1970s Dining Room Tables

Fabulous vintage pair of 1970s era sculptural Lucite dining table bases in the Hollywood regency or mid-century modern style. Tables bases ar...

Chunky Lucite pedestal and glass dining table in the style of Charles Hollis Jones. This table measures 29.25"t x 48" in diameter and just the base measures 28.5"t x 24"w x 19"d.

A solid pine dining table attributed to Charlotte Perriand, designed for the Les Arcs ski resort in France. This table features her signature minimal and functional aesthetic, with e...

Harvey probber mid century saber leg bleached mahogany extension dining table with 1 leaf. This table measures: 48.25 wide x 48.25 deep x 29 high, with a chair clearance of 25 inc...

Elinor and John Mc GUIRE Bamboo and glass dining table, circa 1970.  

A 20th century Italian dining table made from metal with a glass top. This trestle table is constructed of thick, bent metal bars an...

Large vintage extendable dining table from the 70s. Dimensions: Length (extended): 177.2 cm Length (not extended): 117.5 cm Depth: 117.5 cm Height: 72.8 cm The table has minor sign...

Mid Century Modern vintage foldable dining table with a fantastic chromed metal construction and a clear glass top (thickness 0.32 in = 0....

This mid-century modern dining table, designed by Forma in the 1970s in Brazil, is available today. Painted in black iron, with chromed metal accents and a 10 mm glass top, it is not...

Cerused wooden top inserted in a steel trim stylized with nail heads, and mounted on a custom steel base. Great bold and dynamic look for this very unique custom piece.

Ferdinando Meccani Square Blonde Wood Dining Table, Italy, 1970's A hand-crafted highly unique dining table or center table with great geometr...

An amazing dining table designed by Romeo Rega made out of steel, brass and glass top. This table's structure plays with geometric lines, creatin...

This dining table by Rainer Daumiller is made of solid pine and can change from a round to an oval shape when extended. Designed in the 1970s, the table is simple and practical, buil...

Rare folding table by Christian Taube for Läsko from the 1970s. Solid frame made of chrome-plated tubular steel and a table top with original white formica coating. Quality Features...

A large Lucite Dinkng table base by Gary Gutterman.

Dining table in red travertine 'Il collonato' by Mario Bellini, Italy, 1970s.

Very important and spectacular dining table designed and created by Christian Techouyeres for maison Jansen . This table suits for 8 or 10 peoples . The Christian Techouyeres Dining...

Striking geometrical brass dining table witha clear beveled glass top. Glass can be changed uppon request. 1970s - Belgium Good condition M...

Gorgeous burled olivewood dining table. The top looks amazingly organic with awesome burled olive wood. We love the figured burled wood against ...

Mid Century Danish Rosewood Gate Leg Dining Table The expanded table measures: 65 wide x 30 deep x 30.25 inches high, with a chair clearance of 29.5 inches, when not expanded the wi...

Listed for sale is an Osvaldo Borsani dining table with glass top, produced by Stow Davis circa 1970s. This is a gorgeous example, which appears to have a hand cut and ground glass t...

Mario Bellini “La Loggia” dining table for Cassina, walnut and leather, Italy, 1977. The sculptural "La Loggia" dining table by Mario Bellini for Cassina, designed in 1977, represen...

Gorgeous Italian dining table with Rosé / Pink marble top with elegant tapered edge. The base is made of a heavy tripod solid brass foot and black lacquered metal. It has adjustable ...

Gorgeous large dining table in the style of Alain Chervet's Ibex ram table. Sculptural ram heads in cast aluminum, topped with a 1/2" thick glass for a clean, airy look. Wear is cons...

Stunning stacked Lucite dining table or desk. The many cuts and facets on the edges make the base sparkle and shine! The Lucite is in excellent condition! This piece is gorgeous in p...

The table was produced in Denmark in the 1970s. Table top made of teak. The furniture is after a comprehensive carpentry renovation, cleaned of the old coating, painted oak stain, fi...

Horn Collection, dining table, lacquered polyurethane plastic, Germany, 1970s Created for the Horn collection in the seventies, this well-formed table is made entirely from polyuret...

An outstanding Mid-Century Modern Parsons extension dining table in stunning book-matched olive ash burl wood By Milo Baughman for Thayer Coggin USA, 1970s Measures: 66"W x 39"D x...

John Stuart oak modern version harvest farm table style 4 plank detail with edge detail on 4 square tapered legs. Has (1) silverware drawer at one end and a pull out server on the o...

Architectural dining table model T30 designed by Edoardo Landi and manufactured by Studio D, Italy 1973. This table is designed by Architect Landi in 1973, and was produced in a very small series by StudioD, together with some chairs, cabinets and tables. This table is made of solid pine wood and is stained in black, it has a glass top in the center which gives the table a nice transparent look. This table is a typical architects design, its clearly visible in the way its constructed and shaped. The table is differenly nice from every angle and is very nice in use as well. The middle part is open and can be used to store items, books, or paper work and it will be only visible from the top and sides. The table can be fully dis assembled for safe shipping. This is one of the most stunning tables I have seen recently and reminds a lot of the later designs by Jose Zanine Caldas as well. Documentation is available but not included in the sale. The table can use up to 8 chairs and the chairs on the picture are not included in this listing. Edoardo Landi studied architecture at the Scuola Superiore di Disegno Industriale, Venice. 1959–1964 founding member of Gruppo N...

