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Signed Paul Evans Directional Metal & Burl Wood Patchwork Slate Top End Table

$9,500

About

Mid-Century Modern Signed Paul Evans for Directional large patchwork end table on castors. This is uncommon with the combination of dark gray / pewter colored steel and burl wood tiles with a black slate top. In fine condition, only minor wear with a few dings. One small chip to the black slate at the edge, you have to look for it. Signed Paul Evans in one of the tiles, on the plinth base.

Details

  • Creator
    Paul Evans (Designer),Directional (Manufacturer)
  • Dimensions
    Height: 22.5 in. (57.15 cm)Width: 29.75 in. (75.57 cm)Depth: 29.75 in. (75.57 cm)
  • Style
    Mid-Century Modern (Of the Period)
  • Materials and Techniques
  • Place of Origin
  • Period
  • Date of Manufacture
    1970s
  • Condition
    Wear consistent with age and use. Very nice original condition, light wear, very few dings, one small chip to slate top.
  • Seller Location
    St. Louis, MO
  • Reference Number
    1stDibs: LU820229839322

Shipping & Returns

  • Shipping
    Ships From: St. Louis, MO
  • Return Policy

    A return for this item may be initiated within 3 days of delivery.

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About the Designer

Paul Evans

A designer and sculptor, Paul Evans was a wild card of late 20th century modernism. A leading light of the American Studio Furniture movement, Evans’s work manifests a singular aesthetic sense, as well as a seemingly contradictory appreciation for both folk art forms and for new materials and technologies.

Evans’s primary material was metal, not wood, which was favored by his fellow studio designers, and Bucks County, Pennsylvania, neighbors George Nakashima and Phillip Lloyd Powell. He trained in metallurgy and studied at the Cranbrook Academy of Art, the famed crucible of modern design and art in suburban Detroit. For a time early in his career, Evans also worked at Sturbridge Village, a historical “living museum” in Massachusetts, where he gave demonstrations as a costumed silversmith.

Evans’s earliest work unites these influences. The pieces that made his reputation are known as “sculpted-front” cabinets: wood cases faced with box-like high-relief patinated steel mounts laid out in a grid pattern. Each mount contains a metal emblem, or glyph, and the effect is that of a brawny quilt.

Evans’s later work falls into three distinct style groups. His sculpted-bronze pieces, begun in the mid-1960s, show Evans at his most expressive. He employed a technique in which resin is hand-shaped, and later sprayed with a metal coating, allowing for artistic nuance in the making of chairs, tables and case pieces. Later in the decade and into the 1970s, Evans produced his Argente series: consoles and other furniture forms that feature aluminum and pigment-infused metal surfaces welded into abstract organic forms and patterns.

Last, Evans's Cityscape design series — a milestone in the history of brutalist design — meshed perfectly with the sleek, “high tech” sensibility of the later ’70s. Evans constructed boxy forms and faced them with irregular mosaic patterns that mixed rectangular plaques of chromed steel, bronze or burlwood veneer. These, like all of Paul Evans’s designs, are both useful and eye-catching. But their appeal has another, more visceral quality: these pieces have clearly been touched by an artist’s hand.

Find a collection of authentic Paul Evans furniture today on 1stDibs.

About the Seller
5.0
Located in St. Louis, MO
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1993
1stDibs seller since 2006
645 sales on 1stDibs
Typical response time: <1 hour
Associations
20th Century Specialists
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