Fabric Paintings

This mid-century oil painting from around 1974 presents a striking black-and-white portrayal of a pig, rendered with bold contrast and expressive brushwork. The monochromatic palette...

A captivating oil on canvas still life painting by renowned Argentine artist Juan Lascano, signed and dated 1980. Known for his exceptional realism and delicate use of light and text...

John Thomas Serres 1759-1825 was an English maritime painter who enjoyed significant success, including exhibiting extensively at the Royal Academy,...

This exceptional maritime oil painting, signed by renowned American artist James Gale Tyler (1855–1931), beautifully captures the majesty of a tall sailing ship navigating through de...

Decorate an office or study with this beautiful antique pastoral painting. Hand painted in Italy circa 1870, the painting depicts a tranquil ...

Fine 18th century portrait of a lady, unsigned, circa 1750, Sweden. (reframed, oil on canvas) According to old frame painted by Johan Horner (...

"Mar Azul" Abstract artwork by Mexican artist Maricruz Hernandez Covarrubias 1947-2016 Painting measurements: width 51.25'' height 39.25'' Maricruz H. Covarrubias – Biography Ea...

Large Pichhavai Hindu Painting of Radha and Krishna with Female Gopis. Pichhwai Hindu Painting of Krishna and Radha framed under glass. Kris...

This painting shows a portrait of a gentleman wearing a red jacket. His face and his hands are very well detailed. It wears age and use. The painting is in France and will be shippe...

A French realist oil on canvas painting of cows in a pastoral setting by artist Théodore Levigne (1848-1912) of the School of Lyon. This medium size oil on canvas painting was create...

Brutal skyline 1970s painting on canvas with earth tone colors.

Søren Edsberg, Danish-born American painter. Oil on canvas. Abstract composition. Ca 1990s In excellent condition. Unsigned. Dimensions: 70.0 cm. x 60.0 cm.

Beautiful oil painting on canvas from the 1960s of two cutie kittens next to each other, vivid and detailed painting, great wall hanging for cat lovers. Sign by the artist on the bot...

In the style or School of the Important Old Master Guido Reni (Italian, 1575-1642). A stunning Old Master 18th or possibly 17th century Italian Baroque School religious portrait painting...

Early 20th Century Oil on Canvas Matterhorn Artwork By unknown artist, from France In fair condition, with minor wear consistent of age and use, preserving a beautiful patina

A vintage abstract with a modern feel. Beautiful mix of primary colors and textured paint that adds another dimension to the work. A small yet impactful piece af wall art acquired fr...

19th Century Neoclassical Spanish Large Genre Painting attr. Stunning oil painting on a large-scale canvas features a Gypsy musician serenading a group of nobility, including elaborately dressed ladies. The scene takes place in a romanticized garden setting on an early evening. The background is adorned with colonnades, statues and additional people. This Spanish painting has distinctive characteristics of French and Italian influence of the Baroque and Neoclassical periods. The brilliant artist has mastered the perfect use of chiaroscuro, the interplay of light and dark. The subject and masterful technique indicates it was created by the hand of Jose Jimenez Aranda...

Mid-Century Danish Multi Charcoal Abstract by Uffe Christoffersen (1970s) A celebrated Danish painter and graphic artist, is a compelling piece that marries the minimalist allure o...

Oil on canvas of an idyllic summer landscape. The composition centers on a lone tree next to a stone bridge over a small waterfall, with figures both fishing and at rest in the foreg...

Like the Sun King himself, this French painting on canvas of the palace of Versailles stirs awe and wonder that such a person and place could exist. The setting sun bathes the Bacchu...

Clarence Measelle (American, b. 1947) Green Apple, 1983 Acrylic on canvas, signed on verso Canvas 16 x 16 inches, Framed 17.5 x 17.5 inches Immerse yourself in the captivating allu...

This striking mid-century velvet painting depicts a Native American warrior archer and the American Bald Eagle spirit depicted in the Southwest Desert...

A spirited French oil on board painting, of vintage age & condition. To call the work a “still-life” does a disservice to the vitality and celebration of color happening within the s...

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Carl Thiele (1860-1936) a listed Danish artist. ...

A vibrant French oil on canvas painting, of vintage age & condition. To call the work a “still-life” does a disservice to the vitality and celebration of color happening within the s...

Exceptional quality oil on canvas portrait painting of a bewigged Dutch statesman in armour having architectural background of ancestral seat with heraldic crest at lower left. Later...

Period abstract oil paint on canvas by New York artist, Jacob Semiatin. Signed lower right, Semiatin, circa 1958. Heavy impasto paint. Expressive use of brush and tube paint applicat...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

French vintage framed oil on canvas still-life painting of a vase of symbolic orange mums. In the foreground one can observe a book in marbelized cover (perhaps a Bible or other sign...

