Canvas Paintings

Lombard painter of the late 18th/early 19th century (Raineri manner) "Pharaoh's Hen i.e. of Egypt" tempera on canvas, 39.5x54 cm titled at the bottom

Presenting a glorious piece of original Dutch art, namely, a scene of Dutch ice skating oil on canvas by Van Buiksloot. J. Van Buiksloot was a Dut...

Portrait of a Gentleman from Della Ruota family Lombardy, dated 1624 Oil on canvas Measures: 105 x 81 cm (without the frame) The coat of arms at the top left of the portrait identifies the effigy as an aristocrat belonging to the Lombard family Della Ruota, represented at the age of 61 in 1624. The presence of vanity at the bottom right is a clear reference to the passage of time, to the aging and dying body...

Thomas George Duvall (English, Fl 1840-1879) "The Appeal" 1850 Signed lower right: Duvall Thos. G. London 1850 This large and impressive 19th century Engl...

Oil on canvas portraying the visit of Venus to the forges of Vulcan. French school of the 2nd half of the 18th century. Undoubtedly executed by a pupil of François BOUCHER; who died...

An abstract triptych oil on canvas. Predominant colors are red, pink and white. Signed on upper left. Each of the three canvas paintings is 40" wide and 6...

Vintage Oil Painting of Taufkirchen, Bavaria, Alexander Michael 1975 A framed oil painting depicting the view to the winterly bavarian village Taufkirchen near Munich. The artwork i...

Artist Charles Ventrillon-Horber (1899-1977) has created a beautiful Madonna scene of a mother and child, with a beautiful floral background, circa 1930s, with original gold leaf frame.

Wonderful 19th century Italian painting. Oil painting on canvas, first canvas, depicting a splendid praying Madonna who takes as a model a late Baroque devotional composition, presum...

Antique 19th Century Italian Oil on Canvas Cow Painting Set in Fine Gold Leaf Frame, Signed "Vitollo."

This is a vintage Venetian canal painting. A Continental school, oil on canvas study of Venice, dating to the late 20th century, circa 1980. Appealing canal scene in oils, with grea...

Karwendel Mountains in Seefeld – Tyrol Technical Information: Period: 1920s Medium: Oil on canvas Artist: J. Linhard Dimensions: 24 x 28 in without frame 24.4 x 28.3 in with antiqu...

Oil on canvas of a young man by Ukrainian artist Iwan Tusz 1869-1941. Has had a small repair. Frame has some damage. Image size measures 15.57" W x 22.25" H, Overall Dimensions: 2" d...

Original abstract oil painting on canvas by Jeffery Stuart entitled 'Monolith II". Framed in an oak wood frame. Artist: Jeffery Stuart Year: 2020 Style: Abstract Dimensio...

A finely executed & extremely charming 19th century portrait of young Italian woman, probably that of Vittoria Caldoni. Vittoria Caldoni was an Italian woman from Albano most favoured as a sitter by several of the German artists working in Italy at this time. Oil on canvas, signed and dated 1827 bottom right, re-lined and set within a carved and ebonized frame. Canvas dimensions, 23.75” H x 18” W. Framed dimensions, 27.25" high x 21.75" wide x 2" deep. Artist Bio: Friedrich Moosbrugger (1804 - 1830) was a German genre...

O/4898 -. Old painting dated 1942 and signed by Emile Bussière : a beautiful bouquet of irises in a vase - elegant and delicate - in its original frame. If You don't want the frame, I can deduct it from the price and use the elegant large frame for a mirror, leaving the picture free...

American Artist George Henry Hall was born on September 21, 1825 in Boston, Massachusetts. Hall opened a studio in New York City in 1852. The Smithsonian deems him to be "one of the ...

Rendered with pastoral charm and naturalistic detail, this early 20th-century oil painting depicts a tranquil rural moment as a young farm girl tends to her cattle by a stream. Execu...

Still life painting in original wood frame, signed Lenfest. Oil on canvas. Frank Alger Lenfest (1909 - 1968) was active/lived in California. Frank Lenfest is known for Painter, com...

Gorgeous Flemish oil painting depiciting a gorgeous winter snow scene The artist has really captured the scene with great skill The river is frozen and skater and sledges travel alon...

Elevate your space with this captivating Vintage Boho Abstract Oil on Canvas. Bursting with dynamic colors, bold brushstrokes, and layered textures, this artwork brings a sense of mo...

