Fabric Paintings

17th century Virgin of the Assumption Oil on canvas, 93 x 81 cm Frame, 110 x 97 cm The present Assumption of the Virgin welcomes an innova...

Scott Kerr is a self-taught Contemporary Abstract Artist. As a young boy, he was exposed to the art world by his father through the works of a local Texas artist, David Brownlow. Ama...

18th century Giacomo Guardi old master painting of Venetian Lagoon. Provenance. Old master painting in oil on canvas by the artist Giacomo Guardi (1764...

Celebration of the Russian National day oil painting signed Molodtsov who was a student at the Academy of the "Beaux Arts" in St Petersbourg. Signed and dated on the bottom front.

1970s Jaime Parlade designer hand painting "Tiger" oil on canvas.

Immerse yourself in the rich tapestry of 19th-century Scottish life with this monumental oil on canvas painting. Capturing a moment of familial bliss, the artwork showcases a Scottis...

Contemporary Aboriginal art, oil and acrylic on canvas. The painting depicts significant snake and gecko figures and characters that might ...

Oil on canvas depicting a French harbor scene with nearly barren trees in the foreground with branches criss-crossing across the structures, an aqueduct to the right, the reflective ...

Signed Oil Painting of Franco-Austrian Napoleonic Wars 19th Century Dimensions: 85 x 72cm, framed. Good condition overall From a private collection. Free international shipping.

Invite color into your home with this elegant pair of antique floral paintings. The artworks were crafted in France circa 1870, and are set in...

Escape to a tranquil paradise with this charming vintage original tropical seascape painting on canvas. This delightful artwork captures the essence of an idyllic island getaway, fea...

A Japanese mounted vertical hanging scroll painting by Mori Tetsuzan (Japanese, 1775-1841) circa 19th century Edo period. The watercolor and ink on silk ...

Monumental 19th-century Russian icon of the Annunciation of the Blessed Virgin Mary Russia, mid-late 19th century  A stunning monumental 19th-century R...

Traditional oil on canvas by Giuseppe Pitto depicting a beautiful young woman in a street market; she stands out from the scene since the background, the buildings, villagers, and st...

Overscale 1970s Rosalie Atkins Abstract Oil Painting on Canvas "Red Sky" Offered for sale is a 1970s over-scale Rosalie Atkins oil painting on canvas titled "Red sky". This graph...

A large reproduction oil painting of Thomas Cole's The Course of Empire The Consummation of Empire. Features a Romanesque cityscape in its completed phase with celebrations taking p...

Set in carved gilt wood frames and signed in the lower right and left corner by american artist Robert Lebron, each mid-century art work is painted on canvas and depicts a typical Parisian scene in the style of Edouard Cortes or Galien Laloue. One scene depicts the Place de la Madeleine and the other Place de la Paix with the Opera in the background. Both paintings are in excellent condition with rich and vivid colors. Robert Lebron (1928-2013) was an American impressionist artist. He was born in New York City, where he attended New York City's High School of Music and Arts. He also went on to study at the Art's Students' League for five years. Lebron developed his own personal technique after several extensive stays in Europe, relying on the use of a palette knife rather than brushes. Lebron has painted in Europe, particularly London and Paris, in Italy and Spain, in Canada and Mexico. He won such awards as the Forbes Magazine Award (travel grant), and he has had one-man shows at the Galeria Studio in Madrid and in New Jersey, Connecticut, Illinois and in his home city ( NYC). Most of his paintings feature favorite characters from his childhood including a tiny dog present in most of his paintings, inspired by the comic strip Dickie Dare. His paintings of the Donner Party are exhibited at the Emigrant...

This 19th-century oil canvas; from Maison Blanchet; known for top-notch art supplies; is stamped with a 1890 mark. Blanchet; situated at rue Saint-Benoît 20; was an artist's haven offering premium colors; high-quality canvases; easels; and brushes. The painting showcases nymphs dancing...

Mid Century Modern Abstract Oil on Canvas Board California Art Blue Green no information on artist. No frame. 24H x 19.87 W P...

