Large Berlin 'K.P.M.' Porcelain Plaque after David II Teniers

A Berlin 'K.P.M.' painted porcelain plaque, "Madonna", Late 19th century After RAPHAEL (1483-1520) Depicting Madonna and child with a river and city in the distance, signed A. Dec...

A Berlin (K.P.M.) porcelain plaque, circa 1890 impressed to verso KPM with sceptre mark Size with frame Height 17.0 in. (43.18 cm.) Width 19.25 in. (48.89 cm.) Porcelain si...

A fine Berlin (K.P.M) Porcelain rectangular plaque The Artist, late 19th century With a group of figures in an artist studio Impressed sceptre and K.P.M. mark, in a giltwood fram...

A rectangular Berlin (K.P.M) plaque, 19th-early 20th century, finely painted with a recumbent nude, her hair upswept, signed Lauterbach, impressed monogram K...

A late 19th early 20th century Berlin K.P.M. Porcelain Plaque titled "Der Eremit" (The Hermit) After the painting by Salomon Koninck (Dutch, 1609-1659)...

Period: 19th century Origin: Germany Style: Rococo Framed Height: 36″ Width: 27″ Plaque Height: 16.5″ Width: 13.5″ With gilt-wood frame Maker: K.P.M. Koni...

A wonderful late 19th-early 20th Berlin K.P.M. porcelain rectangular plaque Painted landscape scene with two women and their children playing, the background with two men, one playing an instrument. Impressed K.P.M and scepter marks, in the original frame. KPM is an acronym for Königliche Porzellan-Manufaktur Berlin, which translates to “Royal Porcelain Factory in Berlin.” The company was founded in 1763 by Frederick II of Prussia, who bought the factory from its previous owner, Johann Ernst Gotzkowsky, in the wake of its bankruptcy. Frederick II greatly admired the factory’s “white gold,” a type of porcelain so fine and translucent that it closely mirrored the high-quality porcelain made in China. He invested large sums of money into the company and granted it the use of the royal scepter...

A Beautiful Late 19th century Berlin K.P.M. – Vienna style porcelain rectangular plaque of the five senses Signed Knoeller Finely painted after Hans Makart with the five vertical panels, each depicting a female nude against an exotic naturalistic background, emblematic of a senses, the reserves enriched with gilt stylized vine. Impressed K.P.M and scepter marks, painted blue Beehive mark, within a giltwood frame. Hans Makart, was an Austrian allegorical painter and designer (1840-1884) who trained at the Vienna Academy between 1850 and 1851 under Johann Fischbach. Makart rejected the established rules of classicism, preferring to embrace the sensual expression of color. He became one of the leading artistic figures of the period in Vienna and an important purveyor of fashionable taste. One of Makart’s greatest achievements was staging the vast costumed parades held to celebrate the silver wedding...