Antique French Oil on Canvas Still Life Painting in Exceptional Frame, Circa 1880-1890. Signature Unknown

A spectacular and extremely well executed pair of Italian mid 18th century Old Master oil on canvas paintings of ruins. Each painting displays wonderful perspectives, exceptional arc...

Eska Smythe oil on canvas. Worked in Paris 1960s and exhibited Galerie Valerie Schmidt, Avant Garde, newly framed, off-white grained natural wood.

Vanitas. Oil on panel. Surroundings by Vincent Sellaer (c. 1500-Mechelen, before 1589). Oil on canvas that shows, on a background with trees and hills, a child figure sitting on a ...

This Vintage Boho Original Abstract Oil Painting On Canvas features a captivating interplay of colors and textures, offering a unique glimpse into expressive artistry. Perfect for ad...

We are delighted to offer for sale this stunning original late 19th century Flemish oil painting, signed Demoen and with an exhibitio...

Antique framed oil painting on canvas by Zollepx is a beautiful work that depicts the classic still life of a pewter pitcher filled with colorful flowers and set by an open window. P...

Naive Ethiopian Genre painting, 1970s oil on canvas with Ge'ez language inscriptions.

Mid Century Yellow Flower Abstract by Gerhard Nordstrom Swedish (1925 - 2019) This panting presents a vibrant exploration of floral abstraction, rendered in captivating shades of ...

"Magnolia, XVII" is from the series of paintings of this Native American flower by Kelley. Each one depicts the magnolia blossom in a different state of unfurling. John Woodrow Ke...

This neoclassical trompe l'oeil painting is an allegory of summer. It would have been hung with allegories of the other three seasons over the doors of a salon. Ceres, Roman goddess...

Immerse yourself in the evocative artistry of this beautiful 1960s abstract figurative oil painting, signed in the lower right corner. This captivating piece embodies the spirit o...

This is a beautiful antique pair of oil on canvas paintings of Venice, one showing the view of the Doges Palace and the other the view of The Dogana, by the renowned British artist A...

Italian painting from 18th century. Oil painting on canvas, already backed again, depicting a subject of sacred art, Saint Francis of good pictorial quality. Large impact painting, a...

Framed Oil Painting on Canvas ~ Port de Plaisance by Pol Renar features a bold post-impressionistic view of a charming seaside village entitled by the artist, and typical of a myriad...

Antique Italian painting from the 17th century. Framework oil on canvas, on the first canvas, depicting an animated landscape with towers of good pictorial quality. Modern frame in c...

Vintage figurative painting titled "Sitting Woman in Red Dress" Canvas stretched over wood frame. Signed at lower right: Nancy R. Taylor...

Antique American oil on canvas painting by George Arthur Hays, Rural Pasture in Rhode Island, Dated 1910.

An incredible original oil on canvas board. This piece realized in the early 80s and shows wonderful contrast and movement. A study of light and color with a unique composition. Piec...

1980s Bianca Jagger Pop Art Oil Painting Portrait By Davilla Offered for sale is a 1980s portrait of Bianca Jagger that is evocative of an album cover created in the Pop-Art styl...

1990s Italian Venetian framed oil on canvas painting with craquelure.

Mid-Century Modern oil on canvas by listed artist George Barrel depicting a ballerina in several overlayed poses. In original frame with paperwork still taped to back. Measures 37.25...

Beautiful oversized tropical acrylic painting on canvas signed by the artist in bottom left corner. Painting has a gold wood frame and hanging hardware attached.

The oil painting on canvas is of a young boy 'hugging' his dog, which lies on the boy's lap. It is very much in the style of the Scottish painter Henry Raeburn. The boy is dressed in...

Antique Spanish Colonial rustic wood floor lamp. It is carved from solid wood and has been rewired. Additional information: Materials: Wood...

Acrylic painting on hardwood by San Diego artist, Bob Matheny. The textured painting ranges in pastel colors of blue pink and green with a slight iridescence. The San Diego conceptual artist and educator helped define the San Diego art scene in the 1960s and ’70s alongside other artist such as Richard Allen Morris...

A stunning Continental early 19th century old master oil on canvas painting titled, "Susanna and the Elders" after Giovanni Martinelli. The wonderfully executed painting is set in it...

Frank Usher De Voll
American, 1873-1941

“Madison Square Tower and Park”

Oil on canvas

35...