From the series e·the·re·al, this striking piece envelops the viewer in a velvety spectrum of sepia tones, where ink and resin fuse into a fluid, meditative form. The artwork emanate...

Antique Italian painting from the 17th century. Oil on canvas artwork depicting a wonderful Holy Family. Painting of remarkable pictorial quality, particularly evident in the masterf...

Alain Le Yaouanc (1931-2012) was a French painter and printmaker associated with the abstraction movement of the mid-twentieth century. He was known for his...

Marine watercolor by Jay Arnold titled “Heading out to Sea”. Shown is the large windjammer “Sea Cloud” under full sail leaving port. Sea Cloud was owned by Marjorie Merriweather Post...

Oil on canvas signed ROBJ, France, 1930s. Couple near the Pound. with frame - 134.6x107x7 cm - 53"x42"x2.75" ; without frame - 116x89 cm - 45.7x35 inches. 50F format. Signed "Robj" l...

Painted Face of young woman Cappellini. Measures: Height 71 cm Width 61 cm Mixed Media on canvas In good conservative condition, present signs of time due to use and age. (Pl...

Ancient Italian painting from the 18th century. Oil on canvas famework depicting a seascape with characters and architectures of good pictorial quality. Nice size painting and pleasa...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Beautiful oil painting on canvas from the 1960s of two cutie kittens next to each other, vivid and detailed painting, great wall hanging for cat lovers. Sign by the artist on the bot...

Miguel Llabrés (Spanish, 1930 - 1983)Sacre-Coeur, Paris oil on canvas signedLlabrés (lower right); titled (on the reverse) 33 x 39 inches. Framed, 42.5 x 50”

A 19th century French Louis XVI style trumeau mirror with a sepia toned oil painting depicting a pastoral courtship scene. Pale green painted pine frame with gilded border trim. Orig...

An extraordinary and monumental pair of 18th century École Française Oil on Canvas portraits of Marie-Josèphe of Habsbourg of Austria (1699-1757), wife of Frederick Augustus II of Saxony, Elector of Saxony, and of their son Frederick IV of Saxony (1722-1763), bearing the Imperial and Royal Order...

A fine early 19th Century painting of the Virgin Mary in prayer between two saints, painted in the artistic centers of Cuzco and the Altiplano r...

Oil painting "The Man in the Gold Helmet" Rembrandt van Rijn Portrait copy of the famous Dutch painter Rembrandt van Rijn, overpainted print, signed. Fr...

A French oil on canvas animal painting signed Laroche from the late 19th century with giltwood frame. This French oil on canvas painting features two lovely kittens playing with a st...

Hedi Rothschild Kandel Israeli Artist (1912-2003) Portrait of Young Man Wonderful expressionist portrait. Hedi Kandel (born Rothschild) studied art in Nurenberg and medicine in Er...

This is a mid century vintage modern abstract oil on canvas. This abstract oil on canvas has a heavy pallet knife impasto with deep tones of burgundy, Amber and gold On a cream backg...

Our Stock # 24729 This is an antique river landscape painting. A Scottish, oil on canvas in gilt frame, dating to the late 20th century, circa 1900. Appealing oil painting from the...

Lucia Lopez Cubist Nude, 1960s Cuban, Died 2011 Presenting "Lopez Abstract," a compelling oil painting on canvas by the Cuban American artist Lucia Lopez, reframed in a mid-century ...

