Molded Furniture

In the early 1920s, Wedgwood decided to produce an exceptional edition of the Portland Vase, and Harry Barnard embarked on 3-4 years of experiments, which resulted in this superb and...

Luxurious Mohair velvet upholstered Orchidée "lady & senior" lounge chairs by Michel Cadestin for Airborne International, France, 1968 “Orchidée” was one of the Cadestin models that were ordered by the Centre Pompidou Museum in Paris We fully restored these chairs with high quality 100% mohair wool velvet fabric "Musco" by De Ploeg In this process we preserved the old and original Airborne marked old upholstery from under the cushions and used it again The large model has 4 caster wheels to move the chair around in a space About the designer: Michel Cadestin was born in France in 1942. He is an interior designer and architect and through his work, he wishes to offer a functional and fun design accessible to the majority. A prolific designer, he has experienced with diverse forms and materials during his career. His creations are varied as evidenced by the furniture intended for the Center Georges Pompidou, such as the Karate armchair...

Resin Erotic Sculpture of a Woman in Bondage Kneeling and Tied Hands In Antique White Finish

This a Daum crystal Pate de Verre single flower (it can be a Groundsel) and large leaves bowl depicting different shades of blue and turquoi...

A stylish pair art deco column shaped glass candlesticks with patterned and frosted elements dating from around 1930. The molded candlesticks stand on a round raised and skirted base...

Fantastic rocket shaped, bullet ice bucket in aluminum and brass from the fabulous fifties. In excellent vintage condition with minimal wear. Has the original brochure pamphlet. 3 ...

Multiple Available. Original Molded Fiberglass Shell Chair, designed by Charles and Ray Eames for Herman Miller. Vintage shell chairs are prized for their attractive patina, distinct thread texture and beautiful depth of color seen in the fiberglass material. Shell is stamped with the Herman Miller emblem underneath. Dated to the 1970s. OAM boasts one of the largest collections of vintage Eames fiberglass shell chairs in New York City. We maintain a comprehensive selection of colorways, including rare and sought-after colors, in multiple quantities, enabling you to mix and match a set effortlessly. Shells are available for purchase individually, or we can offer guidance on assembling a set. For large sets, our extensive inventory ensures that the set has a cohesive and streamlined look. We only send out the finest vintage examples. A close inspection ensures each shell is free of chips, cracks, or defects. We replace the rubber shockmounts that attach the chairs to the base. Finally, the chairs are carefully polished to enhance the original finish. Our meticulous restoration process ensures the chairs are comfortable, stable and is an added value included in your purchase. The Eames Shell Chair was designed on the principle of adaptability, to accommodate a variety of uses and settings. Our shell chairs are shown on original zinc-finish bases, referred to as "H bases" by Eames enthusiasts. In addition to this classic...

French Art Deco butterly pendant chandelier by Choisy-le-Roi (Paris), France, 1920s. Thick opalescent molded glass hung at its period stamped brass fixture. Measures: Height: 25"(63....

Amazing set of six Rene Lalique Art Deco Ondines glass plates C1921 Finding a set of these plates is incredibly rare and seldom seen. Each have a nice strength of opalescence and are...

An attractive limited edition perfume bottle, the fluted pillars are decorated with palm patterns inspired by Rene Lalique’s Jaffa vase circa 1931. ...

