Canvas Paintings

Floral still life depicting magnolia branches presented in a red floral decorated vase with a few fallen petals on the table. Signed upper right. Presented in a silver gilt and paint...

Vintage Frank Walcott mixed media abstract painting, 1970s Offered for sale is a 1970s Mid-Century Modern Frank Walcott mixed media abstract 3-dimens...

J. Paramé is considered one of the most talented and promising Portuguese artists of his generation. Born in Lisbon in 1978, he studied at the National Society of Fine Arts in Lisbon...

Each with nicely carved and gilded frames. Each panel with a variety of farm birds, ducks and other fowl. Indistinctly signed.

HERMANN DAVID SALOMON CORRODI Italian, 1844-1905 Bucolic Landscape of Shepherds Caring for an Injured Lamb (1868) Oil on canvas signed lower left "H. Corrodi Roma 68" Item # C104...

Sinbad with the old man of the sea on his back original illustration oil painting, 19th century. A fine oil illustration from the Tales of the Ar...

A very large oil on canvas painting, Impressionism technique, of a charming coastal view. The frame is custom made of gilded gold and bla...

1970s Jaime Parlade designer hand painting "Tiger" oil on canvas.

Large whimsical oil on canvas painting depicting an 18th century French provincial gentleman farmer with chickens and a pig. Late 20th century painting by Ira Yeager (American 1938-2...

19th century oversized oil on canvas landscape depicting a home in the forest with a mountain range and a body of water with a boat. Mounted o...

Otis Huband is an American artist known for his vibrant and abstract paintings. His work is characterized by a bold use of color, dynamic compositions, and a distinct sense of rhythm...

Miguel Llabrés (Spanish, 1930 - 1983)Sacre-Coeur, Paris oil on canvas signedLlabrés (lower right); titled (on the reverse) 33 x 39 inches. Framed, 42.5 x 50”

Fine quality antique oil painting by unknown artist , much admired and celebrated River landscape, with two people overlooking at the river and a bridge .interesting with Fine detai...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). An allegory of the love Omnia vincit amor...

Modern impressionistic portrait of a smoking man by Costain. Oil on canvas.

Juan Archuleta gates and garden painting. Well done in a fine custom gilt frame from a fine New Jersey private. collection. Juan S.E. Archuleta, Bor...

Scott Kerr is a self-taught Contemporary Abstract Artist. As a young boy, he was exposed to the art world by his father through the works of a local Texas artist, David Brownlow. Ama...

A very large antiqued reproduction oil painting after Rosa Bonheur. Apty titled"La fenaison en Auvergne / Haymaking in Auvergne" features an antiqued canvas. The canvas is signed alo...

A pair of oil on canvas hunt paintings attributed to Henry Alken (1785-1851) entitled "The Find" and "The Death", in original giltwood frames. Provenance: Provenance: The Hon. Mr...

Peruvian Cuzo School Oil on Canvas of the Archangel Michael. Canvas has been remounted on new stretchers, a few small marks to the edge of the frame. The Cuzco or Cusco school was...

This antique stunning portrait of Madonna in Sorrow came out from a Palazzo in Florence and an absolute eye catcher. The colors and details are incredible and very typical for an Ita...

This oil on canvas painting was created in Italy, circa 1920. Set inside the original carved gilt frame, this painting depicts a European city scene bustling with people walking down...

17th century old master oil painting of Saint Bernard of Clairvaux. Spanish school. Dramatic expression and perfect use of chiaroscuro, the art of light and shadow effects, makes th...

Possibly Southern United States. The painting set in a gilt wood frame. Oil on canvas showing a house on a lake with orange trees and landscape with a woman sitting on grass.

A vibrant French oil on canvas painting from the mid-20th century, depicting a working harbor surrounded by rolling hills of lush vegetation. Two figures are seen standing on a dock ...

Ancient Italian painting from the 18th century. Oil on canvas famework depicting a seascape with characters and architectures of good pictorial quality. Nice size painting and pleasa...

Charming painting of eggs in a straw hat. Nicely carved bleached pine frame.

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

17th century, Pair of paintings depicting Architectural Caprices with Bacchanal and Sacrifice Scene, Alberto Carlieri (Rome 1672-1720) Oil on canvas; Dimensions: canvas cm H 73.5 x W...

A vibrant 19th century French oil on canvas seascape complemented by an equally stunning gold gilt frame, to brighten up any interior with the natural beauty of a rugged coastline. I...

This late 17th-century oil on canvas from Peru, depicting the Virgin Mary and baby Jesus, is a striking example of Spanish Colonial art. The work reflects the deep religiosity and de...

Original oil on canvas painting of the adoration of the magi, with Mother Mary and infant Christ. Framed over 5' wide x 4' tall, no signature/unknown artist. Canvas has craquelure, o...

