Canvas Paintings

Offered is a large vintage modern abstract oil painting on board. Features textured paint with a 3-D appearance in hues of red. It...

Monique Beucher (1934), French artist. Gouache on canvas. Abstract composition. Colorful palette. 1980s. Perfect condition. Signed. Exhibited at "La Galerie" 67 rue Saint André des A...

A large English oil painting depicting three sheep in a barn with chickens from the late 19th century, signed W. Topham and set in a giltwoo...

Large oil on canvas by Los Angeles artist Andrew Shachat. Represented by Patricia Correia Gallery, Venice, CA. Patricia Correia Gallery (PCG) was first established in Venice, Cali...

Daniel Nikolaus Chodowiecki (Danzig, 1726 - Berlin, 1801) Interior scene with concert Oil on canvas, 42 X 34 cm With frame 57 x 49 x 6 cm Already attributed to Pietro Longhi, the ...

Albert Lang 1847-1933. Southern European landscape with houses, forest, riders and animals. Oil on canvas signed A. Lang. Measures: 74 x 100 (107 x 134) cm...

This painting comes from Polland and is over 200 years old. Oil on canvas with little restorations.: let's not forget that there were two world wars in Europe. A lovely Madonna and c...

Abstract Painting "Desde Una Montaña" / "From a Mountain" by Artist William Stone William Stone was born in Caracas Venezuela in 1951. He has contributed to numerous exhibitions i...

Large seascape with cove and ship. Either Gloucester Mass or coastal Maine. Well rendered and showing a rocky cove with trees ,ocean etc. Lester Stevens 1888-1969 is a well noted Am...

JOSEPH JANSEN German, 1829-1905 "A Dutch Homestead" (1884) Oil on canvas signed lower right "J. Jos. Jansen 1884" Frost & Reed label verso with title Item # 308EPG23Z An exceeding...

A set of four Italian chinoiserie painted panels, each within frames, depicting fanciful chinoiserie birds, vegetation, pagodas and figures at leisure, circa 1820. Possibly from Piem...

Embrace eclectic charm with our Vintage Boho Original Oil Portrait On Canvas. This one-of-a-kind piece exudes the warmth and character of Americana, capturing the essence of bygone e...

A modern acrylic painting on canvas by Robert Morris. Signed and dated 1963 on the bottom right as well as verso. A figurative abstracted composition in minimalist neutral tones. Kno...

Acrylic on canvas. Signed lower right. Title above- "A good song takes on meaning as the years go by". A commercial artist out of New York who is inspired by Pop art. Set in a gra...

Oil on canvas, portrait of an aristocratic lady. The woman is sitting in a red armchair with a quiet gaze wearing embroidered trim dress with white lace...

Striking Haitian acrylic painting on canvas depicting a colorful healthy array of fruits and vegetables executed in a distinctive naive style. Signed Paulo in the lower right and pre...

19th century framed oil on canvas "Cows in a Pasture" by Ludvig Kabell (Danish, 1853-1902), signed L. Kabell lower right.  

Period First Empire portrait of the Sisters Julie and Desiree Clary, Future Queens of Spain and Sweden by Robert Jacques Francois Lefevre (1755...

Louis Aime Japy, "Springtime", Oil on Canvas, Gilt Frame, Prov: Sotheby's NYC, Signed and Dated '78 A Large and Impressive work by Louis Japy with provenance from Sothebys NYC. This stunning piece is one of the largest and finest pieces done by this fine world renowned artist having set an auction record in Sotheby's in 2006, documented below. The whole set in a wonderfully finely conditioned gilt gold wooden frame. Louis-Aimé Japy was a French 19th Century painter...

This wonderful romantic painting depicts figures bustling along a Manhattan street during a snowstorm. Signed lower right. Johann Henrik Carl Berthelsen (1883–1972) Coming to America as a child, he enjoyed early success as an opera singer and music teacher. His friendship with the artist Wayman Adams resulted in a move to New York and experimentation with painting. When the great depression took a toll on his musical career, Berthelsen began selling oil scenes of his beloved New York City, which quickly found prominent buyers including William Randolph Hearst...

Lars Bertle, born in Helsingborg in 1925, listed Swedish artist. Oil on canvas. "Norska Kusten" (Norwegian Coast). Modernist landscape. Coloristic palett...

Painted canvas, or decorative panel, representing lemurs. Work of contemporary French artists. Dimensions: H 220 x W 120 cm Reference: LS6437A1089P Possibility of forming a pair w...

