Molded Furniture

1940s two-bodies white Volterra alabaster table lamp by Bianchi Factory, Italy By: Bianchi Factory Material: alabaster, stone, copper, metal Technique: hand-crafted, cast, molded, m...

This early wall-mounted coin operated jukebox tune selector is completely unmarked, but being attributed to the Seeburg Corporation of the United States in circa 1955 in the period M...

This is a Lalique frosted and clear crystal “Perceval” Greyhound sculpture /figurine. The quiet and calm greyhound is standing up straight with its mouth closed and very sweet eyes. ...

An attractive early 20th Century cabinet cameo glass vase etched and enamelled with budding flowers against a cream field, signed Daum Nancy and with the Cross of Lorraine ADDITIONAL...

The plaster bust portrays Napoleon's sister, Pauline Bonaparte, as Venus Victorious. It was commissioned by her husband, Camillo Borghese, and originally sculpted in Rome from 1805 ...

An early molded plywood screen divider in calico ash, designed by Charles & Ray Eames, manufactured by Herman Miller. The screen's ingenious design allows it to be formed into a vari...

This Art Deco styled lighted smoker's stand is unsigned but presumed to have been made in the United States in the 1950s. The stand features a light at the top and base made of swirled glass of orange and cream hues to replicate alabaster which emits a warm glow when lit. The central post is also accented with a marbled and tapered, possibly alabaster cylinder which is separated by a chrome ring. The top features two removable ashtray cups and a covered tobacco canister...

Vase “Six Figurines” made in cleat glass with sepia patina by René Lalique in 1912. Engraved signature signature on bottom and molded signature near the feet of one maid. Perfect ...

Awesome Mid-20th Century Mid Century Modern Tulip chairs by Burke comprised of a white fiberglass armed shell or frame, white painted metal shaft, 4 prong fiberglass bases, & loose cushion pads with black hopsacking, set of 4. Beautiful condition, keeping in mind that this is vintage and not new so will have signs of use and wear even if it has been refinished or restored. Specifically, the bases have been repainted & there is age related wear to the fiberglass frames including some crazing on the edges. The pads will need reupholstered & they have been priced accordingly. Please see photos, zoom in for details, and see long description as they are part of the condition report. We attempt to portray any imperfections. Circa, Mid-20th Century. Great things come in four’s…. For instance, The Beatles had 4 BRILLIANT band members, there are 4 incredible seasons in a year, a lucky clover has 4 leaves, and you could have FOUR of these AWESOME Burke Tulip chairs...

Designed by and made exclusively for Andrew Kornat Designs by one the of most prestigious ceramicists in historical Florence, Italy which is famed for porcelain and ceramic manufactu...

Vintage 1970s Space Age green and white Broyhill Chapter One highboy dresser. The 1970s era Chapter One collection was Broyhill’s playful re-imagining of Raymond Loewy’s work for French, brand DF200. Broyhill successfully made the Chapter One line more approachable for the American market. This tall stack of green drawers looks like LEGO come time life. Exciting, bold yet practical, these deep drawers can hold heaps of stuff. We have a matching low dresser and nightstand as well as several yellow Chapter One pieces. Inquire if you are interested in buying any of the other pieces and need group pricing. The restoration team pulled no punches on this Chapter One green highboy dresser, and the end result exceeded our expectations. Every inch of painted wood (including base) was professionally sanded primed and painted to match the original bright white. The laminate top and canary green molded plastic drawer fronts were finally buffed and polished to a glassy shine. 39.5” Wide x 18” Deep x 43.75” High Broyhill’s Chapter one collection borrowed from the plastic mold injection designs made famous by legendary designer Raymond Loewy. Like Loewy, these Chapter One Dressers employ the futuristic use of color and materials in a way that had not been seen before. The bright yellow plastic captures the playful spirit of the 1970s. The dresser is supported by a lacquered plinth base with rounded corners. This colorful, curvaceous case-good could have blended in nicely on the set of 2001 A Space Odyssey. The space-age look has never been more desirable, which may help explain the recent scarcity of all things Chapter One. We also have matching pieces including two low dressers, yellow nightstand...

