Fabric Paintings

A 19th C three quarter length portrait of an aristocratic gentleman with his personal valet shown behind him. The young man with flowing long hair is portrayed from the waist up and ...

A fine Israeli oil on canvas painting. By Zvi Olivitzki (b. 1930, Haifa.) Depicting a woman with a floral skirt seated before a geometric Persian rug on a patterned upholstered chair...

Oil on canvas "Dackelwelpen Biem Spiel" (Dachshund Puppies at Play) by Simon Ludvig Ditlev Simonsen (Danish, 1841-1928) Education: Royal Danish Academy of Fine Arts Size (Unframed) 6...

Antique Oil Painting of Dogs by Bernard De Gempt

Danish early 19th Century oil painting of a farm house in a period gilded frame.

A Belgian framed oil on canvas painting by Charles Van den Eycken (1859 – 1923), depicting two dogs in an interior. Created in Belgium during th...

Huts in Landeck – Oberinntal Work dimensions: 30 x 40 cm Dimensions with frame: 37 x 47 cm Technique: oil on canvas Period: 1942 Description: Summer view of some huts with classic ...

A fine contemporary British oil painting on canvas of white roses in a mustard pot displaying a masterful use of color, space, and light, mounted to an attractive gray-washed and sil...

A 19th century French Louis XVI style trumeau mirror with a sepia toned oil painting depicting a pastoral courtship scene. Pale green painted pine frame with gilded border trim. Orig...

Vintage Lee Reynolds, Vanguard Studios original signed textured abstract oil painting. Large Lee Reynolds abstract oil painting by Vanguard Studios. Gorgeous large-scale Lee Reynolds abstract painting, Mid-Century Modern. A vintage abstract painting composed of angled brush strokes in white, beige, blue, orange hues in varying intensities. The piece is signed Lee Reynolds in the lower right corner and is a production of his well known Vanguard Studios. Measures: Height: 48 inches; width: 60 inches. Circa 1960s. Lee Reynolds Lee Reynolds Burr (1936–2017) opened his Vanguard Studios in Beverly Hills, California, in 1964 to make oil paintings an attainable decoration for any American household. With seascapes, nautical scenes, still lifes, bullfights, cowboys, pastoral views, hot-air balloons, horse races and abstractions, there was a Vanguard Studios creation to match any taste and interior. Born in Los Angeles, Burr studied art at the University of Southern California. After graduating and a stint in the U.S. Army, he worked in a local studio as a painter before becoming a home decor entrepreneur with financial support from his mother. Only a fraction of the alleged hundreds of thousands of oil paintings produced by Vanguard were actually painted by Burr, even though they were signed “Lee Reynolds,” “Lee Burr...

Sir David Wilkie RA (18 November 1785 – 1 June 1841) “The Parish Beadle” Oil on canvas This important painting is probably a sketch for the large painting exhibited at Tate Britain....

An outstanding and grand scale oil on canvas painting of a nude male. Entitled "La Vittoria Della Verita' Sull'Insidia" - "The Victory Of Truth Over The Trap"..... Expertly executed ...

Each with nicely carved and gilded frames. Each panel with a variety of farm birds, ducks and other fowl. Indistinctly signed.

Matteo Lovatti (Italian, 1861-1909) A Fine 19th-Century Oil on Canvas Titled 'Church V. State - The Fencing Lesson'. The finely detailed artwork depicting an interior tavern scene, f...

Meiji Period (1868-1912) – Ca. 1880/1890 This group of portraits was shown at Chicago World’s Fair in 1893. DIMENSIONS (Framed) Width: 24” inches Height: 57.5

Large Original oil on canvas painting of a scene with the king's daughter “Europe”. Unsigned. Inscribed S. Evropæa. Italian painter, circa late 1700:'s. This painting stands over 6' ...

A large oil-on-canvas painting, representing an exotic dreamy palm tree on a colourful pastel backdrop. Entitled ‘Palm’s Parade’, and dated 1980, the painting borders a palm tree with a snapshot of three palm trees on the top right. This painting is the epitome of 1980s American interiors, with its bold pastel shades and abstract shapes. A true 1980s Florida/Palm Beach and Miami artwork...

Heshi Yu Abstract Cityscape/Village Naive Chinese Modernist Oil Painting on Canvas. Signed Delightful, intricately detailed, vividly hued, modernist village by Chinese-American art...

Decorate an office or study with this elegant antique painting. Created in France circa 1870 and set in the original carved gilt wood frame, the artwork features a typical French "Fete Galante...

1970s Jaime Parlade designer hand painting "Tiger" oil on canvas.

American painting, Hudson river school, Oil on canvas.

Antique Italian painting from 18th century. Framework oil on canvas, on the first canvas, depicting a view with characters, animals and ruins of good pictorial quality. Large size fr...

This is a lovely pair of large antique oil on canvas seascape paintings, 'The incoming tide; and catching the breeze' and each signed by the notable British artist Gustave De Bréansk...

F. Thomas, "Jungle" Paradise"—Colorful Haitian Naïve Oil on Canvas in Gilt Frame, Haiti, Late 20th Century Painting: 38" W x 28" H Framed: 42" W x 31.5" H A brilliantly composed a...

A French framed oil on canvas still-life painting from the 19th century depicting fruits, signed Morin. Created in France during the 19th century, this oil on canvas painting features mouth-watering cherries and prunes displayed in wicker baskets and flanked with a copper strainer...