The 19th Century Painting from Mexico in Gilt Frame is a captivating work of art that showcases the rich artistic tradition of the region. Set within an ornate gilt frame, the painti...

This is a lovely pair of 19th century hand painted panels in giltwood frames. They are beautifully done with cascading blue and white elements surrounding neo-classical revival urns....

Emil Wennerwald, a Danish painter, created landscapes in the classic national romantic style, celebrating the natural beauty of his homeland and its artistic traditions. Influenced b...

Contemporary acrylic painting on canvas with rust, black, and beige colors in a black frame; titled: "Whacko" by Ricardo Rumi, 2009. Ricardo Rumi is a Canadian painter who was born...

A Large and sensitively rendered and highly decorative 18th portrait of a dashing young gentleman He wears a long powdered wig and an extravagant costume which includes an electric ...

Colorful Abstract Mid Century Modern Painting, by Robert Brooks, American, circa 1959. Signed and dated. It measures 17.25" width x 9" height.

Large 20th century oil on canvas abstract painting. Rich blues, yellows, pinks. Signature in right lower corner, yet unable to decipher.

Oil painting "The Man in the Gold Helmet" Rembrandt van Rijn Portrait copy of the famous Dutch painter Rembrandt van Rijn, overpainted print, signed. Fr...

'Summer Landscape' by Beverly Myers Modern Painter, School of Wolf Kahn  USA, Post 2015 "Summer Landscape" is a stunning example of Beverly Myers' maste...

Decorate a man's office or study with this elegant pair of antique paintings; crafted in France and set in the original carved giltwood frame, each canvas features a nicely dressed p...

"Deco Train" Original painting by Lynn Curlee This painting was used as an illustration in Trains, a picturebook for older kids published by Simon & Schus...

This fine old painting is a typical pastiche of the kind popular throughout Italy and the world in the 17th, 18th and 19th centuries. The most commonly associated artist who really m...

Georges-Marie-Julien Girardot (French, b. Besançon 1856 - d. Paris, 1914) "Avant le mariage" (Before the Wedding) A Palatial and Impressive French 19th Century Oil on Canvas depictin...

An original oil painting replicating the "Flood at Port-Marly" after Alfred Sisley. The painting is on canvas and signed lower right by an artist with the first name Sally. Framed i...

This is a vintage ship painting. An English, framed maritime watercolour with nautical interest by John Whale, dating to the late 20th century. Delightful 'golden age of sailing' wa...

A wonderful pair of seascape paintings of fishing boats attributed to William Mcalpine (British 19th century) titled 'Beached Fishing Vessels' and 'Sh...

Frederick Arthur Bridgman La Fête des Bois, Les Bacchantes signed F.A. Bridgman (lower left) oil on canvas Dimensions: Height: 73" Width: 150" ( 185.4cm x 381cm) La fête des bois, les bacchantes imagines a celebratory procession of flower-crowned revelers parading joyfully through the woods. Bridgman exhibited a near identical version, approximately one third of its size, at the Paris Salon of 1896, no. 311 (for illustration, see Sotheby's, February 12, 1997, lot 71). The painting certainly raised eyebrows and stirred feisty commentary when it was exhibited at London's Royal Academy. As one critic wrote in the Atheneum: Provenance Sale: American Art Association, New York, The Works of F. A. Bridgman, March 14, 1899, lot 72 William Randolph Hearst (offered, his sale, Gimbel Brothers...

Decorate a study or a den with this antique chicken painting composition. Created in Belgium circa 1890, and set in the original thick carved giltwood frame, this large painting depi...

Mid-Century Danish Abstract Landscape Painting Signed With dimensions of 33 1/2 inches in width and 19 1/2 inches in height, this artwork beautifully melds cool blue and green hues...

18th century Italian old master, oil on canvas, depicting a remarkable and very fine portrait of a scholar. Provenance: an important private collection Good condition overall, ready...

A gorgeous 19th Century oil on canvas painting depicting a figural pastoral scene featuring a shepherd with his dog and flock of sheep within an exquisite mountain landscape with lus...

Four jockeys on the horse are competing on the horse track. The size without the frame is 35.50" W, 23.50"H

Antique Oil on Canvas Landscape Painting, Mountain Lake Scene with Country Road, Giltwood Framed, C1890 Measures- 18.75''H x 24.75''W x 2.75''D

This remarkable oil painting, titled **"Old New Bedford Whaler – Andrew Hicks"**, is an exquisite maritime artwork that captures the spirit of 19th-century whaling. The painting, exe...

Dipinto religioso italiano di Scuola Lombarda Madonna con Bambino e San Giovannino circa 1650 con una buona composizione equilibrata ed armoniosa al centro della quale si trova il Bi...

A monumental 18th century Oil On Canvas Painting from Lucca, Italy. Delightful soft color and hues with handsome cracquelure. The painting will be the statement of its surrounding.