A gorgeous Mid-Century Modern extension dining table By Roger Sprunger for Dunbar Furniture USA, 1970s Stunning book-matched figural oak top, with chrome slab pedestals. Measure...

An ‘Il Colonnato’ dining table designed by Mario Bellini for Cassina in the 1970s. This table was inspired by the colonnades of classical architecture, in which a sequence of columns...

This is an original custom Florence Knoll Dining or Conference Table, featuring a walnut top and a chromed-steel base. The table was manufactured in the USA by Knoll in 1972. The p...

Dining table designed by José Zanine Caldas in 1970s. The original glass top and Brazilian solid hard wood legs. This individual was exhibited at the exhibition "Viva Zanine Brasil...

A Mid-Century Modern Andre coffee table designed by Tobia Scarpa for Gauvina. The Chrome frame is made of flatbar steel and the legs are made of tubular steel. It has a beautiful smo...

One of a kind Postmodern Italian designer 1970s off white round Solid travertine dining table with sculptural pedestal signature base This table and base are In very good vintage co...

A minimal and dramatic pedestal table fashioned from a stainless steel cylinder form supporting a round black granite top with steel banding inset into the edge.

Stunning bamboo-effect Brass table with Crystal top, made in Italy in the 1970s. Excellent vintage condition as pictured. Product Name:Crystal and Brass Table 1970 Italian Manufact...

This is an amazing and rare rosewood bi-folding dining table designed and made in Denmark, c1975.

Italian modern Granite and steel dining table Alcinoo by Zeev Aram for Gavina, 1970s Dining table mod. Alcinoo with rectangular top and rounded corners in granite. The structure is m...

Stunning 1970's Pinnacle dining table designed by J Wade Beam for Breuton The highly polished Steel and glass base support the 60" diameter glass...

Pierre Chapo's work and craftsmanship is celebrated for his precision, architectural skill, and natural aesthetic. Chapo’s creations are deeply rooted in his profound understanding o...

Offering one of our recent palm beach estate fine furniture acquisitions of a MCM vintage solid teak smoked glass extendable with pop up leaf dining table...

Brass Etched dining/ desk table by "Georges Mathias".

Jordi Casablanca Muntañola, dining table, oak, Spain, 1979. Catalan designer Jordi Casablanca Muntañola (1940-2001) designed this table in...

The table features a square pine top that offers a sturdy and functional surface, complemented by robust hexagonal legs, also made of pinewood, that introduce a geometric element and...

Brueton Mid Century Chrome and Marble Pedestal Dining Table This dining table measures: 50.25 wide x 50.25 deep x 29 inches high, with a chair clearance of 28.25 inches We take our...

The extendable table was produced in the 1970s, in the British Meredew factory. The table has solid, profiled edges, which give it uniqueness and elegance. The rectangular teak table...

Osvaldo Borsani for Stow Davis Mid Century Dining Table This dining table measures: 48 wide x 48 deep x 28.25 inches high, with a chair clearance of 26.75 inches All pieces of furn...

Whimsical handcrafted Organic Studio Craft Dining table 1974 by Woodworker Ejner Pagh. Made in USA, 1974 Solid cherry Wood Signed and dated to stretchers on each base 'Ejner C. Pagh ...

"This stunning Mid-Century Modernist Lucite and Chrome Dining Table is by Charles Hollis Jones and originates from the United States, Circa 1970. Features an elongated rectangular pr...

A beautiful and heavy glass table by Pace, the quality is there, the picture speak for itself.

Very fine Pace Collection dining table featuring a 3/4" glass table top with four polished lucite legs, and Pace signature polished steel caps. A wonderful size at 68" X 42" will com...

This is an Eames Universal Dining Table, Model ET206, originally designed by Ray and Charles Eames in 1961. This particular example was produced by Herman Miller in the USA C. 1971. ...

Italian round smoked glass and chromed steel dining table, 1970s Elegant and modern round dining table with smoked glass top and massive chromed ste...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Milo Baughman Style double pedestal olive wood base dining table with thick glass top. We love the chunky olive wood clad cube pedestals with the chromed plinth bases. Check out the ...

This is a 1966 Collection Outdoor Dining Table, originally designed by Richard Schultz for Knoll in 1966. This particular example dates to the 1970s. The table is constructed of cast...

Our Vintage Regency White Wash Wooden Dining Table combines rustic charm with Regency elegance, perfect for any dining setting. Features a white-washed finish with distressed accent...

Wonderful dining table manufactured bu D.R. Dimes. ( it has the lable in the bottom). D.R. Dimes is known for crafting reproduction American Colonial furniture, including dining tabl...