

Mid-Century Modern round glass top dining table six chairs bamboo dining se by McGuire. Outstanding craftsmanship all bamboo parts are bonded with two differ...

They can be sold separately Midcentury dining room set Melchiorre Bega attributable, from Cantù, in mahogany and burl mahogany Precious and ...

Very rare Verner Panton Pantonova dining table and chairs, made by Fritz Hansen, Denmark, 1971. Cognac color leather seat pads. Set includes table, m...

A beautiful Danish ‘Roundette’ dining set designed by Hans Olsen for Frem Røjle, this would make a stylish addition to any dining or work area. A striking piece of classically design...

Beautiful complete dining set of of six No. 77 chairs and dining table No. 15 in warm teak by Niels O. Møller. The chairs have been reupholstered ...

This is an original Mark II Game table by Karl Springer. It is covered in the original brownish taupe leather with an inset glass top. The four chairs are in the original matching le...