Marcel Dyf “Place De la Concorde”

Tibetan Buddhist thangka from the late 18th early 19th century. Distemper on cloth (either silk or cotton) Depicting a Buddhist deity with multi arms and Buddhist religious relics ...

A THANGKA DEPICTING AMITAYUS, 18TH CENTURY Tibet. Distemper on cloth, with a silk brocade frame, mounted as a hanging scroll with wood handles. Finely painted with Amitayus seated i...

Louis Icart (French, 1888-1950) Dessin des Femmes, circa 1928 Hand-colored lithograph on paper of a nude female back side. Sheet: 17.5 x 13-1/2 inches...

Francois Raoul Larche (1860-1912) LA SEVE or Métamorphose de Daphné Gilt Bronze Art Nouveau Sculpture Cast, Gilt Bronze or Marble base France, c. 1900, Signed "Raoul Larche," number...

Oil on canvas representing a naked woman, Gloria Morera Font (1938 - ), "La soledad de la artista", signed and dated 1976. Spain, 1970s.

abstract painting by the Grenoblois painter Jacques de Feline in his last period. Abstract and lyrical work, Jacques' wife was a French poet who had a lot of influence on his way of ...

Original color lithograph 'La gardeuse de moutons' by Roger de la Fresnaye. Lithograph printed from an original painting made by the author in France, circa 1909. Published in ...

Franz (Bernard) Gailliard (Belgian, 1861-1932) "La Place Sainte Gudule a` Bruxelles Apre`s Le Carnaval" A fine and large oil on canvas depicting a street scene in late 19th century Brussels - La Place Sainte Gudule - after the Carnaval. Unframed. Signed: F. GAILLIARD (l/r), Circa 1890. Measures: Canvas height: 95 inches (241.3 cm). Canvas width: 84 1/2 inches (214.6 cm). Franz F.D.A. Gailliard (1861-1932) was a Belgian Neo-Impressionnist and Luminist painter of figures, portraits, landscapes and beach scenes. He was also a reporter, watercolourist and draughtsman for French, English and Belgian lifestyle magazines and newspapers such as the French Le Patriote illustre´, Belgian Le Petit Bleu and English London Illustrated News. He received his artistic education at the Academy of Brussels under the tutorship of Jean Portaels, Joseph Stallaert and Franc¸ois Bossuet. Gailliard also studied at the Brussels Academy of Beaux-Arts and in Paris under the supervision of Jean-Le´on Ge´ro^me (French, 1824–1904) and followed class together with his contemporaries James Ensor, Le´on Fre´de´ric and Fernand Khnopff. He met up with the renowned American painter James Whistler in 1887 and showed him around Brussels. He was the first artist to introduce the "dripping" method in 1891. After having painting in a realist and traditional style, he got influenced by the Impressionist French School, and headed toward a "luministe-divisionniste" technique in his latest period. He exhibited at the Brussels Salon, and at the Salon des Artistes Franc¸ais in Paris from 1882 to 1891, as well as in Venice and Du¨sseldorf. Gailliard exhibited his oeuvre at the "Cercle Artistique et Litte´raire" in Brussels in 1910 and 1913. He became eventually director at the Academy of Sint-Gillis where his son Jean-Jacques Gailliard took class in order to also become painter. A retrospective was held in is honour is 1957 in Sint-Gillis. Even though he was influenced by the Art Deco aesthetics after the First War, he never stopped studying and experimenting with light. Gailliard exhibited at The Esposizione Internazionale d'Arte della Citta` di Venezia (Venice) in 1909 and at La Biennale di Venezia, (Venice) in 1907. He also exhibited at Le Muse´e d'Ixelles, Brussels. Gailliard died in Brussels on February 16, 1932. Museums: Muse´e d'Ixelles, Brussels Acknowledgments: Biography information of Gailliard was obtained from Galerie Ary Jan in Paris. This painting was previously offered at Bonhams New York on May 06, 2009, Sale Number 17454, "The Severin Wunderman Collection", Lot 4247W. The current auction...