Paintings

LE VILLAGE ENSOLEILLÉ Emile-Charles Dameron (French, 1848-1908) Oil on canvas Signed lower left "E. DAMERON" Item # 105KIP14S A vivid scene depicting a young woman working by needl...

Early 18th century Italian Venetian inland painting, a large size oil on canvas Baroque mountain landscape with stream, bridge, waterfall, wayfarers and a village in the background. The woodland is animated by figures, a caravan with horsemen fishermen. This monumental Italian Baroque landscape painting has a strong impact and an excellent composition balance, as it depicts in the center the luminous perspective of a fortified village, whose side wings consist of two mountain rocks with dark wooded vegetation crowded by characters, horsemen, paths, streams.On the left side, with respect to the observer, there is a path that runs alongside a stream that flows into a waterfall in the center of the composition. from a caravan of travelers on foot and on horseback traveling along it in both directions: going up the slope on the mountainous coast you can see a church and a village near the top. The right part of the painting depicts a more sparse and dry vegetation, painted in the chromatic tones of ocher, inside of which there are dead plant, dry branches and a smaller number of figures on the rugged mountain. The iconographic inspiration of this wooded representation seems to be in the large trunk of the withered conifer in a central position, which represents a dead tree, as a? reminder of the transience of everything in life, whose phases are summarized in the two mountainous coasts. In the background a village painted in light and soft blue colors, in stark contrast to the previous scene, seems  to reassure and project us into a future season. With a suggestive theatrical effect, more than 250 cm wide, this Baroque Italian painting comes from a private collection of Milan, the canvas has been lined and shows minor painting retouches at a horizontal seam of the canvas. It is unframed, it has just a wooden profile covering the canvas edge. It is an antique Italian landscape, the perfect opportunity to make a statement. Get the perfect size painting for a great living room, to create that eye-catching focal point. You can make an impact with a single large work by hanging this early 18th century Italian Baroque painting...

Antique painting “Madonna with a Napkin” after Bartolome Esteban Murillo, 1666 This lovely oil painting on beveled wood panel is after the f...

Marzio Masturzo, attributed (Active in Italy - in Naples and Rome- in the second half of the 17th century) "Battle between cavalry and vessels with fortified city on the left" ...

Barbizon School (19th century) Forest Landscapes oil on canvas; oil on board 13 3/8 x 21 3/8 inches.

La Pub in URSS dans les annees 20 Anikst, Mikhail Published by Editions du Chene, 1987 This work describes the extraordinary emulation aroused in Russian a...

The 19th century oil on canvas portrays a landscape painted in the style of the French Barbizon School. A flowing river is on the lower right while a road borders it on the lower lef...

Soldiers looting a village XVII century oil on panel Oil on panel: 75 x 110 cm Signed and dated 1650 lower left Sold at Christie's Amsterdam, 11/18/93 For 130,000 DG = 60,827 € - joint purchase invoice for the year 93 About painter dutch painter Utrecht 1586 - 1666 Utrecht Painter of genre scenes, generally of peasants, views and landscapes of villages and towns (including some winter landscapes) and some religious and allegorical subjects (mainly at the beginning of his career). We do not know under whom our painter studied. Seeing the Flemish character of his work, some scholars believe that he could have studied in Flanders, in Antwerp. Droochsloot was a versatile and productive painter. The central museum in his hometown of Utrecht holds 15 of his paintings, showing the diversity of his work, many other museums exhibit his works Our painting represents a scene that took place during the Eighty Years' War. This Dutch War of Independence from Spain was a long, slow war that lasted from 1568 to 1648. The war began with a Protestant uprising in Flanders and Holland against the Spanish...

Pietro Bardellino (Italy - Naples, 1732 - 1806), attr., Sacred Heart of the Child Jesus Measurements: with frame, cm L 86 x H 99 x P 8; only the canvas, cm L 78 x H 64 The pain...

Mid-century oil still life painting of a vase filled with assorted flowers next to a basket full of fruit on a table covered in fruit and grapes in a rectangular carved giltwood fram...

A late 19th early 20th century Berlin K.P.M. Porcelain Plaque titled "Der Eremit" (The Hermit) After the painting by Salomon Koninck (Dutch, 1609-1659)...

