Marcel Dyf Fille Se Coiffant 1957

A THANGKA DEPICTING AMITAYUS, 18TH CENTURY Tibet. Distemper on cloth, with a silk brocade frame, mounted as a hanging scroll with wood handles. Finely painted with Amitayus seated i...

Louis Icart (French, 1888-1950) Dessin des Femmes, circa 1928 Hand-colored lithograph on paper of a nude female back side. Sheet: 17.5 x 13-1/2 inches...

Tibetan Buddhist thangka from the late 18th early 19th century. Distemper on cloth (either silk or cotton) Depicting a Buddhist deity with multi arms and Buddhist religious relics ...

Emile Antoine Bourdelle (French, 1861-1929) Bronze Sculpture Bronze brutalist bust titled Enfant Riant (Laughing Child) Most probably modeled by his daughter; Rhodia. Bourdelle was...

PRESENTING a GLORIOUS Contemporary piece of Art by a recognized Indian Master – C J Anthony Doss – The Temptation 1957 . This piece has impeccable Provenance ! It was purchased by a Private Dallas Collector at Sotheby’s New York Auction on 20th September 2005. Sale No: 8111 Lot No. 223. Sotheby’s operate a twice yearly auction of Southeast Asian Art & Antiquities in New York in the months of March and September. This sale was titled “Indian and Southeast Asian Art”. The Lot is described as: “C.J. Anthony Doss (b. 1933) THE TEMPTATION. Signed and dated ‘C J A Doss/57’ lower right. Oil on canvas laid on board. 27.5 by 20.5 in (69.9 by 52 cm.) The Provenance is given as: “Property from the Collection of Mr. Artur Isenberg”. The painting carried an Auction estimate of USD 2,000 to USD 4,000. Allowing for inflation alone this would be over $6,000 in today’s value. As an added bonus and proof of authenticity the painting still retains it’s original Sotheby’s Lot No. Label. It has substantially increased in value over the years as a HIGHLY DESIRABLE piece from an exhibited and highly collected Modern Indian Master painter. C.J. Anthony Doss is a very highly regarded and widely exhibited, Indian painter. He was born in 1933 and died in 2008. DAG Modern in Mumbai featured Doss’s work. Doss represented India at biennales in Paris and Sao Paulo. He was also a prominent member of the South Indian Society of Painters. His works are in Indian museums...