Inspired by his voyages as a sailor, the French painter Charles Kuwasseg painted this impressive coastal landscape painting in the 1870’s (the canvas ...

Nineteenth century. Still life with fruits. Oil on canvas, 64 x 52 cm. The still life analyzed presents a mixture of floral and fruit elements arranged in a circular order o...

Manuel Monton Bunuel (Spanish, b. 1940), a moody Winter street scene, oil on canvas, signed Bunuel lower right, An expressive contemporary oil pai...

A postmodern oil painting on canvas titled "Configuration" by Michigan artist Alan Watson. Titled and dated spring 1986 on verso. A vibrant co...

Still life Oil Painting by Oliver Clare "Gooseberries, A Pear, Plum & Raspberries on a Cabbage Leaf. Circa 19th Century. Oil on Board, signed "Oliver Clare" lower right. The frame...

This is a magnificent antique Italian oil on canvas painting of a group of Cardinals in the style of Francesco Brunnery, (Italian 1845-1929), circa 1890 in date. This beautiful pain...

Monica Perez "Title Processing" from Love & Courage. Original Acrylic Painting on Canvas 2021. W 40" x H 60" Monica Perez’s works are expressions of emo...

A finely executed 19th century ‘plein air’, Barbizon School inspired landscape by noted Canadian artist W.E. Atkinson. OSA. ARCA. Oil on canvas, signed & dated 1894 bottom left. ...

Unknown artist, painting, oil on canvas, after Peter Paul Rubens "King David playing the Harp", framed, picture dimension 80 x 70cm, total size 100 x 90cm.   

A light-blue, red vintage Mid-Century modern French abstract oil on canvas painting of a color composition, painted by Christiane Bastide in good condition. Singed on the lower right...

Peter Lastman inscribed on reverse Old Master painting, probably Dutch school, late 17th century. Oil on curved canvas depicting the entrance of King David on Horseback. No apparent ...

Crimean War Soldiers Oil Painting on Canvas 19th Century Dimensions: 41 x 33cm, Good condition overall, with professional restorations to back of canvas From a private collection. ...

A French Restauration period octagonal framed oil on canvas still-life painting from the early 19th century, depicting a bouquet of flowers. Born in France during the reign of King L...

A very interesting and unusual Cornwall Iron Banks Original Oil Painting by artist J. Earle Pfoutz. The painting is produced on canvas and comes complete with what appears to be an original artist decorated/painted frame with later touch ups. The Cornwall Iron Banks Original Oil Painting is signed on the front by the artist and appears to be dated 1948 on the rear. Known for his unusual subjects Pfoutz outdid himself with this effort, capturing the workings of one of the largest iron ore mines in the eastern United States, located in Cornwall PA. This mine and others in the area that came before it, played a crucial role in the development of the United States of America from the Revolutionary War, through the industrial revolution up until the 1970’s when the mine was flooded during Hurricane Agnes and closed operations. Overall frame Size approximately 26″ wide x 2″ deep x 30″ high J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART Earle Pfoutz Born: 1891 – Lancaster, Pennsylvania Died: 1957 Known for: Landscape, figure, still life painting An image of J Earle Pfoutz Biography from the Archives of askART J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957) “A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life. A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes. In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.” In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively. A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck. Other pictures include Autumn Prelude, Miners Village, painted at Cornwall, PA; Humid Day, Saint Peters Kierch, at Middletown, PA; Lady Pfoutz, inspired by the painter’s wife; Sun Flowers, Sentimental Journey, Gyne, Luzon Woman, Old Bridge, The Cow Path. Lemures, based on Roman mythology, and Ethiopian, painted from an ebony wood carving...

English Victorian style (20th Century) painting featuring a black and white dog looking through a blooming shrub towards a colorful red, white and black pheasant, amid a pastoral Set...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his travels. His ongoing series of large-scale kites bridge the gap between flat art and sculpture, each crafted of split bamboo frames covered with stretched muslin and a collage of vintage ephemera – including kimonos, obis, paintings, scrolls, drawings, metal leaf, bleeding paper, book pages, or anything with a story to tell. In “New Morning,” panels of teal and indigo leach across the expansive canvas with captivating irregularity. Contrasted by a neutral field of vintage block prints...