ENTOURAGE OF FRANCOIS DE TROY (TOULOUSE 1645-1730 PARIS) Portrait of a young mulatto aristocrat Oil on canvas Measures: 80 x 63 cm.

Francesco Simonini (Parma, 16 June 1686 - Parma, 1766) “The rest of the soldiers” and “The march of soldiers” oil on canvas The very fine paintings, attributable to the painte...

A six panelled screen of the late Baroque period Oil on canvas, depicting a panoramic view of a Capriccio north European landscape, perhaps Schlesweig-Holstein, with distant views of the sea, the ruined castles, peasants, and a lady of quality mounted, within a running arched canopy...

A very fine Italian 18th century oil on canvas "Madonna and Child" after Giovanni Lanfranco (Italian, 1582-1647). The young Virgin Mary attending to...

A very fine and large 18th century oil on canvas titled "Mother and Child" (Probably members of The Swedish Royal Family). Attributed to Michael Dahl (Swe...

17th Century Dutch Old Master Painting Jan Josefsz van Goyen, Provenance For the Netherlands, the seventeenth century was a period of remarkable artistic ...

Exceptional 19th century landscape painting by Important American artist William Keith. Titled "Harvest". Barbizon School oil on canvas painting featuring figures at harvest with cart and oxen. Amazing luminescent sky. Signed lower left corner "W. Keith '96". Retains original museum quality gilt frame. Canvas measure 30"H 50"W. Accompanied with period correct Stereograph black and white photograph depicting actual painting in a parlor with handwritten pencil title "Parlor, Berkeley, Cal. '97". This is a museum quality work of art. William Keith (1838-1911) William Keith became in the late 19th and early 20th centuries a leading Northern-California landscape artist. In fact, he was so well known that he is referred to as the "Dean of California painters" and "California's Old Master." Born in Aberdeenshire, Scotland, Keith came to New York with his family and, apprenticed to a wood engraver. In 1859, he moved to San Francisco where he worked for an engraver and later set up his own engraving business. Studying with Samuel Marsden Brookes in 1863, he determined to become a painter. He married artist Elizabeth Emerson and did watercolor painting with her guidance. In 1868, he became a full-time painter, and that same year was commissioned to paint scenes along the Columbia River including Mount Hood. By August 1869 he had sold enough paintings to finance an extended journey to the East Coast and Europe including Dusseldorf, Germany throughout most of 1870, studying with Albert Flamm. After a visit to Paris, he expressed great admiration for "the modern school of French landscape painting including the Barbizon School. During the winter of 1871-1872, the Keiths lived in Boston where they shared a studio with William Hahn. Keith's work received critical acclaim there and in New York at the National Academy of Design. In 1872, he returned to San Francisco. A friendship with naturalist John Muir exposed Keith to many remote places and in-depth knowledge of nature. During the 1870s, he painted several "epic" eight by ten-foot High Sierra views. He also visited Alaska, and his paintings of Alaska were exhibited upon his return to San Francisco in a show at the Bohemian Club, titled 'Dreams of Alaska'. Keith's Alaska works are significant because they are not close transcriptions of actual scenery, but rather are fantasies inspired by Alaska. They are important as they represent a major break from the documentary tradition in landscape painting of Alaska, as they show an interest in capturing its spirit versus just the topography. In 1891, he shared his studio for several weeks with East Coast Tonalist George Inness, Sr. [1825-1894]. Both men painted in a similar style and were followers of the mystical teachings of Swedenborg. Among the locations where Inness and Keith painted together were Monterey and Yosemite, and it was reported they discussed art from every possible angle. Under Inness' influence, Keith painted more than ever in a Barbizon-influenced vein with many sunset and twilight scenes. Keith’s first wife died in 1882, and in 1883, he married Mary McHenry, the first woman graduate of Hastings Law School. They soon went to Europe, and Keith studied portrait painting in Munich with consultations from J. Frank Currier...

Elegant 19th century pastel portrait of French officer with gold wooden frame. Excellent condition. Measures: 73 x 62 cm and 57 x 46 cm.

OIL ON CANVAS OF 17th Century LANDSCAPE OF WINTER OF THE NETHERLANDS. Good CONDITION. MEASURES WITH FRAME: 114X90 CM WITHOUT FRAME: 96X74 CM      

European School oil on panel of the 18th century Measures: 34X24CM Good condition.

