Canvas Paintings

ANTIQUE ORIGINAL OIL PAINTING Depicting two young girls, probably sisters with rosy cheeks in matching blue dresses holding flowers in an interior setting in front of a regency/Will...

An Italian Rococo period framed still-life oil on canvas painting from the late 18th century, depicting a colorful bouquet. Created in Italy during the third quarter of the 18th cent...

A Chinese Qing Dynasty period framed painting from the 19th century of an official's wife with bird-adorned buzi, painted on a linen canvas. Created in the North-Eastern province of Shanxi during the Qing dynasty, this 19th century painting showcases a frontal depiction of an official's wife recognizable thanks to the bird-themed rank badge sitting on an elegant armchair with scrolling arms and carved apron. Wearing a red robe and topped with an ornate headdress, the figure is highlighted with gold foil accents and stands out beautifully on a linen canvas. The print size is 17.5"W x 41.5"H. These paintings traditionally come from Shanxi province which was home to many of the wealthy merchant families associated with the imperial court during the Qing dynasty. Set inside a custom made frame, this 19th century Qing Dynasty official's wife painting...

A very fine and Large Italian 18th-19th century oval-shaped oil on canvas titled "The Triumph of Venice" After the original work by Paolo Veronese (Venice, 1528-1588). The original of this painting hangs in the Palazzo Ducale, Venice. The 'Ricci' coloration suggests a late 17th-early 18th century date. In 1715 Charles de la Fosse advised Ricci to paint only "Veroneses and no more Riccis", Venice, circa 1800. Measures: Height: 45 1/4 inches (115 cm). Width: 29 inches (73.7 cm). Frame height: 58 1/4 inches (147.9 cm). Frame width: 43 1/4 inches (109.9 cm). Frame depth: 5 1/4 (13.3 cm). Provenance: Royal Academy of Scotland. Paolo Veronese (Born 1528, Verona, Republic of Venice - died April 9, 1588, Venice) was an Italian painter of the Renaissance in Venice, famous for paintings such as The Wedding at...

Large modern abstract oil on canvas 'Sound Wave' by Carlo of Hollywood.

This collectible painting is by Mary Blair, legendary animator for Walt Disney Studios, is of a pair of dancing rabbits in coat tails. The unframed...

This artwork is a portrait of General Goethals, who served as the commanding officer of the Province of Antwerp during the Bourbon Restoration era. It was painted in 1826 by the reno...

Oil portrait of an elegant young woman arranging flowers 19th century, initialed "J.M." Wonderful oil painting housed in a gilded frame. The painting shows a young woman arr...

An extraordinary landscape view of Naples, identified as such on the stretchers with a title of "No. 829 Der Neaple", this intricate scene is executed in the most bright and vibrant of palettes. Brilliant blues and luscious greens dance across this quaint Italianate landscape, the wild arid landscape domesticated by a worn path flanked with walls of stone gathered from the nearby fields before a small cafe. Stone Pines and three Italian Cypress...

Vintage mid-century modern oil on canvas Seascape Painting. Painting features a calm tranquil coastal scene with sailboats docked in a marina. All in soft colors of blue, green and w...

An elegant pair of Early 19th Century portraits of your couple. The pair in appropriate newer gilt wood frames with oval liner. The paintings have been properly cleaned, re-stretch...

Dimensions with frame : Height : 116 cm (45.7 in.) ; Width : 144 cm (56.7 in.) Dimensions without frame : Height : 85 cm (33.5 in.) ; Width : 118 cm (46.5 in.) Atrium with a rich Pompeian decor in which a young woman lying on a bed is playing with a sparrow, not paying attention to the man sat at her feet. This painting is a major work of art of C. G. Brun, well-know for the precision of his technic, by the elegance of its composition, the pureness of the colors, the refinement of the touch and the expressivity of the characters. This rare intimist scene in a interior decorated in the Pompeian style perfectly illustrates the taste of the time for the discovery of the villas of Pompei, thanks to the archeological excavations of the 18th century and the books published about them. To arrange its interiors based on the models of the Pompeian villas is then a trend that the most important people of that time will follow, as the Prince Napoléon, cousin of the Emperor Napoléon III, who orders the construction of a splendid Pompeian villa on the Avenue Montaigne, of which nothing remains but a few pictures and a painting by Gustave Boulanger, dated 1861 and called Répétition du « Joueur de flûte » et de la « Femme de Diomède » chez le Prince Napoléon. This painting illustrates the poem « Fletus passeris Lesbiae » from the collection « Carmina » written by Catulle (87-54 av. J.-C.) : in his work, the author, in love with Lesbie, a married woman living in Rome, puts on a show a sparrow as the main center of interest of its mistress who neglects her suitor. This theme has been represented many times in painting, like the version by Raphaël Poggi exposed at the Salon of 1865, or Lawrence Alma-Tadema in 1866 or Edward Poynter in 1907. Painting exposed, as reference number 467, at the Salon of 1861 on the picture rail of the Palais des Champs-Elysées Charles Guillaume Brun, born in Montpellier in 1825 and died in Paris in 1908, was registered in 1847 at the Paris Beaux-Arts school, where he studied under the direction of François- Edouard Picot (1786-1868) and of Alexandre Cabanel (1823-1889). His participation in the Paris Salon began in 1851 with genre subjects (Young girl doing her morning prayer), but as soon as 1853, he regularly sent Orientalist scenes, located in Algeria (Prayer in 1859, Rendez-vous in Constantine in 1861, Moorish woman...