A large and striking aboriginal painting by celebrated Australian artist Yannima Tommy Watson (1935s-2017; Pitjantjatjara people from Australia's central western desert). Stretched and ready to display (no frame). Medium: Acrylic on canvas Year of Creation: 2013 Title: Wati Kutjara An important aboriginal dreamtime story from the Western Australia (the song line is also known as Two Men Dreaming), the narrative is about two young lizard-men travelling all over the Western Desert. They covered a vast landscape from Kimberley in the north to Southern Australia. The two brothers often took the form of wind and left songs in their epic journey to enlighten the people they encountered with rituals and knowledge. As magical ancestral beings, they destroyed evil spirits and created sacred objects across all over the Western Dessert. Provenance: Agathon Galleries, Melbourne 2013 Art Yarramunua, Melbourne (accompanied by a certificate of authenticity) Private Collection, Melbourne 2017 About the artist (courtesy of Kate Owen and Japingka Gallery) Yannima Tommy Watson was a celebrated Pitjantjatara artist, born around 1935 in the desert west of Irrunytju in Western Australia. Tommy was a Law man of Karima skin group, and his traditional names were Yannima and Pikarli relate to specific sites near his birthplace at Anumarapiti, west of Irrunytju. As a young man Tommy learned the bush skills of hunting and gathering, living off the land. In these years his physical and spiritual knowledge of the land was deeply embedded in his life. Tommy Watson first met white people at Ernabella Mission in the 1940s. He then spent decades working as a stockman and laborer on cattle stations. Not until 2001 when he was in his mid 60s, did Tommy Watson pick up a paint brush and painted his first picture at Irrunytju art center established by a small group of artists. Watson's work became quickly recognized for his powerful use of colors and his mesmerizing creation of energetic movement. He exhibited in Alice Springs at Desert Mob and as a finalist at the Telstra NATSIAA Art Awards in Darwin. With his work becoming highly collectable, Tommy soon entered into an exclusive representation agreement with Jon Ioannou of Agathon Gallery. This arrangement marked the start of a second phase of Tommy's career and saw the creation of a large body of outstanding artworks which were to further propel Tommy into the upper echelons of Australian indigenous artists. This painting was created toward the end of that phase. In 2005, Tommy was commissioned, along with Ningura Napurrula, Lena Nyadbi, Michael Riley, Judy Watson, John Mawurndjul, Paddy Bedford...

A beautiful oil on canvas rendering of a stag hunt, presented in a fluted giltwood frame with a bundled husk border and large, parted leaves in the corners. The painting is signed in the lower right corner by the artist, “H. de Forges”, a member of the Barbizon French school of the late 1800s, who specialized in animal hunt scenes. The vibrancy of de Forges’ painting has not diminished over time; the colors seem to pop right off the canvas. A blue sky with some low-lying white clouds hangs above trees mainly bereft of leaves, indicating it is late autumn. Slender grass, ranging from green to brown, surrounds a watering hole in the middle of a clearing, with a single stag near the water’s edge. Eight white hunting dogs with black and tan markings surround the deer on one side of the pond. Behind the pack is a brown horse ridden by a huntsman dressed in red and black, preparing to sound the hunting horn. Two more riders in red, black, and white, also on brown horses, are emerging from a small hill behind the deer. Hunting, always a very important pastime in France, became one of the more popular genres in 19th century art, along with with quality pastoral and landscape paintings. Realism was a defining feature of the Barbizon School, as artists were attracted to spending more time living and painting in the natural world. Our hunt scene depicts the surrounding of prey, or pre-hunt revelry. The beautifully colored oil on canvas stag hunt painting...

We present you this magnificent oil painting on canvas endearingly the Virgin Mary gently caressing the head of Christ Child asleep on his Mother's lap. This artwork has been expertly fit with new canvas and encased in an exquisite gilded wooden frame. It is representative of the Tuscan School...

Dimitri Romanovski was an early modernist and this early oil on canvas rendering of a botanical specimen single blooming white tea rose is characteristic of his botanical paintings. ...

Sture Wickström (1921-1993) , Swedish artist. Oil on canvas. Modernist landscape. Title: "Spring". From the 1960s. Signed on the front and back. In perfect condition. Canvas dimensi...