A large and stunning contemporary abstract painting by celebrated Australian Aboriginal artist Naata Nungurrayi (1932-2021), stretched and ready for display. A rare masterpiece of the museum quality dating from the peak of the artist's creative output in 2003. The canvas is singular in both the impressive size and tine quality, and it comes with full provenance and step by step photos (100 in total) recording the creation of this significant piece of work. The artist used fine dots as the sole element to compose a complex dreamtime landscape where Women's Ceremony took place in her ancestral time. The place is located at Marrapinti and its surrounds, where many water soakage holes were located. Dots in brilliant shifting and contrasting colors form ceremonial Tingari symbols performed by the women, black crawling tracks that may be associated with a site called Karilywarra (two carpet snakes) and mesmerizing Tali (sandhill) movements surrounding the canvas. The work is of the signature style of the artist, singular and easily recognizable. The fine quality of this work is exemplary. Medium: acrylic on Belgium Linen Cat no. NN200315 Provenance: Yanda Aboriginal Art, NT. The painting comes with a COA letter and an artist biograph issued by Yanda Aboriginal Art and a presentation album with 100 photos that documented the entire process of the creation of this large work of art. The edge of the painting bears name of the artist as well as the stamp of the gallery as shown. Reference and further reading: For a relevant work by the artist, See Plate 88 and Page 220-222 in the book "Past and Present Together: Fifty Years of Papunya Tula Artists" by Meyers and Skerritt. Another similar work is illustrated on plate 13 in "Pintupi" by Hamiltons. Artist's biography: Naata Nungurrayi (1932-2021) is an Australian Aboriginal artist who was born at the site of Kumil, west of the Pollock Hills in Western Australia. She is from the Pintupi group from Kintore, Northern Territory and is one of the senior elders of the Kintore women artist movement. Naata is the sister of George Tjungurrayi and Nancy Nungurrayi, and her son is Kenny Williams Tjampitjinpa...

Antique French or Belgian tapestry. Depicting Persian horseman capturing wild Arabian horses. It is in the original frame behind glass. The glass has preserved the vivid colors. Date...

GUIDO HAMPE German, 1839-1902 Alpine Landscape with Waterfall (1881) Oil on canvas signed lower right "G. Hampe '81" Item # 106QJY03C An incredibly powerful Romantic landscape of the Alpine mountains with a waterfall cascading into a valley, the river pouring over the rocks and curving around the bend, flowing past a pair of figures seated on a grassy noll with a transcendant unearthly lighting that creates a focal point of the couple. It is as if the clouds have opened up just to shine light on them, emphasizing the glorious day the man and woman are experiencing on this leisurely hike through nature. Painted by Guido Hampe in 1881, the painting was acquired by Charles S. Shultz, president of the Hoboken Bank in Montclair, New Jersey where it remained in his home until its deaccession from the home in 2021. The home was particularly interesting for its total originality, the interior looking almost identical throughout its entire life to how it appeared at its inception in 1896. Enclosed in the collection of images is a shot of the painting in situ over the living room fireplace as captured by the Montclair Magazine article on the home in 2020. The work is signed in his typical script lower right "G. Hampe / 81". It remains housed in the original and substantial giltwood frame, fully restored and a very powerful presentation. An article on the Charles S. Schultz home can be found by clicking here. Artist Listings & Bibliography: *. E. Benezit Dictionary of Artists, Vol. VI, Gründ, 2006, p. 1105 Measurements: 32 1/4" H x 42 1/2" W [canvas]; 48 1/2" H x 58 5/8" W x 5 1/4" D [frame] Condition Report: A fine presentation ready to place: frame with minor wear/abrasion/loss; canvas with trace grime in the mountain tops and sky and all-over moderate craquelure. Surface bright and vibrant. Retains the original frame that we have had professionally restored with trace regilding and inpainting, some elements recreated; the restoration has preserved the antique nature of the frame and all restoration has been toned to match the aged aesthetic of the frame. Painting was acquired with its apparently first surface, an incredibly thick grime layer that significantly obscured the image - this was likely due to its placement above the fireplace in the Charles Shultz...

This experimental painting entitled “Faster! Faster!” by Chicago artist Patrick Fitzgerald continues his series of abstract “track paintings,” initially born as the imagined racetrac...

Magnificent Antique oil on canvas portrait painting signed A. Robert (1817-1890). A. Robert was a Belgian Royal Academy Artist. His works are on displa...

Large whimsical oil on canvas painting depicting an 18th century French provincial gentleman farmer with chickens and a pig. Late 20th century painting by Ira Yeager (American 1938-2...