A peaceful French painting on canvas depicting landscape scene featuring a house or small castle in ruins, a water with a bridge nearby. The painting is contained in a simple gold le...

In this listing you will find a large scale oil on canvas done by a Yugoslav artist Mihailo Đoković Tikalo. Painting depicts a surrealist scenery - an imaginary landscape, with a abs...

1970s Jaime Parlade designer hand painting "Tiger" oil on canvas.

Emiel Hansen (Denmark) figures on a cloudy day original oil painting circa 1930 Brilliant 1930s original oil painting by listed artist Emiel Hansen. ...

This captivating oil painting titled '' Die Sarntalerin'' (The Woman from Sarntal), a mountainous region in South Tyrol (then part of the Austro-Hungarian Empire), dressed in her fe...

This exquisite 19th century painting by John W. Morris (1865-1924) features sheep in a highland landscape. The center of the composition is occupied by two sheep engaged in eating pl...

A beautiful antique hand-painted oil on canvas landscape painting featuring a waterfront scene with trees and a boat in the foreground and hills in the background USA, Late 19th Cen...

In the foreground, a lake surrounded by vegetation. On the left bank, several figures, some in a boat. In the background, a building that resembles a fortified castle, in a hilly lan...

A bright and airy oil painting of Paris on stretched canvas made by Romanian painter Mariana Elas. The artwork is signed and dated 1990 in the lower left corner (see photo). Mariana ...

A large antiqued reproduction oil painting after Anthony Van Dyck. Aptly titled "The Three Ages of Man" Features an antiqued canvas with unique craquelure and Baroque scalloped fra...

Huts in Landeck – Oberinntal Work dimensions: 30 x 40 cm Dimensions with frame: 37 x 47 cm Technique: oil on canvas Period: 1942 Description: Summer view of some huts with classic ...

Condition: Original Vintage Condition Designer: Wanda S. Neumann Manufacturer: Wanda S. Neumann Materials: Oil On Canvas, Wood Frame Style: California Realism

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Beautifully executed French Art Deco female nude oil on canvas, signed by listed artist Gustave Florot, circa 1930.

Large 1990 Abstract Expressionist Painting Signed Peirano Offered for sale is a large 1990 abstract expressionist painting signed Peirano. The work is painted on canvas with heavy ...

Pair of American, 19th century Sag Harbor portraits in original giltwood frames (size includes frame).

Fine and exceptional Hungarian oil painting of a lifesize reclining nude, odalisque; mounted in original giltwood frame, signed: Szantho Maria ...

Stunning original large oil on canvas “Venus and Adonis” large painting. Some crazing of paint present. Some repairs of paint. Repair work patches visible from back of frame as ...

Condition: Original Vintage Condition Designer: Wanda S. Neumann Manufacturer: Wanda S. Neumann Materials: Oil On Canvas, Wood Frame Style: California Realism

Painted canvas, or decorative panel, representing lemurs. Work of contemporary French artists. Dimensions: H 220 x W 120 cm Reference: LS6437A1089P The manufacturing time given is...

1990s Oil Painting on Canvas of Bali Woman Faces Signed: Awan Bali ‘96 Carved Wood Frame Some corners of frame need to be reattached as shown in pi...

A French Barbizon school painting of a herd of sheep with shepherd and dog by French artist Pablo Martinez Del Rio from the late 19th century in giltwood frame. This French Barbizon ...