Oil painting on canvas medical theme, home treatment of a chiropodist, Dutch school of the late eighteenth century - early nineteenth century. There ...

Oval plaque painted with tools of the garden in the style of an 18th century French trophy en grisaille. Signed and dated lower right

Painting by Friedrich Eckenfelder (Berne 1861- 1938 Balingen), “Landscape in the Swabian Alps”, oil on canvas 58 x 40 cm, signed lower left. Friedrich Eckenfelder was a Swiss-Germa...

18th Century Watercolor Portrait of Sir John Mennes After Anthony van Dyck This 18th century small sized watercolor portrait, in ...

Adolf Constantin Baumgartner Stoiloff (Austrian/Russian, 1850-1924) a fine oil on board "Charging Warriors on Horseback" within an ornate giltwood frame, circa 1890 Born in 1850 in Linz (Austria) Stoiloff died in Vienna in 1924. According to a research of Russian literature, he studied in the 1880s at St. Petersburg Imperial Academy of Fine Arts. He was very well known for his Russian horse...

Superb French hand-painted watercolor/gouache miniature on a bone panel. It depicts Bacchus and Ariane in a courting scene set in a mountainous landscape. The 18th century miniature is a version of the painting by Charles Joseph Natoire (1700-1777). It is a small but elegant painting with amazing quality details. It is mounted in a hand carved polychrome and gilded Spanish Baroque style wood frame...

A fine and large 19th century oil on canvas after Bartolomé Esteban Murrillo's (Spanish, 1617-1682) "Beggar Boys Playing Dice" (The original work by Murillo was painted in 1675). The impressive artwork depicts two young boys playing dice while another eats a piece of fruit as his dog watches on., within an ornate gildwood and gesso frame bearing a label from the faming company Bigelow & Jordan. The original work by Murillo is currently at the Alte Pinakothek Museum in Munich, Germany. The present work is signed: L. Rüber. Circa: Munich, Late 19th Century. Bartolomé Esteban Murillo (born late December 1617, baptized January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively, realist portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. Murillo was born to Gaspar Esteban and María Pérez Murillo. He may have been born in Seville or in Pilas, a smaller Andalusian town. It is clear that he was baptized in Seville in 1618, the youngest son in a family of fourteen. His father was a barber and surgeon. His parents died when Murillo was still very young, and the artist was largely brought up by his aunt and uncle. Murillo began his art studies under Juan del Castillo in Seville. There he became familiar with Flemish painting and the "Treatise on Sacred Images" of Molanus (Ian van der Meulen or Molano). The great commercial importance of Seville at the time ensured that he was subject to influences from other regions. His first works were influenced by Zurbarán, Jusepe de Ribera and Alonzo Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26, he moved to Madrid, where he most likely became familiar with the work of Velázquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. In 1645 he returned to Seville and married Beatriz Cabrera y Villalobos, with whom he eventually had eleven children. In that year, he painted eleven canvases for the convent of St. Francisco el Grande in Seville. These works depicting the miracles of Franciscan saints vary between the Zurbaránesque tenebrism of the Ecstasy of St Francis and a softly luminous style (as in Death of St Clare...

19th century Palatial oil on canvas of a young beauty. This large and impressive oil on canvas has a young woman in proper attire walking through the forest. The whole set in a finel...

Painting by Hermann Baisch (Dresden 1846-Karlsruhe 1894), “Farmers taking a Rest”, oil on canvas Hermann Baisch was a German painter and illustrator ...

"The King and the Musical Page" by A. Sturm 1885 to K. Begas. Oil on canvas with wooden frame. Signed and dated. (S-78).

Hans Ruzicka Lautenschlaeger 19/20th century Oil on canvas. 52 x 41 cm unframed. Good condition.

A very fine and Rare Russian mid-19th century Baroque style polychromed and gilded Religious Orthodox Christian Icon on a wooden panel with fi...

Oil on canvas portrait of a setter or golden retriever signed Clarence E. Braley, a Massachusetts artist (1854-1927).

Saskia smiling with feather bar (circa 1633). Oil on canvas. Exceptionally beautiful copy after Rembrandt, back titled - copy after No. 1556, the royal pai...

18th century oil on canvas of Putti preparing a hunt with hound, hare and horns. Wonderfully done. Most certainly French.

Oil painting battle scene of Adam Eugen (1817-1880). Oil on canvas. Military scene from the time of the Spanish War of Succession, signed and dated Eugen ...

