Glass Paintings

Edwin Siegfried (American, 1889-1955), Marsh at Sunset, pastel on paper, signed lower right, sight: 21"h x 35.5"w, overall (with frame): 28.5"h x 39.5"w. Frame is fruitwood with glass.

Charming painting on glass from the 1930s in good condition representing The profil of an elegant woman with a beautiful hat. Oval black wooden frame. Small hook to hang on the wall.

An exceptional orientalist painting under glass on mirror, Art-Deco, Modernist, Bauhaus, Orientalist, decorated with a stylized torrent in the jungle on a mirror background, signed G...

Moody pastel on paper by Edwin C. Siegfried, one of the top Pastelists of this period. This piece is titled “Moonlit Marsh”. Framed in a walnut stained wood with parcel gilt details....

Sensuale Dipinto a pastello eseguito da Fried Pal negli anni 30 in puro stile Art Deco. L'autore riesce in maniera egregia a unire due motivi ricorrenti del periodo,il nudo e il dina...

A small seascape in pencil and watercolor by the French post-impressionist painter Frank William Boggs (1900-1951). He mainly painted under the pseudonyms Frank-Will and later in lif...

Stupendous pastel painting designed by Fried Pal in the 1930s,the theme of the nude in the Art Deco period was of important relevance,the author in this painting demonstrates great s...

Refined watercolor painting executed by Elie Camoisson in 1931.The author belonging to the Société Lyonnais des Beaux-Arts,demonstrates in this work a truly unique and original style...

Phenomenal unique painting. Painted in Rome at the American Academy circa 1933, by James Owen Mahoney (1907-1987), Fruits of Harvest is executed on the reverse side of glass in a te...

Suzy Bartolini reverse painting, French artist born 1930. Well known for her reverse painting of flowers baskets and individuals. Very special custom ...

Red chalk drawing of a reclining Female nude Signed and dated by Frank Dobson This drawing, never before on the market, comes from an important European private collection and is beautified by an antique frame in gilded wood, in almost perfect condition. The painting is also protected by glass Dimensions whit frame cm 71 x 58.5 Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Frank Owen Dobson (London 1886 – 1963) was a British artist and sculptor. Dobson began as a painter, and his early work was influenced by cubism, vorticism, and futurism. After World War I, however, he turned increasingly toward sculpture in a more or less realist style. Throughout the 1920s and the early 1930s he built a reputation as an outstanding sculptor and was among the first in Britain to prefer direct carving of the material rather than modelling a maquette first. The simplified forms and flowing lines of much of his sculptures, particularly his female nudes, showed the influence of African art. From 1946 to 1953 Dobson was Professor of Sculpture at the Royal College of Art. He was elected to the Royal Academy in 1953. While Dobson was one of the most esteemed artists of his time, is now seen as one of the most important British sculptors of the 20th century. Dobson grew up in Clerkenwell where attended school in Forest Gate. After eighteen months in Reynolds-Stephen's studio, Dobson moved to Devon and then to Cornwall where he lived, for two years, by selling landscape paintings. In 1906 he obtained a scholarship to study at the art institute in Hospitalfield House in Arbroath and studied there for four years. From 1910 to 1912 Dobson attended the City and Guilds of London Art School in Kennington, after which he returned to Cornwall. In Newlyn, he met Augustus John who used his influence and contacts and in, or around, 1915 Dobson created his first sculpture, a small piece in wood. In 1915, during the First World War, Dobson enlisted in The Artists Rifles and served in France from October 1916. In April 1918 he married Cordelia Clara Tregurtha. Dobson was formally invalided out of the Army in November 1918 and by then had already submitted several drawings to the British War Memorials Committee. Dobson set up a studio in the Tregurtha family home in Newlyn but towards the end of the war he took a studio in Manresa Road in Chelsea and would live there until the start of the Second World War. Throughout the 1920s Dobson focused increasingly on sculpture, exhibited work in several influential exhibitions and played a leading role in a number of artistic groups. He was the only sculptor to take part in the 1920 Group X exhibition. Dobson was a founding member of the London Artists Association and spent three years as President of the London Group between 1923 and 1927. He made bronze portraits of several public figures. At the Group X exhibition he exhibited two sculptures and studies of Ben Nicholson and his bronze head of H. H. Asquith was shown at the Leicester Galleries in late 1921. Other subjects included Osbert Sitwell, Lydia Lopokova and Tallulah Bankhead. Dobson exhibited at the Venice Biennale in both 1924 and in 1926, was featured in the 1925 Tri-National Exhibition which visited London, Paris and New York and was also included in the 1926 European artists exhibition that toured America and Canada. In March 1927 he had his first major one-man exhibition when the Leicester Galleries exhibited twenty-three of his sculptures and several bronzes. In 1930 the Tate purchased a larger-than-life sculpture from Dobson and erected it outside the gallery on Millbank. During the early 1930s Dobson continued to receive portrait commissions, most notably for Sir Edward Marsh and the actress Margaret Rawlings. Dobson worked in other media including textiles and silver, as well. His silver gilt cup, Calix Majestatis, to mark the coronation of George VI and Queen Elizabeth is now in the Royal Collection. During 1933 Dobson fractured his left arm which greatly limited his ability for heavy carving and his last monumental stone carving was to be Pax, which was first shown at the London Group in 1935. At the start of World War Two, Dobson and his second wife [Caroline] Mary Bussell, whom he had married in 1931, moved to Bristol, where a large retrospective of his work was held in March 1940. Dobson lived in the city throughout the Bristol Blitz and like several other artists painted the ruins of churches destroyed in the bombing. Dobson contacted the War Artists' Advisory Committee and offered his services as both a painter and sculptor. WAAC were reluctant to offer sculpture commissions but eventually did offer Dobson a short-term contract for two portrait busts of Naval personal. Later WAAC commissioned some paintings, including one of workers arriving for work at a factory that had been relocated to a tunnel. Dobson was appointed head of sculpture at the Royal College of Art in 1946, a post he held until his retirement in 1953. For the Festival of Britain site on the South Bank of the Thames in 1951, Dobson created London Pride. The sculpture was originally exhibited as a plaster cast but was later, after Dobson died, cast as a bronze and placed in front of the Royal National Theatre in 1987. Among his last commissions were a bronze head of Sir Thomas Lipton and the zodiac clock...

Sumptuous cascading Art Deco Era floral watercolor. Brilliant blue background with an amazing floral arrangement displayed in a Art Deco period handl...

Nice original watercolor of a footbridge over a pond in Central Park NYC. Skyscrapers of the day in the background. In excellent vintage condition with minimal wear, needs a new mat....

Framed watercolor on paper of a racing yacht under full sail by Sandor Bernathy. The work has been de-acidified and framed with archival mat under UV filtering glass. American, circ...

A pastel painting on paper, depicting a head of a pekingese dog. Signed. England, 1940. Solid oak wood frame, polished and beeswaxed.