20th Century Dining Room Sets

Beautiful expandable Art Deco dining room table from France, circa 1930. Thuja / Cedar roots or burl veneer at the plate and legs with excellent clear lacquer surface. Wonderful L...

Beautiful Scandinavian dining room set by Finnish designer Ilmani Tapiovaara from the 1950s for Laukaan Puu. It is composed of a dining table and four chairs model "Pikka". The struc...

Danish Modern mahogany dining chairs by Frits Henningsen, Denmark, circa 1930s. They have probably been refinished and reupholstered at some point. Beautiful caramel color leather se...

Wonderful vintage maple drop-leaf table featuring unique carved gate legs. Use with one leaf or two to adjust the table top from a compact 44"x34" tabl...

A Dinning Room tableset with 8 chairs: - An elegant Art Deco dining table crafted from walnut with a clear finishing of clear veneer with two extensions and chrome iron details on t...

A rare and beautiful set of 8 sculptural rosewood dining chairs retaining their original black leather; there are six side and two armchairs in the set. Designed by Helge Vestergaard...

This stunning dining set was designed in the 1960s by Alf Aarseth for the renowned Norwegian manufacturer Gustav Bahus. It includes eight dining chairs (Model No. 146) by Alf Aarseth...

Dining set consisting of four chairs and a table from the 1960s. Furniture imported from Denmark. Furniture in very good condition, after professional renovation. Chair seats covere...

Dining Table in Rosewood by Ole Wanscher, 1945 Additional Information: Material: Rosewood Style: Mid century, Scandinavian Produced by cabinetmaker A.J. Iversen in Denmark Dimension...

studio Tetrarck design for Alberto Bazzani Italy in years 1970 complete set of the one table and four chairs original top glass of 0.6 inches tickness table measue 48 inches diamet...

Exceptional rationalist set including: - a sideboard with mirror H99.5X243Xp53 mirror H152. - bar sideboard with riser H99.5X202Xp53 with riser H.120. - a table H80.5X191X91 - 4 Chai...

Fantastic 1960s Chinoiserie influenced dining set in silvered and gilded wood with polychromed details. Set includes four side chairs and two arm chairs with gilded fretwork backs an...

Nice outdoor cast aluminum oval dining table + 6 chairs set with newly upholstered seats.

Set of table and benches designed by Charlotte Perriand for Les Arcs ski Resort, circa 1960, manufactured in France. Pinewood. In good original condition, with minor wear consisten...

Mid Century Vintage mid century teak dining set by John Herbert for A Younger Ltd – Circa 1960s Sussex Elevate your dining space with this rare Mid Century Vintage Fonseca Table an...

Circa Mid 20thC Large English Oak Trestle Table with 6cm Thick Oak Top sku 878 (benches available separate listing) W240 x D72 x H76 cm F...

6 chairs covered with red leather with matching table original leaves missing from the set but the table could be extended.

A drop-leaf console table opens to seat six (6) for dining. Set complete with two banquette chairs and four side chairs.

Stunning 1980s Pencil Reed dining set with brand new upholstery. Wide armed chairs for extra comfort. All original framing.

Baker Charleston Collection double pedestal mahogany banded dining table w/ 3 extension leaves 6 chairs set. Chair: 19 × 22 x 38 inches ...

Nice lime green five pieces ripple glass top dining dinette outdoor set star shape table base atr. to Russel Woodard or Salterini. Chairs measure: 20 x 21 x 32 seat 16" H.

Mid Century Modern Atomic Space Age Richard McCarthy for Selrite Style Forged Wrought-Iron and Oak Captain Chairs & Pedestal Base Glass Top Table ...

Rosewood table and chairs model 31 by Kai Kristiansen. Furniture in very good condition, after professional renovation. The seat and back of...

A very fine quality period French Art Deco dining room set consisting of a table and eight chairs. (Six sides and two armchairs) dini...

Pedini Fano 60's table and chairs set, curved and shaped beech plywood, light oak laminate, chairs edges profiled in brown rubber and connected to the bas...

Rectangular Dining Table "Andrè" with Chairs - Design classic from the 1960s Discover the charm of the 60s with this beautiful dining table and chair set, designed by Tobia Scarpa for Gavina Knoll. An example of timeless design, this set adds a touch of vintage elegance to any interior. The sturdy chrome-plated metal frame, combined with a thick glass top, provides a durable and stylish dining experience. Despite some signs of use over the years, the set is in good overall condition, ready to take center stage in your dining room. Advantages: Authentic design by Tobia Scarpa from the 1960s. Sturdy and durable with a metal frame and thick glass top. Includes 4 matching chairs with comfortable fabric seats. Adds a vintage charm to any dining space. Good to know The table measures 200cm in width, 74cm in height and 100cm in depth. The chairs have a width of 45cm, a height of 80cm, a depth of 50cm and a seat height of 45cm. Some signs of use are visible, which contributes to the authentic character of this set. Resume Vintage design by Tobia Scarpa for Gavina, 1960s. Stylish and durable with chrome-plated metal frame and thick glass top. Includes 4 matching chairs, perfect for any dining room. This vintage dining table and chair set...

This beautiful dining set comprises a Sheraton Revival oval flame mahogany dining table  bearing his label on the underside, with the matching set of six shield back dining chairs, a...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Antique French Art Nouveau Carved Walnut Accent Chairs with Occasional Table - 3 Piece Set This exquisite three-piece set features Antique French Art Nouveau carved walnut accent c...