Painting "f/11/94" by Eduardo Jonquieres 1994, Paris. Technique: acrylic on canvas Title, signature and date and the Arte Struktura Milano label are on the back.

Armand Désiré Gautier (attrib.). Rectangular Framed oil on canvas representing the caricature of a male character standing up and holding in his right hand a red fabric purse. The c...

Gorgeous hand painted still life oil painting in the Georgian manner Very vivid and bright, will add light and energy to any room Comes in elegant gilt frame Offered in great shape r...

A framed oil on canvas by 20th Century artist Ensor. The scene depicts a broad European street scene, signed in the lower right corner. Set in a beveled wooden frame with a framed ca...

Two accompanying street scene oil paintings of a European town. Appears to be France. Painted on canvas with original painted wood frames. Each measures 18" x 22.25" x 1.5"

PORTRAIT OF D. MARIA BÁRBARA DE BRAGANÇA (1711-1758), QUEEN OF SPAIN Circle of Louis-Michel van Loo (1707-1771) Oil on canvas Her Royal Highness, the Infanta Maria Barbara of Braganza (1711-1758) was the first-born child of King John V of Portugal (1689-1750) and his queen consort Maria Anna of Austria (1683-1754). Born in December 1711, she had the Convent Palace of Mafra built in her honour following a vow made by her royal father. Her status as Princess of Brazil, inherent to 18th century Portuguese presumptive heirs, would however be superseded once the queen gave birth to two male princes, D. Pedro (1712-1714) and D. José (1714-1777), preventing her from ascending to the throne. Daughter of one of the most illustrious monarchs of his time, Maria Barbara was carefully educated to become a fond admirer of the arts, and of music in particular, having had the Italian composer Domenico Scarlatti (1685-1757) as her music teacher. On the 10th January 1723 the young princess was betrothed to the Infante Ferdinand of Spain (1713-1759), eldest son of King Philip V (1683-1746). Six years later, on the 19th January, she entered her new country in a carefully choreographed ceremony that became known to history as the “Exchange of the Princesses”. This unique event took place on a specially built Bridge-Palace, a wooden, luxuriously decorated structure that included various modules and rooms, on both banks of the river Caia, the natural border between the town of Elvas in Portugal and of Badajoz in Spain. Simultaneously, on the same day that the Portuguese Infanta crossed the border to marry the Spanish Crown Prince, her new sister in law, the Infanta Mariana Victoria of Bourbon (1718-1781), her husband’s sister, crossed the same bridge in the opposite direction to marry Prince D. José, the Portuguese heir to the throne. Once married, Maria Barbara would spend 17 years as Princess of Asturias, only becoming Queen of Spain at her husband’s accession following the death of Philip V in 1746. She is portrayed in the 1743 painting by Louis-Michel van Loo (1707-1771) now in the Prado Museum, in which Philip V had himself represented with all his close family. The new Queen would take an important role at court eventually becoming the liaison between her husband and the King of Portugal, particularly throughout the negotiations for the Treaty of Madrid (1746-1750). Maintaining her interest in music, she patronized the Italian castrato singer Farinelli (1705-1782) while remaining close to her old master Scarlatti, having herself composed some sonatas for a large orchestra. She would also commission and fund the building of the Royal Salesians Monastery complex in central Madrid, where both her and Ferdinand VI are buried. The portrait we are presenting for sale shows the Queen in half-length, turning left at three quarters. She is wearing a blue low-cut dress embroidered with flowers and foliage, over a lace cuffed white blouse, and an ermine cloak pined on the left-hand side by a diamond broach. The powdered hair style is held sideways by a seven diamond and black plume headdress and topped by a small gold and pearl crown. The right arm rests on a cushion while the left hand, at chest height, holds a miniature male portrait. The Infanta’s features are analogous to the 1725 portrait by the painter Domenico Duprà (1689-1770), also in the Prado Museum collection. Further similarities can be found in another portrait by Louis-Michel van Loo, in which a seven diamond and black plume headdress is also present. In this work, the cushion supporting Maria Barbara’s right arm has also some obvious similarities to our painting. The same diamond headdress reappears in Van Loo’s above-mentioned portrait of Philip V’s family dated from 1743. It is nevertheless in Lisbon’s Ajuda National Palace that it is possible to find an almost identical depiction of the Infanta holding a miniature portrait of her husband. In it, the future Ferdinand VI is portrayed facing right at three quarters and wearing a curly wig, suit of armour, the golden fleece insignia and a blue band, in a composition that closely resembles an 18th century Spanish school painting that appeared in the art market in January 2016. Another detail common to various portraits of the Portuguese Infanta and Queen of Spain is the small gold and pearl crown on her head. In another Van Loo painting, also from the Prado Museum, in which Maria Barbara is portrayed as Queen, this crown is represented together with a headdress similar to the one previously described. Another two paintings by the same artist, at the Royal Academy of Saint Ferdinand, include the same ornament. We must also refer the paintings by the artist Jean Ranc (1674-1735). In one, dating from 1729 (Prado Museum), the Infanta is depicted outdoors holding a flower bouquet and wearing a yellow silk dress with red cloak, and a set of diamond and ruby jewellery that includes a headdress similar to the one present in our portrait. Another work by the same artist, belonging to the Complutence University of Madrid, depicts the Infanta sumptuously dressed in identical colours to our painting and wearing an elaborate headdress and diadem. These portraits, beyond their iconographical importance as contemporary records of the Infanta and Queen Maria Barbara, are also illustrative of 18th century fashion for jewelled head dressing. Often, flowers were combined with joyful adornments, composing almost theatrical displays that would reinforce the ostentatious nature of the image. The ornamental flowers and the chromatic character of the jewels would complement the luxury of the colourful dresses in blue, crimson, green or other silk shades, in compositions whose sole purpose was to highlight a royal sitter’s wealth and power, becoming an essential statement accessory within the strict court protocols and codes of conduct. Circle of Louis-Michel van Loo (1707-1771) Slowly but steadily, the resolute, tranquil and dignified attitude of Renaissance and Baroque portraiture becomes artificial and presumptuous. Mid 18th century society favours elusive expression and psychological deepness, albeit limited to the face, that, with emphasis on detail, on the rich colour palette and on changing costumes and landscapes, associated to the courtliness of gestures, creates a strongly artificial environment while maintaining a highly poetic intrinsic character. Louis-Michel van Loo followed a dynasty of famous Dutch origin artists that had settled in France. Initially taught by his father, Jean-Baptiste von Loo (1684-1745), the younger van Loo studied in Turin and Rome and frequented the Paris Academy. In Rome he worked with his uncle Charles-André van Loo (1705-1765) and become a painter for the Turin Court. In 1737 he arrived in Spain being summoned by Philip V to succeed Jean Ranc as painter of the king’s chamber. In Madrid, his work covers the numerous Court commissions and the Royal Saint Ferdinand Fine Arts Academy, of which he was a founding member and director for the Painting department in 1752. Is production at court consisted essentially of numerous portrait paintings, often Royal gifts...