Exceptional 19th century landscape painting by Important American artist William Keith. Titled "Harvest". Barbizon School oil on canvas painting featuring figures at harvest with cart and oxen. Amazing luminescent sky. Signed lower left corner "W. Keith '96". Retains original museum quality gilt frame. Canvas measure 30"H 50"W. Accompanied with period correct Stereograph black and white photograph depicting actual painting in a parlor with handwritten pencil title "Parlor, Berkeley, Cal. '97". This is a museum quality work of art. William Keith (1838-1911) William Keith became in the late 19th and early 20th centuries a leading Northern-California landscape artist. In fact, he was so well known that he is referred to as the "Dean of California painters" and "California's Old Master." Born in Aberdeenshire, Scotland, Keith came to New York with his family and, apprenticed to a wood engraver. In 1859, he moved to San Francisco where he worked for an engraver and later set up his own engraving business. Studying with Samuel Marsden Brookes in 1863, he determined to become a painter. He married artist Elizabeth Emerson and did watercolor painting with her guidance. In 1868, he became a full-time painter, and that same year was commissioned to paint scenes along the Columbia River including Mount Hood. By August 1869 he had sold enough paintings to finance an extended journey to the East Coast and Europe including Dusseldorf, Germany throughout most of 1870, studying with Albert Flamm. After a visit to Paris, he expressed great admiration for "the modern school of French landscape painting including the Barbizon School. During the winter of 1871-1872, the Keiths lived in Boston where they shared a studio with William Hahn. Keith's work received critical acclaim there and in New York at the National Academy of Design. In 1872, he returned to San Francisco. A friendship with naturalist John Muir exposed Keith to many remote places and in-depth knowledge of nature. During the 1870s, he painted several "epic" eight by ten-foot High Sierra views. He also visited Alaska, and his paintings of Alaska were exhibited upon his return to San Francisco in a show at the Bohemian Club, titled 'Dreams of Alaska'. Keith's Alaska works are significant because they are not close transcriptions of actual scenery, but rather are fantasies inspired by Alaska. They are important as they represent a major break from the documentary tradition in landscape painting of Alaska, as they show an interest in capturing its spirit versus just the topography. In 1891, he shared his studio for several weeks with East Coast Tonalist George Inness, Sr. [1825-1894]. Both men painted in a similar style and were followers of the mystical teachings of Swedenborg. Among the locations where Inness and Keith painted together were Monterey and Yosemite, and it was reported they discussed art from every possible angle. Under Inness' influence, Keith painted more than ever in a Barbizon-influenced vein with many sunset and twilight scenes. Keith’s first wife died in 1882, and in 1883, he married Mary McHenry, the first woman graduate of Hastings Law School. They soon went to Europe, and Keith studied portrait painting in Munich with consultations from J. Frank Currier...

A large size oil on canvas painting of "Sisters." The artist is from Eastern Europe. Signed Karger. 38.50"W, 48"H, .50"D.

Large oil painting on canvas still life in original wood frame, signed Lentz.

Monique Beucher (1934), French artist. Oil on canvas. Abstract composition. Colorful palette. 1980s. In perfect condition. Exhibited at "La Galerie" 67 rue Saint André des Arts, Pari...

Colorful and impressionist depiction of a woman with hat and scarf. A friend of the artist in Paris. Unframed.

Gerson Leiber "Simplicity Is Hard to Achieve" Oil on Linen, 2015 Born in Brooklyn in 1921, Gerson showed promise in his high school art classes. Later, while stationed in Hungary ...

J. Paramé is considered one of the most talented and promising Portuguese artists of his generation. Born in Lisbon in 1978, he studied at the National Society of Fine Arts in Lisbon...

Nice vintage amateur painting, portrait of a Congolese woman, probably acrylic on canvas, signed T. Kamurna at the bottom right, marked on the back and...

Ivy Lysdal, birth 1937. Danish ceramist and painter. Acrylic on canvas. Abstract modernist painting. Colourful palette. Dated 2013 Signed. Canvas measures: 50 x 40 cm. Provenan...

Signed lower right and on verso. The scene in a kitchen featuring bountiful summer produce spilling out of a basket in the center. Fruit and cheese, milk and various cannisters are a...

Oil Painting by Oliver Clare (1852-1927) Still Life of Fruit, Circa 19th Century. Signed lower right. The frame is original to the painting. Provenance: Born in 1853, he was the so...

Portrait of a boy, German , oil on Canvas , with nice colors and green and blue in the back signed W.T.

French Village Scene oil on canvas painting This charming French oil painting captures the essence of everyday life in a picturesque French village. The vibrant scene features bustl...

A contemporary of Paul Cadmus, and like him, highly focused on depicting the male figure in various settings and positions, John Lear never gained fame beyond his circle of admirers ...

Original oil painting of two children playing tea party. Vibrant colors of green, blue, and red in the scene. Mounted in a gold painted wood and plaster frame and signed Ludvig Jaco...

Large Decorative Canvas, Circa 1900, Signed A. Hubert

Original oil painting of canvas mounted on board of bull. Danish school, 19th century. Artist: Ernst Meyer, born Ahron Meyer (11 May 1797 – 31 January 1861) was a Danish genre painte...