Iconic Vintage Eero Aarnio Red Tomato Chair, Space aGE / Post Modernist.. Not exactly certain of exact age but I just recently purchased the chair back from a long time client who o...

A large fine French Louis XV style gilt bronze rock crystal, amethyst, crystal and cut-glass sixteen-light chandelier in the manner of Baccarat. The floral gilt bronze frame decorate...

Art Nouveau Solid Brass Chandelier With Floral Decorations 1930s Photography fails to capture the simple elegant illumination provided by this lamp. In Good condition and in full w...

Vase "Ronces" made in cased butterscotch yellow opalescent glass with sepia patina by René Lalique in 1921. Molded signature. Perfect condition. Exceptional color. height: 23.5 cm ...

Stunning Postmodern surrealist floating lounge or club chair in the form a trompe l'oeil draped handkerchief with a shape very reminiscent of the Molar chair by Wendell Castle...

MANTIS 13 pendant light was designed for the Mol collection by Mexican artist Isabel Moncada. Just like the insect it shares its name with, this piece is el...

Set of Glasses "Caracas" made in colored crystal by baccarat. All glasses are signed. All pieces are in perfect condition. Set of of 8 glasses of 2...

Fantastic plastic flexible floor lamp. Mid-1960s orange with a flexible neck for maneuverability with positioning. Lamp is 44 inches tall when in t...

A fine example of an oversized cast iron 19th century polychrome hand crank coffee grinder embossed with “Enterprise Mfg Co, Philadelphia USA” on each wheel and on base, “ Pat Oct 2...

A wonderful French 1930 art deco table lamp made by the Paris based company of Léon Hugue, A nickel plated solid brass or bronze base holds a signed dome sh...

A very rare Roth Keramic glossy yellow and black lava glazed flat round vase, pattern number 310. In excellent condition and still retaining its foil manufacture’s label from the 19...

Modern 1970s brown and white glazed ceramic table lamp consisting of a square ceramic base on which the ceramic globe with lighting articulated and illuminate any desired direction.O...

Late 19th century Regency Boulle-style ormolu and ebony wood bureau plat/desk by Mathieu Béfort (AKA: Béfort Jeune), France By: Mathieu Béfort, Béfort Jeune, André-Charles Boulle (i...

A pair of French Art Deco wall sconces by French Artist “GENET et MICHON” in great condition. In a clear and frosted molded glass with deep flower motif details held by frameless bra...

19th century chinese decorative Jian medium sword with a double-edged metal blade and scabbard By: unknown Material: iron, metal, paint, brass, copper, wood, animal skin, zinc Technique: forged, hammered, painted, gilt, carved, metalwork, hand-crafted, hand-painted, hand-carved Dimensions: 3 in x 23 in x 1 in Date: 19th century Style: Qing Place of origin: China This 19th century Chinese Jian sword exemplifies the refined craftsmanship of Qing dynasty decorative weaponry. The double-edged blade, forged from iron, exhibits a quadrangular cross-section and tapers to a sharp point. Its wooden hilt, intricately carved, is complemented by a brass pommel and guard, both featuring delicate chiseled ornamentation. The sheath, a testament to the artisan's skill, is constructed of wood wrapped in animal hide, displaying a distinctive black-and-white spotted pattern that adds texture and visual interest. Brass fittings, including an elaborately decorated chape, two suspension rings, and a locket, secure and embellish the scabbard. While the Jian was a classical Chinese weapon...

This is a Lalique Crystal “Grand Ducs” Owl flower vase. It depicts a large round bowl that is supported by the frosted crystal heads of four owls. Then, they are attached to a clear crystal square base...

This table lamp is made of ceramic, by a specialist in traditional pottery, with an exterior vitrified for greater light projection. The lampshade and the bulb are not included, but ...

Important sterling silver tea and coffee service. The service was entirely handmade in the Baroque style. The body of the coffee pot, teapot, milk jug and sugar bowl is round and h...

A rare Roth Keramic purple panelled headlamp vase with white and black lava glazed borders with a blue outline. Pattern number 403, in excellent condition.

Atlante is a round dining table with essential lines and a strong inspiration. Completely fashioned in UHPC concrete mortar by a team of expert artisans, this table perfeclty emodie...