Contemporary Fine Art Tittle - Peacock Executed in 2021. original - only one - No Reproductions. signed by artist, dated 2021 on the reverse oil on canvas - 23.5 x 21 x 1.75 in....

Karwendel Mountains in Seefeld – Tyrol Technical Information: Period: 1920s Medium: Oil on canvas Artist: J. Linhard Dimensions: 24 x 28 in without frame 24.4 x 28.3 in with antiqu...

A commanding work by Hungarian-born French artist Paul Kallos, this large-scale oil on canvas, titled PEINTURE, is a striking example of post-war Abstract Expressionism. Rendered in...

This large antique origina painting was done by well known Anoine Blanchard of France in approximately 1920 in his signature Impressionistic style. The painting is done with oil pain...

A beautiful antique hand-painted gilt wood framed oil on canvas forest landscape painting USA, Late 19th Century Measures: 9.75"W x 1.25"D x 11....

Dimensions: 25cm x 25cm x 1,5 cm Technique: Acrylic on canvas Author: Miha Zorz Year: 2020

This is a beautiful oil on canvas painting of the view of the The Grand Canal in Venice by the renowned British artist Alfred Pollentine (1836-1890) and signed lower right and verso, 'A Pollentine, circa 1870 in date. This beautiful landscape captures a striking view of the Grand Canal, it features a busy canal scene with gondoliers in the foreground, in the distance the facades of Santa Maria della Salute complete the painting. Housed in it's original and beautiful gilt gallery frame. Several examples of his work have sold at top auction...

20th Century heavily textured signed skull painting raised on a linen background and framed in a 19th Century black and gilt frame with crossbones at each corner.

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Svend Aage Tauscher (1911-1984), a listed Danish...

Abstract painting by Ben Hanisch, 2022. 48” x 36” Acrylic on canvas, stretched on wood stretcher bars. Painted edges. Can be hung vertical or h...

A rare 19th-century painting of the Horsefair at the Grassmarket, Edinburgh, Scotland Follower of Rosa Bonheur, oil on canvas indistinctive collector wax seals verso. 19th-Century...

Still life artwork, antique oil painting, Still life with fruit  proposed here is an oil painting on canvas of the Twentieth Century.  It also has an original Golden Frame. It is a composition with grape and fruit some vegetables and some tomatoes and some garlic, with a nice white ceramic vase nearby. Antique paintings on canvas, still life, Art Deco, signed DYF at the bottom right a French painter who was born in Paris but grew up in Normandy. DYF Marcel...

Surrealist Mediterranean beach scene painting of girl facing sea, two empty modernist beach chairs, and graphic umbrella. Signed, Veronica, 1983.

PRESENTING a simply beautiful, monumental and imposing original work of contemporary art, namely, a Triptych oil on canvas panels of New Orleans Colonial/French Quarter Houses. Unsigned and undated, but most definitely inspired by the World Renowned New Orleans artist, James Michalopoulos. These were not painted by Michalopoulos, but were clearly inspired by him and his famous depictions of ‘wavey’ New Orleans houses. Also, they were created and painted in New Orleans, contemporaneously to when Michalopoulos was starting to become recognized, in the New Orleans (and greater) artworld. The 3 panels work perfectly together as a visual feast and ‘connected’ work of art. The panel on the left features a wavy blue, grey and yellow, French Quarter style 2 Story Wooden house, complete with Corinthian Style Columns, decks, railings, storm shuttered windows, etc. It has a deep blue sky with shimmering light reflections. The garden to the front, has steps leading to the house and has shrubs and flowers, that are continued into the 2nd or middle/center panel. The middle or center panel incorporates the other side of the garden plants etc for continuity and it features a single story pink, yellow and white wavy French Quarter style house, with fabulous decor and complete with decks, railings, storm shuttered windows, etc. It has a deep blue sky with shimmering light reflections and a white moon, emitting swirling patterns of light. The garden to the front, has steps leading to the house and has shrubs and flowers, that are continued into the 3rd or right panel. The right panel, features a wavy light...

Our magnificent oil on canvas by John Henry Frederick Bacon, A.R.A. (1868-1914), entitled The Golden Butterfly, depicts the family of John and Julietta Boyd-Harvey at Tondu House in South Wales in 1907. It was exhibited at the Royal Academy in London in 1907, no. 572. This very large painting depicts the Boyd-Harvey family on the lawn of Tondu House in South Wales, with the mountain and valley of Tondu in the background. John Bacon...

Beautiful original plein air impressionistic and realistic style, oil on canvas painting, features a wooded landscape, with magnificent trees which dwarf a woman and child, who are w...

Sharing similarities of a mid-17th-century Italian capriccio painting, this French oil painting from Provence depicts fantastical architecture set amongst the more realistic setting ...