Alfred Schmidt (1876 ????- 1956) – Portrait of the concert singer Caroline Naase Oil on canvas circa 1920 60 x 47 cm – without frame 78 x 65 cm – frame included Signed center right: Alf Schmidt. Alfred Schmidt 1876 Dresden – 1956 Graefelfing An impressionist at the Chiemsee The painterly mood content, which the artist Alfred Schmidt captured in countless variations on the canvas, occupies such an eminent and substantial position that it is inextricably linked to his oeuvre. “[…] Female creatures walking in the shimmering air […]”(1), who find their pleasure in the warm, golden tones of summer and the grey-silver shimmering water surface of the lake, correspond to the characteristic motif of the native of Dresden. One is inevitably reminded of the impressionist Christian Landenberger (1862-1927), to whom Schmidt was a friend and who painted canvas on canvas at Lake Ammersee, but “[…] softer, sweeter and more narrative, because he [Schmidt] often expands on that Nature and the human body come together to create a small, genre-like idyll”(2). His art is a commitment to plein air painting. He openly displays his impressionistic impetus. The originally anecdotal aspects of his painting, which he had experienced at the Karlsruhe Academy from 1886 to 1893, he gradually put aside both through the one-year study visit to Paris and Brittany in 1889 and through the influence of Landenberger and Swabian landscape painting. From this point onwards, artistic development is hardly noticeable. He had found his individual style and stuck to it. At the end of 1899, Schmidt came to the Swabian capital from Karlsruhe in the entourage of Leopold Graf von Kalckreuth (1855-1922), who was appointed to the Stuttgart Academy with Carlos Grethe (1864-1913) and Robert Poetzelberger...

Early 19th Century Children’s Portraits Oil on Canvas, A Pair Charming pair of Danish Early 19th Century paintings oil on canvas. Thes...

Atmospheric Blacksmith Forge Interior by Edvard Petersen signed by monogram This magnificent late 19th-century painting of an atmospheric blacksmith forge interior is by the renowned realist Danish painter Edvard Petersen. Depicting a richly detailed industrial workshop scene, it is a remarkable example of Danish realism. As an authentic Edvard Petersen painting, it showcases the artist’s dedication to portraying the lives of craftsmen and workers in the late 1800s. If you are an art collector or enthusiast seeking to purchase an original blacksmith interior artwork, this vintage realism painting not only holds artistic value but also represents an essential piece of Danish heritage art. Below, we explore the painting’s intricate details, its historical context, and Edvard Petersen's life. 1. Artwork Overview: A Glimpse into the Industrial Past This vintage painting of a blacksmith’s forge reflects the hardworking spirit of the late 19th century. The atmospheric industrial art is meticulously rendered with a keen eye for lighting, texture, and realism. Key aspects of this Danish blacksmith workshop artwork include: Industrial Setting: The painting captures the interior of a blacksmith workshop, filled with well-used tools and the dim glow of the forge. Lighting Mastery: The late 19th-century atmospheric blacksmith interior is defined by its masterful use of light and shadow. The forge fire creates a vivid, warm glow, contrasting with the cooler daylight filtering through a window. Human Element: The blacksmith figures appear in dynamic postures, emphasising the laborious nature of their craft. The workers’ silhouettes against the glow of the fire add depth and dimension. Textural Details: The texture of worn wood, metal tools, and stone flooring is painstakingly realistic, typical of Edvard Petersen’s style. 2. Artistic Style and Techniques A. Realism and Atmosphere As a prominent Danish realist painting, this work exemplifies the realist tradition for which Petersen is known. His choice of subdued, earthy tones highlights the authentic industrial atmosphere. The blend of warm, fiery hues with darker, shadowy tones creates a dramatic and contemplative mood. B. Composition and Structure The composition follows a well-organised structure, with: Foreground Elements: Anvil, tools, and a large wooden barrel. Middle Ground: Figures working at the forge and a workbench. Background: The illuminated workshop window and hanging tools. Colour Palette: Predominantly browns, greys, and ochres with contrasting fiery highlights. Lighting Effect: The combination of natural and artificial lighting enhances the sense of depth and space. 3. Significance of the Painting A. Cultural Context This late 19th-century blacksmith painting...

A fantastic large antique oil painting by J.R Reeves. This was made in England, judging by the style of clothes and furniture, this appears to date from around the 1800-1820 period. ...