An extraordinary Louis XV period (1715-1774) French ormolu mounted tulipwood and kingwood marquetry bombé sauteuse commode by master Parisian ébéniste André-Antoine Lardin. circa late 1740s In our 40+ years we have not came across a chest of drawers that captures our attention like this one! Exquisitely hand-crafted in Paris in the mid-18th century, exceptionally executed in opulent and luxurious period King Louis 15th taste, featuring a curvacious serpentine-front bombe-form solid wood case fitted with two drawers, adorned with finely chased, chiseled and gilded bronze doré mounts, including rare and most distinctive sculptural fiolated scroll Rocaille handles, flanking ornate keyhole escutcheons with original key included. In absolutely stunning rare and exotic precious tulipwood and kingwood veneer work with striking warm rich highly figured grain patterns, elegant floral marquetry inlays and fascinating early sunburst panels. Topped with the original serpentine shaped Brèche de Médous marble-top with stepped molded edge. The Breccia de Médous is extracted in the towns of Médous and Asté, near Bagnères-de-Bigorre in the Hautes-Pyrénées. This dramatic breccia is composed of angular elements of contrasting colors ranging from black to yellow to gray creating a bold but subdued visual display. Signed, retaining the original LARDIN blind stamp to top proper-right rear post underneath marble. André-Antoine Lardin (1724-1790) is a celebrated Master Cabinetmaker, earning maître in 1750, and particularly respected for his extraordinary woodworking veneer - marquetry work. - PROVENANCE / ACQUISITION: From the important collection of Loyd-Paxton, Dallas, Texas. Property from the magnificent Estate of Mr. and Mrs. Robert Morris Graham Sr., El Paso, Texas, but also with homes in Dallas, Texas and Pebble Beach, California. Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 Furniture & Decorative Art Featuring The Collection of Mrs. Henry Ford II Signature Auction Catalog #8167 Loyd Paxton Gallery, Dallas, Texas. With one of the finest collections in the world and prominent customers to match, including Sir Elton John, Truman Capote, Saudi Prince Faisal, and the Sultan of Brunei. Rare French antiques from Loyd-Paxton made their way into Versailles when it underwent renovations, and the Metropolitan Museum of Art in New York purchased furnishings, including a dazzling Louis XIV Boulle desk that had been owned by the Sun King himself. Betty Jo Graham might not hold celebrity status but her remarkable life and many contributions to American history and the arts community of El Paso, Texas, make her deserving of the limelight nonetheless. Affectionately known to her friends as BJ, led a remarkable life that intertwined a deep passion for music with significant contributions to her community and country. BJ embarked on her vocal journey at the age of 12, studying under the esteemed Mini Ferguson Owens at the University of Wichita. Her pursuit of musical excellence continued in the same institution, where she later attended college. BJ's life was not solely dedicated to music; she also played a vital role in American history. During the tumultuous times of World War II, she contributed her skills to the Cessna AT-17 training program, a crucial effort in preparing pilots for combat. She worked as an electrical wiring diagram analyst for Boeing Engineering Development on the iconic Enola Gay project in 1956. BJ's heart always remained with music. She continued to refine her vocal skills with notable figures such as Maude Douglas Tweedy in New York City and John Charles Thomas in Apple Valley, California. Her love story with Robert Morris Graham Sr., whom she married in 1975, was filled with shared adventures and travels across the globe, living in places from Dallas, Texas, to Pebble Beach, California, and El Paso, Texas. As a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica, she played a pivotal role in nurturing the musical landscape of her community. Her support extended to various causes, including the El Paso Opera, Holocaust Museum, Museum of Art, and many more, showcasing her belief in the transformative power of art and culture. Betty Jo Graham's journey through life reflects a profound dedication to her passions, community, and the arts. Her