Neoclassical Guéridon by André Arbus

French architect, sculptor and designer André Arbus was destined to become one of the 20th century’s finest furniture makers. According to him, the craft was in his blood. “I come from an old family of cabinetmakers,” he once said. “From father to son for a very long time. In other words, I was born in a cabinet-making workshop.”

Born in Toulouse in 1903, Arbus spent his childhood working in his father’s business which sold reproductions of 18th century French furniture. He later studied at the École des Beaux-Arts in Toulouse under sculptor Henry Parayre. 

After graduating, Arbus returned to work with his father as the business’s artistic director. When his father retired, Arbus transformed the company from selling furniture reproductions to one that produced his own formidable designs, including cocktail tables, sofa tables and floor lamps that merged neoclassicism with Art Deco and featured alluring modernist characteristics.

In 1925, Arbus exhibited at several shows, including the Salon des Artistes Décorateurs, Exposition des Arts Décoratifs, Salon d’Automne, the Gallery L’Epoque and won a medal at the International Exhibition of Modern Decorative and Industrial Arts, which brought the Art Deco style to the global stage.

Arbus moved to Paris in 1932, won the prestigious Premier Prix Blumenthal in 1934 and opened his own gallery in 1935. His sconces, chandeliers and dining room tables attracted a steady clientele of some of Paris’s wealthiest. Arbus exhibited at the 1939 World’s Fair in New York and, throughout the 1940s, received numerous notable commissions. The French government gave many of his pieces as gifts to visiting foreign heads of state. He furnished several luxury ocean liners, collaborated with Maison Veronese on a line of lighting fixtures and was tasked to build a jewel cabinet for Princess Elizabeth.

In 1946, Arbus participated in the refurbishment of the Élysée Palace and the Château de Rambouillet with fellow French architects and designers Louis Süe and Jean-Charles Moreux. 

Arbus focused on sculpture throughout the 1950s until he died in 1969, drawing inspiration from eminent sculptors such as Vadim Androusov and Sylva Bernt. Today, Arbus’s works can be found in museums around the world.

On 1stDibs, find a range of vintage André Arbus lighting, tables and seating.

Owing to the company’s collaborations with many leading designers and artists over time, vintage Baker furniture is consistently sought after today. The heritage brand’s chairs, dining tables, desks and other pieces are widely known to collectors and design enthusiasts for their fine craftsmanship and durability.

Within a few decades of its launch, Baker Furniture Company evolved into one of the largest and most important furniture manufacturers in the United States and became known for its high-quality production standards. Siebe Baker and business partner Henry Cook founded the original iteration of Baker Furniture Company in 1890 in Allegan, Michigan, after immigrating to the United States from the Netherlands. Allegan is a small town west of Grand Rapids, which, at that time was home to Widdicomb Furniture Co. and more and was known as America’s furniture capital. The company manufactured doors and interior moldings and introduced a combination desk and bookcase in 1893. In the early 1900s, Siebe became the sole owner of the business.

Among others, stage designer Joseph Urban and modernist designer Kem Weber contributed designs to Baker in the 1920s. In 1932, under the leadership of Siebe’s son, Hollis, who started at the company as a salesman but took the reins when his father passed in 1925, Baker Furniture introduced bedroom pieces and debuted its Manor House collection, which made reproductions of European furnishings available to the American market. (Hollis was an avid traveler and procured antiques overseas for the company to reproduce in the United States.) Soon, Baker Furniture Company moved to Holland, Michigan, and eventually opened showrooms in Grand Rapids and elsewhere.

Pioneering Scandinavian designer Finn Juhl created a Danish modern line for Baker in 1951, and the company produced his award-winning Chieftain chair for a short time. In the late 1950s, Baker introduced the Milling Road label to reach a younger audience with stylish but less costly furnishings like console tables, walnut dining chairs and more, and in 1961, British furniture designer T.H. Robsjohn-Gibbings introduced a modern neoclassical line at Baker.

The 1960s and ’70s saw the introduction of historic reproduction furniture lines such as Woburn Abbey and the Historic Charleston collection, which remain very popular to this day. In 1990, Baker was licensed to produce a furniture line from Colonial Williamsburg. That same year, the Smithsonian Museum introduced Baker’s Chippendale chair into its permanent collection and the Grand Rapids Art Museum dedicated an exhibition to Baker’s 100th anniversary, a showcase that included 150 pieces of furniture Siebe Baker had collected as part of a larger assortment that had served as inspiration for his designs.

Today, vintage Baker furniture, such as its elegant mahogany nightstands and teak credenzas — particularly those crafted by Finn Juhl — sees high demand online and elsewhere. The company continues to produce contemporary collections with well-known designers such as Bill Sofield, Barbara Barry and Kara Mann and remains on par with some of the highest quality furniture in the industry.

Browse vintage Baker armchairs, sofas, coffee tables and other furniture on 1stDibs.