Set of six dining chairs, designed by Edward Wormley for Dunbar, American, circa 1950s. Elegant modern form with a subtle Asian influence to the design. The set consists of two armch...

This is a cute little boho chic bistro set. The top of the table is rattan wove over a metal frame. The chairs are metal with beautiful red cushions for comfort. The backs of the cha...

Brutalist sculptural dining table and 4 chairs, by De Puydt. Belgium. Heavy pieces. Highback chairs. Set is made of solid oak wood and constructed with visibl...

A beautiful set by Brown Jordan. It is a licensed adaptation in Aluminum of Dan Johnson 1950’s Gazelle design. This set has been repowder coated in a bronze color. The table is 37.5 ...

We are delighted to offer for sale this sublime designer Andrew Varah 12-14 person, Satinwood with Mother of Pearl inlay, extra large Dining table Corinthian pillar legs which is part of a suite Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price. I have in total a huge dining table...

An exceptional Art Deco dining set in exotic macassar ebony veneer featuring a stunning table and six chairs completely reupholstered in cream-coloured faux leather, all in excellent...

Stunning Mid Century Oak Leaf Table Dining Set by Jack Van Der Molen. Includes beautiful oak dining table w/ 2 leaves and six chairs with a Satiny Gold Pattern Upholstery. Please con...

Dining table designed by Alvar Aalto, circa 1960 Special commission, unique piece of measure: 246 x 140 x73 cm Wood legs and structure. In original condition, with minor wear consi...

Lovely dining set designed by Guillerme & Chambron for Votre Maison Guillerme et Chambron for Votre Maison, extendable round dining table, stained oak, France, 1960s This dining ta...

Icon of the Memphis Milano Movement. A set of four Ettore Sottsass Mandarin chairs for Knoll. Black Alcantara upholstery. Arms in red lacquer. Additionally, a Carrara marble round pe...

We are delighted to offer for sale this stunning perfect condition David Linley Newlyn collection solid sycamore wood with marble insert Hayrake Dining table RRP £14,500 A very good looking and well made table, the marble insert is great for resting very hot and cold plates on, as apposed to the timber it won’t mark. This table is based on the Hayrake tables...

Teak Danish modern six-leg table and eight matching chairs by Arne Vodder for Sibast. Measure: Oval table expands from 78" to 117" with two leaves. Perfect large-scale dining set wit...

Dining room set containing Børge Mogensen for Fredericia Stolefabrik set of six dining chairs with Angelo Mangiarotti for Skipper 'Eros' dining table Børge Mogensen for Fredericia ...

Classic original Eames shells chairs paired with solid wood butcher block table. Multicolored molded fiberglass shells in a fun assortment of colors, with metals frames and self leve...

Art Deco, Hollywood Regency and Mid-Century Modern design elements have combined to create what is arguably the most sublime patio dinette set ever. Gilt gold and black glam of this ...

A rosewood dining table and chairs by Hans Brattrud for Hove Mobler, Norway, 1960s. This stunning set consists of four rosewood 'Scand...

Midcentury wicker and rattan stands with round glass tops and a classic hour glass form on bun feet. Can also be used as a dining table base.

Art Deco Paul Frankl for Johnson Furniture mahogany and cork dining set - 9 piece set. An exquisite, iconic and truly timeless and unparalleled classic dining set...

Hansen Sorensen Dining room table with 6 chairs, 1970 Denmark The Hansen Sorensen dining room table with 6 chairs from 1970 is a beautiful additio...

Mobichalet, set of tripod dining table - bench - chair - stool, oak, beech, Belgium, 1950s This rustic dining set will come forward nicely in a rela...

This elegant Scandinavian modern dining set consists of one large wooden table and nine finely crafted chairs. The table is a perfect example of minimalist design, constructed in two...

For your consideration, a Bamboo Rattan Wicker Cane Table and Chair Set. A beautiful fusion of natural textures, organic warmth, and breezy vintage style. Crafted from sturdy bamboo ...

Mid-Century Modern McGuire cane - 6 piece dining set Mid-Century Modern original McGuire pink and white woven rattan armchairs with Classic McGuire white...

Martin Eisler created this original table in the 1950s to take advantage of space, assuming two positions: in the normal position, it serves as a dining table for up to six people; i...

Full mid-century modern dining set by Young Manufacturing. Six chairs and round table with leaf. Arm chairs:40.25h, 23.25w, 23.25d Side chairs: ...

Mid-Century Rosewood Hamilton Dining Suite Table, Chairs, Sideboard & Coffee Table by Robert Heritage for Archie Shine Enhance your home with a Mid-Century Rosewood Hamilton Dining Suite, an exquisite collection designed by Robert Heritage for Archie Shine. This iconic set features a dining table, chairs, sideboard, and coffee table crafted from luxurious Honduras rosewood, embodying the elegance and craftsmanship of mid-century modern design. This rare dining suite seamlessly blends timeless beauty with functionality, making it a coveted choice for collectors and design enthusiasts alike. Mid-Century Hamilton Dining Suite Overview by Robert Heritage for Archie Shine This remarkable collection includes: Mid-Century Rosewood Dining Table and Chairs...

Danish made dining table with four chairs. Table has two leaves that expand from 13" (closed), to 62" (open), with the option to open one or both leaves. All four chairs stow away in...

This charming late 19th to early 20th-century white-painted handwoven wicker dining room set features a traditional oval-shaped wicker table with a beautifully shaped wicker apron an...

Very rare seating group model Scimitar designed by Preben Fabricius & Jørgen Kastholm. Produced by Ivan Schlecter in Denmark. Dimensions table (W x D ...