An impressive early 20th Century American iridescent glass vase of slender form with green hearts shining through an attractive golden iridescence, signed L C Tiffany Favrile and numbered to base. ADDITIONAL INFORMATION Height: 23 cm Condition: Very Good Condition Circa: 1905 Materials: Iridescent Coloured Glass SKU: 6667 ABOUT Louis Comfort Tiffany Louis Comfort Tiffany (February 18, 1848 – January 17, 1933) was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass. He is the American artist most associated with the Art Nouveau and Aesthetic movements. Tiffany was affiliated with a prestigious collaborative of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Colman. Tiffany designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewellery, enamels and metalwork. Early Life He was born in New York City, New York, the son of Charles Lewis Tiffany, founder of Tiffany and Company; and Harriet Olivia Avery Young. He attended school at Pennsylvania Military Academy in West Chester, Pennsylvania, and Eagleswood Military Academy in Perth Amboy, New Jersey. His first artistic training was as a painter, studying under George Inness in Eagleswood, New Jersey and Samuel Colman in Irvington, New York. He also studied at the National Academy of Design in New York City in 1866-67 and with salon painter Leon-Adolphe-Auguste Belly in 1868-69. Belly’s landscape paintings had a great influence on Tiffany. Career Louis started out as a painter, but became interested in glassmaking from about 1875 and worked at several glasshouses in Brooklyn between then and 1878. In 1879, he joined with Candace Wheeler, Samuel Colman and Lockwood de Forest to form Louis Comfort Tiffany and Associated American Artists. The business was short-lived, lasting only four years. The group made designs for wallpaper, furniture, and textiles. He later opened his own glass factory in Corona, New York, determined to provide designs that improved the quality of contemporary glass. Tiffany’s leadership and talent, as well as his father’s money and connections, led this business to thrive. In 1881 Tiffany did the interior design of the Mark Twain House in Hartford, Connecticut, which still remains, but the new firm’s most notable work came in 1882 when President Chester Alan Arthur refused to move into the White House until it had been redecorated. He commissioned Tiffany, who had begun to make a name for himself in New York society for the firm’s interior design work, to redo the state rooms, which Arthur found charmless. He worked on the East Room, the Blue Room, the Red Room, the State Dining Room and the Entrance Hall, refurnishing, repainting in decorative patterns, installing newly designed mantelpieces, changing to wallpaper with dense patterns and, of course, adding Tiffany glass to gaslight fixtures, windows and adding an opalescent floor-to-ceiling glass screen in the Entrance Hall. The Tiffany screen and other Victorian additions were all removed in the Roosevelt renovations of 1902, which restored the White House interiors to Federal style in keeping with its architecture. A desire to concentrate on art in glass led to the breakup of the firm in 1885 when Tiffany chose to establish his own glassmaking firm that same year. The first Tiffany Glass Company was incorporated December 1, 1885 and in 1902 became known as the Tiffany Studios. In the beginning of his career, he used cheap jelly jars and bottles because they had the mineral impurities that finer glass lacked. When he was unable to convince fine glassmakers to leave the impurities in, he began making his own glass. Tiffany used opalescent glass in a variety of colors and textures to create a unique style of stained glass. He developed the “copper foil” technique, which, by edging each piece of cut glass in copper foil and soldering the whole together to create his windows and lamps, made possible a level of detail previously unknown. This can be contrasted with the method of painting in enamels or glass paint on colorless glass, and then setting the glass pieces in lead channels, that had been the dominant method of creating stained glass for hundreds of years in Europe. (The First Presbyterian Church building of 1905 in Pittsburgh, Pennsylvania is unique in that it uses Tiffany windows that partially make use of painted glass.) Use of the colored glass itself to create stained glass pictures was motivated by the ideals of the Arts and Crafts movement and its leader William Morris in England. Fellow artists and glassmakers Oliver Kimberly and Frank Duffner, founders of the Duffner and Kimberly Company and John La Farge were Tiffany’s chief competitors in this new American style of stained glass. Tiffany, Duffner and Kimberly, along with La Farge, had learned their craft at the same glasshouses in Brooklyn in the late 1870s. In 1889 at the Paris Exposition, he is said to have been “Overwhelmed” by the glass work of Émile Gallé, French Art Nouveau artisan. He also met artist Alphonse Mucha. In 1893, Tiffany built a new factory called the Stourbridge Glass Company, later called Tiffany Glass Furnaces, which was located in Corona, Queens, New York, hiring the Englishman Arthur J. Nash to oversee it. In 1893, his company also introduced the term Favrilein conjunction with his first production of blown glass at his new glass factory. Some early examples of his lamps were exhibited in the 1893 World’s Fair in Chicago. At the Exposition Universelle (1900) in Paris, he won a gold medal with his stained glass windows The Four Seasons He trademarked Favrile (from the old French word for handmade) on November 13, 1894. He later used this word to apply to all of his glass, enamel and pottery. His first commercially produced lamps date from around 1895. Much of his company’s production was in making stained glass windows and Tiffany lamps, but his company designed a complete range of interior decorations. At its peak, his factory employed more than 300 artisans. Recent scholarship led by Rutgers professor Martin Eidelberg suggests that a team of talented single women designers – sometimes referred to as the “Tiffany Girls” – led by Clara Driscoll played a big role in designing many of the floral patterns on the famous Tiffany...