Infuse your space with whimsy and charm with this vintage boho original oil painting of balloons. Featuring vibrant colors and playful movement, this one-of-a-kind artwork adds a lig...

A wonderfuly composed, vibrantly colored, original watercolor painting by American/California artist Milford Zornes. The work is titled "Hacienda en Colima" and features a pensive, ...

Roland Roy (Hawaii / California) Original Oil on Canvas We are calling this painting "Roma" after the travel poster hanging on the wall. A young dancer t...

Set of two antique oil paintings on canvas representing flower decoration in Louis XVI style. These square pair of paintings from around the 1900's (1880-1920). These paintings were ...

Multicolor vertical stripes abstract geometric modern color field oil painting. The painting (similar to the work of Gene Davis and other Washington Color School artists), was proudly displayed in the living room of a Classic Mid-Century Modern house designed by a student of architect Frank Lloyd Wright. Oil on canvas painting is signed Erik 74 on reverse also inscribed Erik Pitsokos. Measures 49 inches high,47.5 inches wide. Frame measures 51 inches high, 49.5 wide. In good condition. From St. Petersburg Times - Sept. 12, 1975: The Greek-born sculptor Erik Pitsokos received his art education in Greece, Italy and Canada. He immigrated to Canada in 1964 and became a Canadian citizen. In Canada he had an art school adjacent to his studio where he took only accomplished artists for highly advanced instruction in the finer points of sculpture. His entry at the International symposium of Arts held in Washington, D.C. in 1969 won him the first award for sculpture. He exhibited throughout Canada and his works have been donated to the purchased by individuals, galleries, public buildings and schools in Canada. He moved to the United States in 1975, became an American citizen and taught classes at the Florida Gulf Coast Art...