Our gallery acquired a number of works from the estate of the late George Dergalis on behalf of his widow. This colorful abstract is signed and dated 1957. Artist framed, the piece bears a label on the back from the School of the Museum of Fine Arts, Boston, Mass. It is titled "Landscape." In good condition with minor paint loss and flaws and imperfections to the period frame. A biography of the artist follows; Education: Accademia della Belle Arti, Rome, Italy; MFA, 1951. School of the Museum of Fine Arts, Boston, MA, USA; diploma with honors, 1957 and 5th year certificate, 1958. Positions: Painting instructor, School of the Museum of Fine Arts, Boston, MA, 1961-69 and DeCordova Museum, Lincoln, MA, 1961-94. Private classes, Wayland, MA. President, Alumni Association, School of the Museum of Fine Arts, Boston, MA , 1966-67. Combat artist, U.S. Army Historical Dept., Vietnam, 1967. Honorary Director, Boston Ballet, 1971. Chairman, curator, "Festival Bostonian for Art & Humanity," City Hall, Boston, MA , 1976. Artist -in-Residence, Partners of the Americas, 1979. Master, Copley Society of Boston, 1981. Designer, Wayland Veterans' Memorial, 2004. Nominating Committee, Cooper-Hewitt National Design Awards, 2007 & 2008. Awards: Bronze Medal for Excellence, Accademia delle Belle Arti, Rome, Italy, 1951. Prix de Rome, Accademia delle Belle Arti, Rome, Italy, 1951. Boit first prize, Drawing & first prize, Collaborative Design; School of the Museum of Fine Arts, Boston, MA, 1958. James William Paige Two-Year Traveling Scholarship, School of the Museum of Fine Arts, Boston, MA, 1958-60. Civilian Merit Award, U.S. Army Historical Dept., 1969. Excellence in Technique, Copley Society of Boston, 1978. Merit Award, "Through the Looking Glass" Exhibit, Museum of Fine Arts, Boston, MA, 1989. First Prize, Holiday Card, Commonwealth of Massachusetts, 2000. Jurors' awards, "Watercolor USA, 2002", Springfield Art Museum, Springfield, MA, USA and "Small Works", Attleboro Museum, Attleboro, MA, 2004. One of "Wayland's Top People of the Year", Wayland Town Crier, 2005. Gold Medal, Concord Art Association, Concord, MA, 1969. Selected Solo Exhibitions: Foundazione Besso, Rome, 1950. Museum of Fine Arts, Boston, 1961. DeCordova Museum, Lincoln, MA (two-man), 1962. Boston University, Boston, 1963. Harvard University, Cambridge, 1963. Brooklyn Museum, 1964. Massachusetts Institute of Technology, Cambridge, 1967. Brockton Art Center, Fuller Memorial, Brockton, MA, (four-man), 1971. Woodstock Gallery, London, 1974. Fitchburg Art Museum, Fitchburg, MA, (two-man), 1974. Camara de Comercio, Medellin, Colombia, 1980. Museo de Zea, Medellin, Columbia, 1981. Galesburg Civic Art Center, Galesburg, IL, 1985. Salon des Artistes, Hotel Meridien, Boston, 1987. Wayland Art Space, Wayland, MA, 1994. Group Exhibitions: Prima Mostra Internationale d'Arti, Rome, Italy, 1950. Quadrianale, Museum of Modern Art, Rome, Italy, 1951. Kurhaus, Wiesbaden, Germany, 1953. Busch-Reisinger Museum, Cambridge, MA, USA, 1957. Institute of Contemporary Art, Boston, MA, 1959 & 1976. Chicago International Arts Festival, 1963. American House Traveling Exhibit, Germany, 1964 & 1965. Helocon, Radcliffe College, Cambridge, MA, 1971. Museum of Fine Arts, Boston, MA, 1977. Scottsdale Center for the Arts, Scottsdale, AZ, 1980. The Tampa Museum, Tampa, FL, 1983-84. Boston Public Library, 1985, 1988, 1992, & 1994-5. Indianapolis Art Center, Indianapolis, IN, 2000. Springfield Art Museum, Springfield, MO, 2002 & 2007. The Foothills Art Center, Golden, CO, 2003 & 2005. Collections - Public & Corporate: Boston Public Library, Boston, MA DeCordova Museum, Lincoln, MA Sanofi Avantis, Switzerland Print...

Abstract figural painting, oil on canvas in simple wood frame. Signed Jalovick and dated 1957.

Excellent example of a large oil on canvas abstraction by Fred Hocks from 1957. This painting was included in the 1976 retrospective at the Fine Arts Gallery in San Diego which later became the San Diego Museum of Art. No painter embodies San Diego’s early avant-garde more than Fred (Ferdinand) Hocks, a German-born painter who began visiting San Diego in the late 1920s after studies at the California School of Fine Art in San Francisco and the Art Students League in New York. Fellow painter Dan Dickey credited Hocks in 1947 with “opening up pathways for future, more enlightened generations (of artists),” and predicted that Fred Hocks would be “esteemed a master.” During the post-war years Hocks was assistant director of the San Diego School of Arts and Crafts, a private art school in La Jolla, and was instrumental in keeping affordable artist’s studios in Spanish Village. Along with modern architect Lloyd Ruocco, Fred Hocks co-founded the dynamic Allied Artists Council with Belle Baranceanu, Everett Gee Jackson, Dan Dickey and John Olsen. The well-travelled Hocks exhibited in San Francisco, Oakland, Los Angeles, Long Beach, Pasadena, Paris, Mallorca and Guadalajara, had several one-person shows at the Art Center La Jolla/La Jolla Museum of Art and at the Fine Arts Gallery (SDMA). The San Diego Museum of Art held a major retrospective of his painting in 1976, just a few years before his death. He brought a continental element to the local art scene and is described in Bruce Kamerling’s 100 Years of Art in San Diego as “one of the most adventurous local artists…an intelligent and articulate defender of modern tendencies in art.” Local arts and architecture writer James Britton called Fred Hocks “the dean of the San Diego moderns...