An oil-on-canvas full-scale portrait of a standing man in costume typical of the Baroque era of c. 1720, France. Purchased from a dealer in Geneva, Switzerland. The canvas is in good...

Mid Century Modern Abstract Painting by Holger Jacobsen - 1973 Holger Jacobsen is a Danish painter who was born in 1918. Holger Jacobsen's work has bee...

J. Paramé is considered one of the most talented and promising Portuguese artists of his generation. Born in Lisbon in 1978, he studied at the National Society of Fine Arts in Lisbon...

Large and beautiful contemporary painting by Cornelia O’Donovan (RCA, MA) 'Woman with Birds'. Signed version 'Cornelia O Donovan', 2023. Cornelia’s art is shown in several galleries ...

Mid-Century floral still life oil painting on canvas by Jules De Corte (1918-1999). This vibrant floral still life featuring vase with roses was painted ...

European Oil Painting of an Artist. Mid-20th Century. Impressionist piece in dark hues and blues. Unsigned and untitled. Oil on canvas. Europe, circa mid-20th century.

Belgium / 1960 / Schilderij / Theo van Rintel / wood, canvas / Mid-Century / Vintage Oil painting by the Belgian artist Theo van Rintel, of a charming house adorned with a picturesq...

Original Abstract Acrylic on Canvas by Nedra Hawks Purchased directly from Nedra Noted Texas Artist 36 x 48

Monumental Oil Canvas, Georges Henri Fauvel, Hunting Dogs with Master, 19th Cent A very large and impressive painting hanging 139 by 89 inches having a group of finely detailed hunting hounds led by their master in the hunt. 19th century, relined. Signed lower right. Born in 1890 in Havre (Seine-Maritime), France. He was a painter of animals, especially dogs- his breed of choice being Basset Griffon Vendeen...

The seated boy feeding cherries to a tethered pet pigeon. Signed, G. Reines, 1849.

Experience the elegance of the 18th century with this Belgian painted oil on canvas 3-panel screen. Each panel connects the intricate scenes of pastoral life, delicately hand-painted...

French School, 19TH CENTURY, Oil on Canvas - SPANISH GALLEONS AT ANCHOR IN A BAY Canvas size 65 x 40cms. Framed size 77 x 54cms. This painting depicts a dramatic scene of Galleons...

Lovely original impressionistic oil painting of a Venice Canal scene at dusk by Edward Barton (1926-2012).

Swedish artist. Oil on canvas. Modernist landscape, 1980s. The canvas measures: 73 x 49 cm. The frame measures: 1 cm. In excellent condition. Signed.

Antique large German painting with an Italian landscape - Many European painters came to Italy to paint its beautiful natural landscape, full of sun. This painter was Franz Krause, born in Germany 31th March 1823 , died in Leitmeritz on 18th March 1878. If you want, You can use the large frame for a MIRROR, leaving the picture free...

Large 1945 John Sennhouser Abstract Oil Painting On Canvas, Framed and Signed Offered for sale is a large 1945 John Sennhouser ((Swiss-American 1907-1978) abstract oil painting on ...

French 19th-Century Oil Painting: Follower of Alfred de Dreux - Capitaine des mousquetaires se retournant, A beautiful 19th-century oil on canvas Capitaine des mousquetaires se ret...

A wonderful and rare collection of nine, oil on canvas paintings of the Sibyls, early 18th century, French school, Libyan, Cumean, Lampusian, Hellespontine, Erythraean, Delphic, Pers...

Still life artwork, oil painting on canvas, vegetable and fruit with apples, pears, nuts and celery, cauliflower, chard, leeks, onions, garlic, carrots, aubergine. Still life painting rich and colorful. It also has a beautiful and original golden frame from the 19th century. The oil on canvas painting dates back to the nineteenth Century. The antique frame and the oil painting are restored. This still life oil painting is not signed, however, this is a French painter active in the 19th century. Restored Painting Oil on Canvas Gilded Frame Ancient Painting...

Vintage original still life oil painting by French born artist, Charles Levier. 1920=2003. Painting depicts a vase of flowers on a table in front of a window with a balustrade and wa...

A large scale framed painting by Belgian Artist, Gerard Roosens 1869 - 1935. Entitled “Girl on a Beach” is signed by the artist. The oil painting is on...

Oversized Lee Reynolds acrylic seashell painting with magnificent texture on canvas. Painting is signed in bottom right corner. Hanging hardware is a...