James Webb 19th Century Oil Painting on Board Ship at Sea Framed

A modern abstract expressionist mixed-media on board titled "Flashes at Midnight" by Ellen Loerwald. Original gallery tag on verso. A subtle yet impactful statement. Dimensions: 36.2...

For your consideration is an outstanding original gouache on board painting titled "Trapper's Alley" - created in 1994 by Detroit artist Don Jacot (8 x 7, 16...

This striking oil on canvas attributed to James Webb titled "Liege" depicts a river scene in the city of Liege, Belgium. This exquisite cityscape features various boats docked at port, alongside crowds of passers-by. The painting recedes into mountainous views before hazily meeting a blue sky, speckled with clouds. This atmospheric landscape invites the viewer to peruse the past and get lost in the intimate details of Liege, Belgium. The painting is nested in a gorgeous statement giltwood frame crafted from wood and gesso. The frame is an empire-style frame with bead trim on the sight edge and ribbon trim on the concave profile. James Webb (1825-1895) was a British painter specializing in marine views and landscapes, depicting both England and continental Europe. He was born in London to a family of fellow painters, and went on to study at the Royal Academy. He exhibited in London at the Royal Academy and the British Institute between 1850 and 1888, and many of his works still hang in London in the collections of the Victoria and Albert Museum and the Tate Gallery. His painting style was inspired by English...

An atmospheric oil painting depicting a seaside with sunlit high sand dunes in the forefront and in Stark contrast a dark stormy sky in the background with seagulls overhead. Small sailing ships can be seen in the distance. Climbing the dunes is a shepherdess and her small flock of sheep grazing on meagre offerings along the dunes. A young couple can also be seen sitting on the beach in the background. The painting is in its original carved and gilded frame. Signed James Webb and dated 18_7 on the bottom right hand corner of the canvas. Why the artist omitted the "decade" digit and put an underscore instead is a mystery. The painting is set in an intricately carved gilded frame which has been professionally restored. James R Webb...