Two negative shapes are placed on top of each other, one creating lift, the other creating support. The Baby Cove chair evokes the coastal formation that its name derives from; it ex...

The Strength An Art Deco patinated bronze group by Maurice Guiraud-Rivière (1881-1947) Representing three men in full effort pulling a rope, resting on an oblong naturalistic base S...

Coffee table C is part of the Abecedario Collection and marks the beginning of a language in cement that will create a concrete alphabet made up ...

A beautiful and extra large 50cm (nearly 20 inch) vintage mid-century modern flush mount light fixture by German lighting manufacturer Staff Leuchten, circa 1970s. Featuring a wonder...

Adam and Eve Oil on canvas signed below left «E.R. Ménard 1923» Labels on the back, including one from the Carnegie Institute in Pittsburgh, Pennsylvania in 1925. Titled in a cartou...

Shell-shaped box in solid 800 silver completely handmade. The lower part and the lid have been shaped and chiseled by faithfully copying the veins and structure of the Chlamys shel...

Vase "Picardie" made in cased opalescent with sepia patina by René Lalique in 1927. Engraved signature on bottom. Perfect condition. Exceptional model. Extremely rare. height: 24 ...

Rare opportunity to purchase one of ten (only five left) large vintage Mid-Century square iron rings and glass flush mount lights, sconces or lamps by Glashütte Limburg, Germany, cir...

Manufactured by Cebo Industries, Denmark in 1975. Brown and amber colored acrylic exterior, brass center tube and supporting brass chain. Measures: Height 10.15 inches, diameter 9.75 inches. Please do have a look at my other Danish and Scandinavian Mid-Century Modern, Art Deco and curious antiques for...

4 Cool Melamine Stackable Ashtrays or Snack Dishes in graphic black and white. Designed by Walter Zeischegg in 1967 for Helit, in Ulm, Germany. In original packaging from the 1960's.

French Art Deco chandelier, with six side shades and a matching round center coupe, in clear frosted molded glass. This piece features intricate flower motif details, adding a touch ...

This exquisite Tetsusabiji Uchidashi Gomai Dou Gusoku (Five-Plate Russet Iron Embossed Cuirass Armor), crafted in the 18th century, exemplifies the pinnacle of Edo-period samurai arm...

The Davos Vase is a strong Art Deco designed vase made by R.Lalique in 1932 in deep opalescent glass. The decor is inspired the the Atom's split or by th...

Caper stacking chair Designed by Jeff Weber for Herman Miller Caper’s polypropylene backrest is contoured to fit your back and perforated with holes to al...

Vase "Charmille" made in frosted glass with blue patina by René Lalique in 1926. Acid-stamped signature on the bottom. Perfect condition. height: 35.5 cm Félix Marcilhac, René Lal...

Embrace the essence of Scandinavian modernism with this stunning pair of Alvar Aalto–style Danish bentwood side tables/benches. Offering a perfect blend of mid century modern and vin...

Surrealism, primitivism, metaphysics and brutalism. Art together with architecture and design build a scenario of inspirations and continuous references through which the material ri...

1960's German textured glass cigar ashtray with mottled glass around top and surrounding perimeter. where bowl looks as if floating in space. The bottom of the piece has a square ge...

