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Mario Tozzi Mid-Century Italian Signed and Archived Still Life
$19,154.79
£14,129.61
€16,000
CA$26,539.93
A$28,799.87
CHF 15,261.39
MX$353,216.33
NOK 188,858.61
SEK 178,461.39
DKK 121,836.94
About the Item
‘Natura morta con figurina smarrita” (Still Life with a Lost Figurine), an unpublished work on the market, signed Mario Tozzi top right.
It represents one of the works from the period 1938-44, dedicated to still lifes where the Master usually depicted shells, glasses, keys, stones and usually, in the background, figurines.
In this work, a lost figurine, almost looking for protection.
The work was presented in Rome in room VI of the 4th Quadriennale d'Arte Nazionale in 1943 where Mario Tozzi presented nine oil paintings together with Maccari, De Pisis and a young Guttuso.
Natura morta con figurina smarrita (Still Life with a Lost Figurine) can be found in the Mario Tozzi Archive under number 2464 and in the General Catalogue.
This artwork, never before on the market, comes from an important private collection and is beautified by an impressive antique frame in wood, in almost perfect condition.
Mario Tozzi (30 October 1895 – 8 September 1979) was an Italian painter. He was awarded the Legion of Honour by the French government.
Tozzi studied at the Accademia di Belle Arti di Bologna in Italy where he met Giorgio Morandi and Osvaldo Licini. He graduated in 1916.
After the First World War, he moved to Paris, France and founded the Groupe des Sept (also known as Les Italiens de Paris) with Massimo Campigli, Giorgio de Chirico, Filippo De Pisis, Renato Paresce, Alberto Savinio and Gino Severini.
Tozzi returned to Rome in 1936. His work was exhibited at the Venice Biennale in 1938, 1942, 1948, 1952 and 1954.
He returned to France in 1971, dying there in 1979.
A catalogue raisonné of his paintings was published In 1988 by Giorgio Mondadori Editore and edited by Marilena Pasquali.
Centre Georges Pompidou, Paris, France
Museum of Fine Arts of Lyon, Lyon, France
Museum of Fine Arts Bern, Bern, Switzerland
Pushkin Museum, Moscow, Russia
Museo del Novecento, Milan, Italy
Bologna Museum of Modern Art, Bologna, Italy
Galleria Nazionale d'Arte Moderna, Rome, Italy
Mario Tozzi Mid-Century Italian Signed and Archived Still Life
Under existing legislation, any artwork created over 70 years ago by an artist who has died can requires a license for export regardless of the work’s market price. The shipping may require additional handling days to require the license according to the destination of the artwork.
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- Creator:Mario Tozzi (Author)
- Dimensions:Height: 7.29 in (18.5 cm)Width: 21.26 in (54 cm)Depth: 0.79 in (2 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1943
- Condition:Wear consistent with age and use. Minor fading.
- Seller Location:Roma, IT
- Reference Number:1stDibs: LU4827244454562
Mario Tozzi
He was born in Isola di Fano (a hamlet in the municipality of Fossombrone) in the province of Pesaro-Urbino, the first of five children. His father, Giacinto Tommaso, a doctor, settled the family in Suna on the Piedmontese shore of Lake Maggiore. He abandoned his studies in chemistry at the L. Cobianchi Institute in Intra to devote himself to his artistic calling, enrolling in the Academy of Fine Arts in Bologna in 1913, where he met Morandi and Licini. He graduated in 1915. He served in the military during the First World War, in which he lost two brothers.
Discharged in 1919, he married a young Frenchwoman, Marie Therese Lemaire, and settled with her in Paris. There, he exhibited at the Salon des Artistes Indépendantes, the Salon d'Automne, and the Salon des Tuileries, where he was immediately noticed by critics. In 1926, he reunited with his friend Licini in Paris and met other avant-garde Italian painters.
In particular, he became friends with the painter and poster designer Severo Pozzati.
In the same year, he exhibited at the first Novecento exhibition. He founded the Groupe des Sept (Group of Seven, also known as Les Italiens de Paris) with Campigli, de Chirico, de Pisis, Paresce, Savinio, and Severini. The 1930s were a period of great success for him. He was awarded the Legion of Honor by the French government.
1936-1957: Return to Rome and Health Problems
edit
After returning to Rome in 1936, he devoted himself to fresco painting (in 1938 for the interior of the Palace of Justice in Milan). He exhibited at the Venice Biennale in 1938 and 1942.
The 1940s and 1950s were a long period of little work for him, but one of deep reflection, which saw him absent from exhibitions due to serious health problems. He did, however, participate in the Venice Biennale in 1948, 1952, and 1954.
He finally resumed exhibiting in 1958 at the Annunciata Gallery in Milan. In 1960, he settled in the family home in Suna. His paintings with "white backgrounds" and his color lithographs depicting female heads are well-known from this period.
In 1971, he returned to France to be close to his daughter and grandchildren. He died there in 1979.
In 1988, Giorgio Mondadori Editore published the General Catalogue Raisonné of Mario Tozzi's Paintings, a two-volume work edited by Marilena Pasquali in close collaboration with her daughter Francesca Tozzi and the Studio Tozzi in Foiano della Chiana (Arezzo) represented by Professor Tiezzi. In 2012, the Mario Tozzi Artistic and Cultural Association was established. In 2021, the Ministry of Culture declared the Mario Tozzi Archives of Particularly Important Historical Interest, protecting them as cultural heritage.
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