A monumental and captivating 18th-century Spanish Colonial oil on canvas depicting Saint Raphael the Archangel, rendered in grand scale with overall dimensions of 167 cm height by 11...

Signed Mid-Century Modern cityscape oil on canvas.

Large oil painting of the holy family on hand woven canvas. Peruvian or Bolivian. Acquired from an estate in the San Francisco Bay Area f...

Still Life Portrait of the Infant Margarita Teresa, After Diego Velazquez. The oil painting is on canvas and signed lower right. Framed in Baroque manner with ornate detail, scallo...

A significant contemporary aboriginal painting by Kathleen Petyarre (1940-2018) in 2010. The painting was a rare oversize piece, exceptionally executed in earthy colors, showcasing m...

Portrait of Charles Trelawny, Esq., Master of the Dartmoor Hunt, on his favourite hunter Grimaldi, with the hounds Conqueror, Lounger and Windermere). After Francis Grant. Dimens...

Large-format painting of a mythological scene with references to Triton and other sea creatures as well as male nude figures by Aksel Jorgensen (1887 Copenhagen - 1957, ibid.). The p...

The Reader by Jean-Honorè Fragonard Print on Canvas Reproduction. Measures: Height 67 cm Width 58 cm Print on canvas In good conservative condition, present signs of time du...

Brilliant red and black abstract modernist painting on canvas from the 1970s. This original acrylic painting is an iconic example of mid-century modern art. The bold red color appli...

Moroccan orientalist oil on canvas painting of a 19th century Moroccan rug market scene with an sellers seating on a pile of carpet and two other men wearing traditional colorful robes standing and checking the goods. The background depict an old house with wooden mucharabie and Moorish arches. Contemporary French oil on canvas orientalist painting of a Moroccan market...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Okashi was born in Israel and studied painting while working as a Shepard in Galilee. His early work was figurative and his later work featured bold abstracts, which established hi...

Painting, Still Life with Bouquet of Flowers, Jean Dufy (1888 - 1964), oil on canvas, 1927, signed and dated Jean Dufy was born in Le Havre, France, into an extremely artistically t...

This expressive oil on canvas captures the timeless charm of Montmartre, one of Paris’s most iconic and romantic neighborhoods. Signed “Dalian” and dated 1968 in the lower right corn...

Signed and dated 58 lower left. A textured oil on canvas illustrating a French street scene with market seller's umbrellas along a park. Shops are along the street with figures. Two ...

Our Stock # 24760 This is an antique riverside painting. A Scottish, oil on canvas landscape in gilt frame, dating to the late 19th century, circa 1900. Appealing colour and subjec...

Beautiful oil painting on canvas from the 1960s of two cutie kittens next to each other, vivid and detailed painting, great wall hanging for cat lovers. Sign by the artist on the bot...

This is an oil painting that illustrates a peasant female in a countryside path walking down toward a lake at the sunset. Two large trees define the path. There is a small house at t...

Vittorio Matteo Corcos, Italian, (1859–1933) Original portrait of Anna Maria Borghese by Vittorio Matteo Corcos. Oil on canvas. Unsigned. Ex-Sot...

A lovely antique oil on linen painting from Spanish Colonial period late 18th-early 19th century. In the style of Classic Cuzco School, the painting depic...

This is a mid century vintage modern abstract oil on canvas. This abstract oil on canvas has a heavy pallet knife impasto with deep tones of burgundy, Amber and gold On a cream backg...

Monumental 19th-century Russian icon of the Annunciation of the Blessed Virgin Mary Russia, mid-late 19th century  A stunning monumental 19th-century R...

A unique oil on canvas painting that is so perfectly executed that it almost appears to be a machine made print. However, it is not. Instead it's a work that is masterfully painted w...

18th century Giacomo Guardi old master painting of Venetian Lagoon. Provenance. Old master painting in oil on canvas by the artist Giacomo Guardi (1764...

This is an Oil on Canvas Portrait of Jesus Christ by Oscar Colón Delgado (1889 - 1968 ). It depicts a profiled face of the Son of God with his large and expressive eyes looking up sh...

Overscale 1970s Rosalie Atkins Abstract Oil Painting on Canvas "Red Sky" Offered for sale is a 1970s over-scale Rosalie Atkins oil painting on canvas titled "Red sky". This graph...

"Market In Milan" on verso, signed and dated lower right '48, unframed.   

HERMANN DAVID SALOMON CORRODI Italian, 1844-1905 Bucolic Landscape of Shepherds Caring for an Injured Lamb (1868) Oil on canvas signed lower left "H. Corrodi Roma 68" Item # C104...

Max Finné (German, c.1880-c.1960) A Portrait of the Hanseatic merchant Georg Giese, copied from the original of Hans Holbein the Younger by Max Finné, 1922-23. signed lower left: M...

An original impressionist oil on canvas, circa 1920, by listed Hungarian artist Witman Etelka Vizkeleti (1882-1962), signed lower right. Depicts a vibrant marketplace scene with two ...

A Massive painting After Peter Paul Rubens (Flemish, 1577-1640). "The Rape of the Daughters of Leucippus" - 19th century, Continental school oil on canvas painting, signed initials E...

This collectible painting is by Mary Blair, legendary animator for Walt Disney Studios, is of a pair of dancing rabbits in coat tails. The unframed...

View of Lake Lucerne in the Swiss Alps Likely by the artist August Wilhelm Boesen, with the estimated date 1850. Oil on panel. Requires light surface cleaning. Minor craquelure. Thi...