legacy, marked by her music, history, and philanthropy contributions, inspires and impacts many, ensuring that her melodious spirit will be remembered and cherished for future generations. After traveling the globe and living in cities across the country, Graham and her husband, Robert Morris Graham Sr., eventually settled in El Paso, where she served as a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica. Though Graham had a lifelong passion for music and played a pivotal role in nurturing the musical landscape of her community, her philanthropy extended to various causes, including the El Paso Opera, El Paso Holocaust Museum and El Paso Museum of Art, showcasing her belief in the power of art and culture. A patron of the arts, Graham was also a collector of fine jewelry, with a particular fondness for eye-catching, statement-making rings, necklaces, earrings and more, and Heritage was honored to present Property from the Estate of Mrs. Betty Jo “B.J.” Graham as part of its Spring Fine Jewelry Signature Auction. Inscription to placard on reverse: FROM THE COLLECTION OF LOYD-PAXTON DALLAS, TEXAS Signatures: Original blind stamped LARDIN to top of rear post. Bronzes not removed to inspect for foundry marks. - DIMENSIONS: (approx) 33" High, 42" Wide, 20.75" Deep - CONDITION REPORT: Overall a superb example, especially considering its nearly 300 years old. Beautifully aged warm patina, antique wood glow and lustrous sheen. Strong, sturdy, stable, structurally sound. Evidence of restorations, likely by Loyd-Paxton, including high-quality bespoke upholstered drawer lining. Typical wear commensurate with age, use, handling and exposure, including minor nicks to edge, age splits scattered throughout body, expected antique character and charm. Marble top is in great shape. Accompanied by two working keys. Overall outstanding presence, delivered cleaned, waxed, with hand rubbed polished patina, ready for immediate use and generational enjoyment! - INTERESTING ADDITIONAL INFORMATION: This elegant commode typifies the fashion for furniture mounted with exotic and rare woods, exquisite marquetry-work, and decadent Rococo bronzes. Andre Antoine Lardin, also known as N.B. Lardin was born in 1724 and died on 10 August 1790. He held his master's title from 1 July 1750 and was particularly respected for the exceptional quality of his veneering / marquetry. A well known and regarded maître ébéniste, Lardin’s career is somewhat thinly documented, most likely due to the upheaval and record destruction during the Revolution, notably when the guilds in Paris and elsewhere were abolished in 1791. Lardin worked for various marchand-mercier (furniture dealers) and probably also for a private clientele. He ran his workshop first in the Rue de Charenton and from 1770 in the Rue Saint-Nicolas. His two sons, André Antoine II and Louis François, worked with him for some time and the second-named became his successor in the Rue Saint-Nicolas. Lardin is known to have worked for the marchands André-François Carré, this superb commode having almost most certainly been commissioned through the intervention of one of these fashionable dealers. The marchand-mercier André-François Carré, is recorded rue Froidmanteau, "Magasin de glaces, porcelaine ébénisterie et curiosités pour les cabinets d'histoire naturelle." Carré also worked with two vernisseurs (vernis Martin): Porchon and Prévost. All of Lardin's furniture is classic in form and decor, well crafted and mostly veneered in rosewoods or violet wood. Lardin worked in the taste of the time with geometric patterns, cartouche fields and simulated fluting. Furniture with elaborate inlays such as birds, trophies, urns, landscapes, or flowers and sunburts such as this stunning example appear more rarely. The stamp JME stands for Jures Menuisiers Ebeniste and notes the guild affiliation of the master. The Corporation des Menuisiers-Ébénistes was a French craft guild which was concerned with the profession of woodworking. Some JME stamps are worn down from the marble slab over the years and no longer apparent, but in this case lacking the JME stamp is likely indicative of work made prior to reaching maître ébéniste (master cabinetmaker), denoting an early and exceedingly scarce example. Eighteenth century French furniture...

