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Japanese PAinting Taisho Period Scroll Reed Cutter Nihonga Eitatsu Koyama
About the Item
[Authentic work] ◆ Eitatsu Koyama ◆ Reed Cutter drawing ◆ Japanese painting ◆ Hand-painted ◆ Silk book ◆ Hanging scroll ◆
Eitatsu Koyama
1880 (Meiji 13) - 1945 (Showa 20)
[Art yearbook appraised value 950,000 yen ]
[Birthplace/Teacher lineage]
Born in Koishikawa, Tokyo Teachers: Eiaki Suzuki, Tomion Kobori
[Affiliations/Affiliations]
Member of Koujikai, Nichitsuki member, Tatsumi Gakai member, Doujin formed by Geijutsusha
[Brief history/style, etc.]
Beginning studied Western painting with Honda Nishikichiro, but then turned to Japanese painting and studied under Suzuki Eiaki, then Kobori Tomion, and worked as an illustrator for the Hochi Shimbun newspaper. In 1911, he received a commendation at the 5th Bunten Exhibition for ``Being,'' 1913 received a medal at the 7th Bunten Exhibition ``Popular Force,'' and in 1914 he received a third prize bronze medal for ``Nin''. He received a medal for the 8th exhibition ``Yagoro'' and received a medal for the 9th ``Rainami no Jin'' exhibition in 1915. Since then, he has been active in government exhibitions such as exhibiting his works at the Teiten. In addition, he was a member of Kojikai along with fellow painters (later Tatsumi In 1917, he participated in the formation of Geijutsu-sha along with Kue Machida, Gengetsu Yazawa, and others.
He gained popularity for his Yamato-e-style painting style as a master of genre paintings and warrior paintings.
The Japanese artist Koyama Eitatsu (1880-1945) was born in Tokyo. Unlike his father and grandparents, he was a child of the Meiji Period (1868-1912).
Initially, he studied Western-style art under Honda Kinkichiro (1850-1921). His generation was encouraged to learn different art techniques and styles. This notably concerns the European art scene.
However, similar to Edo artists, Koyama Eitatsu also studied the artistic styles of the schools of Tosa and Kano. Accordingly, these different thought patterns and styles blessed him.
Ukiyo-e prints of war became popular in the Meiji Period. In time, ukiyo-e would become eclipsed.
However, shin hanga (new prints) and sōsaku hanga (creative prints) managed to preserve the world of Japanese prints in the twentieth century: so a connection to the world of ukiyo-e during the Edo Period continued.
Albeit, while the modernization aspect of this did provide a fresh impetus – the broad array of subjects was decreased dramatically (murder to shunga were now a fading memory).
This work is drawn by hand and on silk.
The box is a combined box.
The paper has some small stains and wrinkles, but is generally in good condition.
There are some small stains, wrinkles, and wrinkles on the cover, but it is generally in good condition.
This is a guaranteed genuine product, so please bid accordingly.
Size:
Approximately [height 196cm x width 37cm/(main paper) 107cm x 27cm]
- Dimensions:Height: 77.17 in (196 cm)Width: 14.57 in (37 cm)Depth: 0.04 in (1 mm)
- Style:Taisho (Of the Period)
- Materials and Techniques:
- Period:
- Date of Manufacture:20th c
- Condition:Wear consistent with age and use.
- Seller Location:Amsterdam, NL
- Reference Number:Seller: 901stDibs: LU4863237100782
About the Seller
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- ShippingRetrieving quote...Shipping from: Amsterdam, Netherlands
- Return Policy
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