Jean Marie Daneis (French 1944-) Peches et Groseilles, (Peaches and Currants) Oil on canvas, Signed lower left. The still life painting , an oil on canvas, depicts three peaches an...

A fine and large 19th century oil on canvas after Bartolomé Esteban Murrillo's (Spanish, 1617-1682) "Beggar Boys Playing Dice" (The original work by Murillo was painted in 1675). The impressive artwork depicts two young boys playing dice while another eats a piece of fruit as his dog watches on., within an ornate gildwood and gesso frame bearing a label from the faming company Bigelow & Jordan. The original work by Murillo is currently at the Alte Pinakothek Museum in Munich, Germany. The present work is signed: L. Rüber. Circa: Munich, Late 19th Century. Bartolomé Esteban Murillo (born late December 1617, baptized January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively, realist portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. Murillo was born to Gaspar Esteban and María Pérez Murillo. He may have been born in Seville or in Pilas, a smaller Andalusian town. It is clear that he was baptized in Seville in 1618, the youngest son in a family of fourteen. His father was a barber and surgeon. His parents died when Murillo was still very young, and the artist was largely brought up by his aunt and uncle. Murillo began his art studies under Juan del Castillo in Seville. There he became familiar with Flemish painting and the "Treatise on Sacred Images" of Molanus (Ian van der Meulen or Molano). The great commercial importance of Seville at the time ensured that he was subject to influences from other regions. His first works were influenced by Zurbarán, Jusepe de Ribera and Alonzo Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26, he moved to Madrid, where he most likely became familiar with the work of Velázquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. In 1645 he returned to Seville and married Beatriz Cabrera y Villalobos, with whom he eventually had eleven children. In that year, he painted eleven canvases for the convent of St. Francisco el Grande in Seville. These works depicting the miracles of Franciscan saints vary between the Zurbaránesque tenebrism of the Ecstasy of St Francis and a softly luminous style (as in Death of St Clare...

This English oil on canvas painting, dated 1884, captures the quiet elegance of a white horse standing in a dimly lit stable interior. Painted with rich tonal contrasts and an eye fo...

A vintage still life oil painting on canvas by Latvian painter Leonid Moshenkov(b.1927). It is not signed but came from the family.

Mineral pigments on gold leaf with brocade border. Calligraphy and sketching on back paper.

Contemporary Fine Art Tittle - Peacock Executed in 2021. original - only one - No Reproductions. signed by artist, dated 2021 on the reverse oil on canvas - 23.5 x 21 x 1.75 in....

A RARE BOTTO! SAILING BOATS SEASCAPE PAINTING! MID CENTURY BEAUTIFUL COLOR & STYLE! Circa 1950 Signed: MARY BOTTO Dimensions: APPROXIMATELY. 30" By 25 " FRAMED The mood a...

In good condition From a private collection Free international shipping 18th Century Old Master Oil Painting Vision of the Virgin

Vintage Warren Fischer figurative abstract oil painting. Offered for sale is a figurative abstract oil painting on canvas by the American artist Warren Fischer (1943-2001). The pain...

Pair of American, 19th century Sag Harbor portraits in original giltwood frames (size includes frame).

All Aboard Original painting by Lynn Curlee This painting was used as an illustration in trains, a picture book for older kids published by Simon & Schuster in 2009. Mr Curlee is ...

Vincente Puig signed, oil painting "Europa", depicting the mythological subject of Europa on the back of Zeus turned into a bull. Signed top left. Newspaper article affixed to verso....

signed bottom right "Rud Quittner" Lit.: Catalog "Herbstausstellung und Gedächtnisausstellung Carl Freiherr v. Merode und Rudolf Quittner", Künstlerhaus Vienna 1910, p. 39. Künstler...

French 19th Century, Oil on Canvas, Wall Panels or Trumeau Paintings Set of 4 large 19th century oil on canvas wall panels Trumeau paintings. These finely painted panels are simply ...