This double sided mirror will create a focal point on a bedroom dresser or in an entryway. Entirely handcrafted, has a semi-spherical base in concr...

French Art Deco flush mount by MULLER FRERES (Luneville) for Francis HUBENS (decoration house), 68 rue des Archives, Paris, 3e, France, ca.1920. Glass and chrome. Art Deco ceiling l...

Brutalist coffee table designed and made by Paul Kingma, The Netherlands 1991. Introducing the Brutalist Round Coffee Table by renowned sculptor Paul Kingma, crafted in the Netherla...

Fontana Arte sconce "Lampira" ( Ladybug) Designed by Gianemilio Piero and Anna Monti and manufactured in Italy in 1970s. Stamped "Fontana Arte" on the back. Shades can be open at dif...

A fine and rare 19th-20th century neoclassical revival style silver plated and cut-glass centrepiece in the manner of Christofle. The boat-shaped body with ornately finely chased det...

This contemporary outdoor sectional set is a stunning and versatile addition to any outdoor living space. Expertly crafted from powder-coated cast aluminum, the set includes two modu...

A fine pair of Classical Revival ceremonial swords with brassed handles, attached to a pressed steel shield with nickel plating featuring classical, angelic and military figures, som...

This uniquely humorous piggy bank is the perfect blend of wit and practicality, designed in the shape of a plump, adorable pig. What sets it apart is the quirky butcher's diagram of ...

Hard to find set of Six Rene Lalique opalescent coquilles No3 plates They all have a nice strength of opalescence and also have an opalescent rim The condition is good however, ther...

A beautiful pair of Wabi Sabi style Mid-Century Modern ceramic spherical vases by Strehla. Handmade in Germany circa the 1950s. The larger of the two measures 16 cm (6.29 in) in he...

I am listing this wall light (also listed separately under wall lights) as a table lamp because I think it works well as both. Designed by Motoko Ishii for Staff Leuchten during the...

A Geoffrey Baxter for Whitefriars aubergine onion vase, pattern number 9758 .Released in 1971, it is in excellent condition.

1920s Vienna Secession silvered metal box with wooden interior by Josef Hoffmann and Wiener Werkstätte, Austria By: Wiener Werkstätte, Josef Hoffmann Material: metal, silver plate, ...

Original Italian vintage wall lamp model "Lampira", with ABC lid and white opaline glass shade designed by Gianemilio, Piero and Anna Monti ...

'Olimpia': Art Déco french spelter sculpture with stone base by Pierre Le Faguays (Fayral) for Max Le Verrier By: Pierre Le Faguays (Fayral), ...

Lamp "Faune" "Pan" made in molded crystal glass with grey patina by Marc Lalique in 1950s. Engraved "Lalique France" signature. The lamp is in perfect condition with great patina on...

A marvelous wall relief in stoneware ceramic designed by Rut Bryk and manufactured by Arabia Finland in 1950`s. Sun rose received second prize in a major review of ceramic art held ...

Well tooled and embossed leather western riding saddle. Possibly a junior size. In excellent vintage condition with minimal wear.

Red aniline dye LCW lounge chair, designed by Charles and Ray Eames and manufactured by Herman Miller. The aniline-dyed wood is vibrant and rich, showcasing the dramatic grain undern...

Multiple Available. Original Molded Fiberglass Shell Chair, designed by Charles and Ray Eames for Herman Miller. Vintage shell chairs are prized for their attractive patina, distinct...

Most impressive clear, frosted and opalescent glass vase decorated with raised figures of birds on branches. A fabulous Art Deco design the surface of the vase has been finished by h...

Pair of mid-19th century Neoclassical footed cast iron planters/garden urns by Val d'Osne Foundry, France By: Val d'Osne Foundry Material: ir...

Hand painted “Monumental Serenity” homage to Matisse, is an organic modern wall light/wall sconce, in silky smooth white plaster, created by artist Hannah Woodhouse in her London st...

A Roth Keramic red and black lava glazed headlamp vase, pattern number 403. In excellent condition with bright glossy red panels contrasting with the bubbly lack lava glazed borders.

Bowl Art Deco Modernist made in smoked topaz etched glass with gold enamel by Jean Luce in 1930s. Stamped signature on bottom. Great condition. Very rare model. Some lose at gilding...

La collezione di Porcellane Las Palmas deve il suo nome alla città di Palmas, in Brasile. Si tratta di un vero e proprio omaggio alle palme, che siano le loro foglie, l'intera pianta...

Vintage Late 20th Century Sculptural Faux Stone Console/ Entry Table With Glass Top. Circa 1990s Features a coastal stile scrolls plaster base with a keystone like finish texture and...

A Geoffrey Baxter designed cinnamon sunburst vase, pattern number 9676. Released in 1967, this piece retains its paper maker’s label. In excellent condition.