This rare table lamp was designed by Vico Magistretti for the Italian manufacture Artemide during the 1960s, it is one of 2 that we currently have in stock. The lamp is made from one main piece of white plastic. Dalù is one a wonderful expression of Magistretti’s design ethos and reflects his belief that beauty and everyday functionality should be equally important in the object. Vico Magistretti was born in Milan. He attended Parini High School before he enrolled in the Regio Politecnico Faculty of Architecture in Milan in the fall of 1939. In 1943-1944 he moved to Switzerland, where he attended several academic courses at the Champ Universitarie Italien in Lausanne. It was then that he spent time with Ernesto Nathan Rogers, who had a key influence on his intellectual education. In 1945 he returned to Milan, where he graduated from the Faculty of Architecture at the Polytechnic University. He immediately started working for his father's company, the architect Piergiulio Magistretti, in via Conservatorio. The 1950s were a very busy and fruitful period for the young architect, who came up with many innovative ideas and very quickly became one of the most outstanding representatives of the third generation. Over the next few years he worked as a designer as well as an architect, creating furniture and objects that will always be classics of contemporary production. It was then that he was awarded the Golden Compass for the Eclisse lamp (1967).He then started working with important companies such as Artemide, Campeggi, Cassina, De Padova, Flou, Fontana Arte, Fritz Hansen, Kartell, Olivari, Oluce, Poggi, Schiffini Mobili Cucine and Gebrüder Thonet Vienna. His design works are in the permanent collection of MoMA - Museum of Modern Art in New York and in many other museums in America and Europe. In the field of architecture, it is worth mentioning his nomination as an honorary member of the Royal College of Art in London, where he was also a visiting professor. He also participated in exhibitions and conferences in Europe, Japan and the USA. Established in the 1960s, Artemide is one of the most famous lighting brands in the world. Known for its philosophy, The Human Light...

A striking and substantial 105cm tall abstract bronze sculptures of a couple, featuring beautiful verdigris patina. This unique contemporary piece is meticulously hand crafted by the...

Industrial factory lamp shade and cast iron insert clear glass. Two pieces available. The lamps are in original vintage condition.

Rene Lalique Original Car Mascot From our Lalique collection, we are delighted to offer the Rene Lalique Perche Poisson Car Mascot. The Car Mascot modelled from Rene Lalique's origi...

Nice set of early 1950s DCM chairs, designed by Charles and Ray Eames for Herman Miller. These are well-preserved second generation examples in a fetching birch and black combinatio...

Two identical dressers are available. They are listed and sold individually. Please inquire if you are only interested in both. Well it’s 2024, and Broyhill’s Chapter One Collection is officially harder to find and more sought after than the Raymond Loewy orginals. With all due respect to Raymond Loewy, there really is something magical about the Chapter One line. Maybe they’re just more fun and approachable. Maybe it’s the proportions and practicality. Regardless, they’re one of our favourite collections of all time. The restoration team pulled no punches on this Chapter One Yellow Dresser...

Festive and colorful Italian Pietra Dura center table or garden dining table featuring an intricately detailed hard stone inlay top. The round top is embellished with marble and hard...

Take post-modern interior design for a spin with these funky goblet-shaped swivel chairs conceived by Italian designer Joe Colombo for West Germany's Lusch Erzeugnis chair company! T...

Fantastic pair of Mid Century Modern Sculptural Lounge chairs style of Pierre Paulin for Artifort. Need to be reupholstered, stains and some wear to edges. An easy upgrade, current f...

A set of ten, elegant Art Deco era Cranberry Glass footed goblets, circa 1930. Gorgeous color! The tumblers show a wide panel optic pattern around the Cranberry...

Pair of 1920's Italian enameled and gilt sconces with molded glass leaves and crystal flower. Measurements: Height: 21" Width: 5.5" Depth: 5"

Pair / set of two wonderful German wall-mounted single socketed light fixtures, sconces or lamps by Glashütte Limburg, circa 1965-1975. The geometric form of the smoked amber toned /...

A captivating amber glass sculpture of a standing tang horse with excellent contrasting clear and frosted coloured glass and fine detail, signed ...

The Ruba Rombic ashtray, produced by the Consolidated Glass Company, stands as an iconic example of Art Deco design. Crafted in Jade green cased glass, this stunning piece features b...