Jews in the desert collecting the Manna. Oil on canvas, XVII century. Oil on canvas arranged horizontally in which a figurative theme is shown with a mountainous landscape in the ba...

Josef Mariano Kitschker (1879-1929) according to Boucher Oil on canvas with wooden frame. (S-77).

18th century, Italian oil on canvas still life by Pietro Navarra Oil on canvas, canvas measures: cm H 103 x W 164, framed measures...

A French Barbizon School framed oil on canvas painting from the early 20th century, depicting a pastoral farmyard scene and signed Theodore Linsyer. Born in France during the early y...

Italian 17th century still life painting in period carved gilt frame Italian school still life painting from the workshop of a great master. The 17th century Baroque painting in oil...

Italian Renaissance oil painting in a gold carved frame of a crowned woman wearing formal dress and breastplate and holding a staff "Minerva" (School of Paolo Veronese, 17th Cent)

19th C Limoges Enamel of Thomas Francis, Prince of Carignano after van Dyck A exquisite large Limoges enamel of the portrait of Thomas Francis, Prince of Carignano by Anthony van Dyck, 1634. In a finely carved giltwood frame. Unsigned. The original work was created in 1634 painting by Anthony van Dyck, Known as one of the finest equestrian portraits, It depicts Thomas Francis, Prince of Carignano on a horse, as an allegory of his holding the reins of command even in difficult times. The prince is wearing the insignia and red sash of the Supreme Order of the Most Holy Annunciation, conferred on him in 1616 by his father Charles Emmanuel I, Duke of Savoy...

A stunning pair of antique Italian trompe l’oeil still life paintings, a pair of 18th century oil on canvas vision jokes, false still life paintings known as deception paintings by a follower of Cristoforo Munari (Reggio Emilia 1667- Pisa 1720) of Italian origin, dating back to the first half of 1700s. These 18th century Italian Baroque trompe l'oeil paintings depict an abundance of objects are arranged on a table. The background of the disordered compositions consists of a wooden board wall with hanging sketches and other objects. Both still life compositions are painted in soft ocher tones and have the same unseen source illuminating the display from the left, creating a dark shadow on the right side of both paintings. Biscuits, a glass vase of flowers, earthenware pots, a wooden instrument...

Unknown Flemish artist, 17th-18th century, “Judith and Holofernes”, oil on canvas 20.47 x 19.68 inches (52 x 50 cm) (lined), not signed. The painting c...

Julius Caesar Ibbetson 1759-1817 old master painting English, 18th century This English school painting by Julius Caesar Ibbetson (1759-1817) depicts a countryside farm house off of a road with a horse drawn wagon...

A ram lowers its horns in a face off with a barking dog that rises on its haunches. An ox turns its head to watch the row. An annoyed ewe glances over its shoulder, but the two behin...

C18th gilt framed oil painting of the Battle of Boyne after Dutch artist Jan Wyck. It shows a panoramic landscape view from the northern vantage point ...

18th century Giacomo Guardi old master painting of Venetian Lagoon. Provenance. Old master painting in oil on canvas by the artist Giacomo Guardi (1764...

Still Life of an Kitchen Interieur , German , 18th century, Oil on canvas.      

17th century Flemish oil on panel Monogrammist H. C. "Soldiers gambling for Christ's tunic" The fine painting depicts the biblical scene i...

Attributed to Giorgio Lucchesi (1855-1941) A large and impressive early 20th century oil on canvas "Madonna and Child" after Bartolomé Esteban Murillo...

Oil on canvas depicting the Magdalene with jewels on the table, beautiful colors and the face of the Saint's expression. Probably Italian painter from central, Italy, 18th century.

St Jerome in the desert depicted with a lion. The figure of a Saint is very beautiful and anatomically well proportioned made in Center of Italy 17th century.

17th century Dutch Old Master painting with provenance, Barnyard with farm animals and peasants. This Dutch oil on canvas painting is a jewel among the...

This captivating 19th-century still life oil painting by the award-winning French artist Charles Henri Franzini d'Issoncourt is a testament to his artistic talent. Recognized at the ...

Georges Henri Bilhaut (1882-1963) /France: Painting 'Small Hamlet before a Storm', Early 19th Century An evocative scene of a French Val de Lou small villag...