In good condition From a private collection Free international shipping 18th Century Old Master Oil Painting Vision of the Virgin

Sublime California coastal oil on canvas plein air impressionist painting signed and dated. The landscape/Seascape image captures calm shoreline with a lush greenland and misty grey ...

The category Antique Paintings, Portraits Of Elegant Ladies offers a Large Oil Painting On Canvas Dell'800.  This is a portrait of a seated and elegantly dressed woman in a silk dre...

19th century French school, architectural scene by Joseph Paul Martin (1799- after 1861). Oil on canvas signed and dated 1857. Our painting is set into a beautiful 19th century gold ...

According to a bio written by Alex Bialy, "Daniel Schmidt adopted the name Dan Smith by 1890, when he began his career as a staff reporting artist for Leslie...

A RARE BOTTO! SAILING BOATS SEASCAPE PAINTING! MID CENTURY BEAUTIFUL COLOR & STYLE! Circa 1950 Signed: MARY BOTTO Dimensions: APPROXIMATELY. 30" By 25 " FRAMED The mood a...

A very large beautiful oil painting by Hartman, "Theatre de Vaudeville" oil on canvas. Measures: 36" x 48" view and 47" x 59" framed. Artist Hartman Medium Oil on canvas. ...

Francesco Simonini (Parma, 16 June 1686 - Parma, 1766) “The rest of the soldiers” and “The march of soldiers” oil on canvas cm 40 x 58 and 40 x 60 ; frame: h 52,5 x W 70,5 x D 6 an...

Dimensions with frame : Height : 116 cm (45.7 in.) ; Width : 144 cm (56.7 in.) Dimensions without frame : Height : 85 cm (33.5 in.) ; Width : 118 cm (46.5 in.) Atrium with a rich Pompeian decor in which a young woman lying on a bed is playing with a sparrow, not paying attention to the man sat at her feet. This painting is a major work of art of C. G. Brun, well-know for the precision of his technic, by the elegance of its composition, the pureness of the colors, the refinement of the touch and the expressivity of the characters. This rare intimist scene in a interior decorated in the Pompeian style perfectly illustrates the taste of the time for the discovery of the villas of Pompei, thanks to the archeological excavations of the 18th century and the books published about them. To arrange its interiors based on the models of the Pompeian villas is then a trend that the most important people of that time will follow, as the Prince Napoléon, cousin of the Emperor Napoléon III, who orders the construction of a splendid Pompeian villa on the Avenue Montaigne, of which nothing remains but a few pictures and a painting by Gustave Boulanger, dated 1861 and called Répétition du « Joueur de flûte » et de la « Femme de Diomède » chez le Prince Napoléon. This painting illustrates the poem « Fletus passeris Lesbiae » from the collection « Carmina » written by Catulle (87-54 av. J.-C.) : in his work, the author, in love with Lesbie, a married woman living in Rome, puts on a show a sparrow as the main center of interest of its mistress who neglects her suitor. This theme has been represented many times in painting, like the version by Raphaël Poggi exposed at the Salon of 1865, or Lawrence Alma-Tadema in 1866 or Edward Poynter in 1907. Painting exposed, as reference number 467, at the Salon of 1861 on the picture rail of the Palais des Champs-Elysées Charles Guillaume Brun, born in Montpellier in 1825 and died in Paris in 1908, was registered in 1847 at the Paris Beaux-Arts school, where he studied under the direction of François- Edouard Picot (1786-1868) and of Alexandre Cabanel (1823-1889). His participation in the Paris Salon began in 1851 with genre subjects (Young girl doing her morning prayer), but as soon as 1853, he regularly sent Orientalist scenes, located in Algeria (Prayer in 1859, Rendez-vous in Constantine in 1861, Moorish woman...

Antique portrait / oil painting of a noblewoman, France 18th Century Painting painted oil on canvas, oval stretcher. Portrait of an eagle lady, probably ...

Antique original oil on canvas painting by Paul E. Harney, circa 1901. This wonderful Harney barnyard scene is in good vintage condition and measures 18.5" x 15.5" x 1.5" overall and...

Winter Landscape Snow Scene Country Road Painting Oil on Canvas Framed Argnegger . Late 19th-early 20th century winter landscape / snow scene, by...

Armand Lara "Nomads 1882 #8" Mixed media on canvas. Artist Armond Lara is a contemporary artist of Navajo and Mexican descent. His artworks often include handmade paper, found objects, and mixed media including traditional Navajo beadwork. Lara studied at the Colorado Institute of Art in Denver and earned a Bachelor of Arts degree at Glendale College in California and also studied at the University of Washington...

This striking 19th-century French oil painting on canvas captures an evocative sporting scene featuring three hunting dogs attentively watching a game bird in a lush forest setting. ...