- This iconic design is rotatable, adjustable in height and is made of high-quality materials. The seat is made of ABS (plastic) and the frame of chromium. - It is striking with a sleek seat, making a statement piece in the kitchen, dining room or office - Designed by Stefano Giovannoni for Magis - Functional, stylish, comfortable Stefano Giovannoni born in La Spezia, lives and works in Milan as Industrial designer, interior designer and architect. He graduated at the University of Architecture in Florence at the age of 23 and, in the same faculty, he taught and conducted research until 1991. In 1984 and 1985 he collaborated with Ettore Sottsass and Alchimia-Mendini. He taught at Domus Academy in Milan, SPD Milan, at Università del progetto di Reggio Emilia, at University of Architecture in Florence and in Genoa. He works as Industrial designer, designing many bestsellers and commercially successful products that awarded him as “Champion of Super and Popular of the years 2000” (Alberto Alessi), “King Mida of design” (Cristina Morozzi), “Most bankable designer” (Eugenio Perazza, Magis). He collaborated with companies, such as Alessi, first designer with more than 300 steel and plastic products, (remark products: the “Girotondo family” absolute bestselling series in the history of design-oriented companies with more than 10 millions products sold, the “Mami” series, “Il Bagno Alessi” and famous plastic products such as Lilliput, Magic Bunny and Merdolino), Magis (with “Bombo”stool...

1930s Art Deco French Glass Centrepiece Attributed to Jean Luce. Large tray made of mirrored glass unsigned

One of a set of three vintage Mid-Century smoked / grey colored / coloured bubble glass flush mount light fixtures / sconces designed by Finnish legendary glass designer Helena Tynel...

Stunning French Art Deco table lamp Gorgeous glass globe shade. With Spelter Deer motif. Sitting on a marble base. In excellent condition and in full working order. And fitting E14 ...

A George Jones Majolica Tray, the shaped dish with relief-molded leaves and ferns, with branches laden with orange blossoms, surmounted with a single naturalistically molded and glaz...

Charles Eames for Herman Miller fiberglass DSX shell chair. Circa 1970. Retains all it's plastic glides. Shock mounts are in good condition with no visible drying or cracking. Struct...

Late 19th century Belle Époque books-shaped decanter case with crystal bottle, France By: unknown Material: leather, wood, crystal, glass, paint Technique: hand-crafted, hand-carved...

Part of the Streamline Series, Selene Mezzo is the smaller version of the Selene wall sconce composed of mold blown faceted glass and LEDs. Inspired by Art Moderne, the Streamline S...

Original Massimo Papiri rotating wood and brass coffee table with dry bar manufactured by Mario Sabot in Italy, circa 1970. The interior is illuminated and exposed through a smoked Lucite shield. The round brass compartment for the ice bucket or Champaign cooler...

Brutalist Round Grey Slate Stone Coffee Table by Sculptor Paul Kingma, Netherlands 1984 Introducing the Brutalist Round Coffee Table by renowned sculptor Paul Kingma, crafted in the...

This Danish Rosewood Tray is a stunning piece of mid-century modernism that is sure to impress any antique collector. The tray is stamped on the base "made in Denmark" and was creat...

Created by Jorge Zalszupin (1922-2020) and his design team, the Commander chair was designed to attend to the growing market for office furniture. The...

Cenedese vintage midcentury modern tall and rare pair of Murano solid light blue colored / coloured faceted glass obelisks, made circa 1970. Wonderful Italian glass and perfect as an...

On Sale for a limited time...! from $5950 to $4950. A pair of French Art Deco wall sconces by the French artist " Petitot " in clear frosted glass with vertical and horizontally rib...

Belle Époque french bronze sculpture of a boy with overall and a hat by Louis Kley By: Louis Kley Material: bronze, copper, metal Technique: cast, patinated, molded, metalwork Dimen...

Two identical hollow pieces joined together through a slight contact. The "cut" is brought to the limit of the visible giving the perception of instability. The light that enters ins...

A Minton Majolica Jardiniere, the urn-form body with applied laurel wreath handles tied with pink ribbon bows on a turquoise ground, the shoulder and rim molded with neoclassical bor...