Wood Paintings

Large abstract acrylic painting on wood board by Imke Plattel, 1993. Plattel was born in 1960 in Zwolle, The Netherlands and lives and works in Amsterdam. This striking work has a vi...

Fabulous period of abstract expressionism 1962 created by Zubel Kachadoorian, "Andromeda" signed and dated in verso. Madison Ave Gallery label affixed. Gallery 831 Madison Nordness p...

Mid Century modernist abstract painting from 1976. Oil on wood. Signed. Condition as seen on photos.

HECTOR BORLA (Argentine School, 1937 -) THE GRANDFATHER AND THE GRANDMOTHER, oil and collage signed on the back H.Borla 64. Also titled and inscribed "from the series El Amor de l...

Step into the vibrant world of the 1960s with the Mid Century Modern Abstract Bridge Painting by Gillingham. This original oil on canvas piece, signed by Gillingham on the middle rig...

Rare colour lithograph by Bernard Buffet ( 1928 – 1999) depicting the Panam building, New York City. The lithograph is in excellent condition, professionally framed, and signed and n...

Charming framed oil on canvas of a french marina by Swedish artist Gertrude de Val dated 1936. Painted mainly in tones of blue and green the view is out to the marina with the sea be...

Particular and magnificent canvas made by painter M. Diklic in 1967. Postwar Serbian artist-painter transited briefly in Italy, leaving some on achievements such as this one, and the...

Impressive and very beautiful oil on panel made by Paul Robert Bazé, an artist of French origin. It represents a still life with a bouquet of flowers in the foreground on a dark background. It mainly shows dahlias and camellias, which give the work its name. The traditional still life genre shows its evolution here. It presents the characteristic style of the genre to which it corresponds, realistic and meticulous, especially noticeable in the way it works with the different qualities of the flowers and leaves. The dark background is also inherited from the still life genre, with a marked dark interest reflected in the dark backgrounds. Signed in the lower left corner. Paul Robert Bazé (1901-1985) was born in Paris, although he soon moved to Bayonne and then to Bordeaux, where he was a student of Paul Quinsac...

Dimensions Framed: H: 17 1/2in W: 13 1/2 D: 3/4in This framed Francis Picabia (1879 - 1953) portrait of a woman is perfect for you and your home! Francis Picabia was a French avant-...

Two abstract oil paintings on masonite boards by Pascal "Pat" Cucaro including the Cory Gallery of San Francisco pamphlet where the works were originally purchased (ca. 1968, USA). T...

Original Abstract Mid Century Painting, artist unknown, believed to be American, circa 1960s. It has been recently professionally framed i...

Sandra Jorgensen "Herb's Texaco" original oil painting on canvas, USA 1981 Retains original Richard Gray gallery exhibition tag dating to 1981. Addition...

Marina Cappelletto oil on wood painting titled; "Pinned Spirit", USA, 1983 Additional Information: Materials: Oil on wood panel Dimensions: 46 1/...

Wood Framed Vintage Painting of Mountain in the Forest. Possibly Acrylic on Canvas. Unique Pencil Reed Style Frame. Signed in the Lower Corner a...

Mid 20th century oil on board landscape painting by William Thon, titled "Olive Trees," No. 850. Shows an abstract expressionist forestscape with black trunked trees with green and white leaves over a golden forest floor. Signed lower right corner. Rustic wood frame with red stained recessed bevel and white linen mat. Labels on reverse from Midtown Galleries (New York, New York), Frost Gully Gallery (Portland, Maine). Exhibited at The Ogunquit Museum of American Art (Ogunquit, Maine) - "Creative Lives" July 1 - September 30, 1996. "William Thon (1906-2000) was an American artist noted for highly abstracted landscape paintings. He debuted as a professional artist in 1939 at the Corcoran Gallery Biennial* exhibition. He was born in New York City in 1906, and spent his childhood summers camping on Staten Island. He also developed a great love of travel, and in 1933 made an eight-month voyage to the Cocos Islands in the Pacific. He joined the Navy during World War II, and shortly after the war won the Prix de Rome*, a fellowship in Rome to the American Academy,* which he later served as trustee. Recognition for him continued with his participation in the 1942 "Artists for Victory" exhibit at the Metropolitan Museum of Art*, and in 1944, Midtown Galleries in New York held his first one-person show. This gallery then continued to be his representative throughout his career. He had subsequent solo exhibitions at Smith College Art Museum, Fort Wayne Museum and Farnsworth Museum in Rockland, Maine. He earned an honorary Doctor of Arts from Bates College in Lewiston, Maine in 1957, and was a member of The American Academy* and Institute of Arts and Letters, as well as the National Academy of Design*. In 1947, the year-long study at the American Academy proved highly influential on his career, especially with him beginning to paint as much with watercolor as oil. Returning to America, he submitted a watercolor into the 1949 exhibition of the National Academy of Design, and that year was voted into Academy membership. From thereon, he exhibited frequently at the Academy and won prizes including the Benjamin Altman Prize* in 1951, 1954, 1961, 1967 and 1969. In 1951, Thon received a grant from the American Academy of Arts and Letters. He also taught painting at Ohio University, and painted aspects of the Apollo Space...

Found on the East Coast in the United States, this large original oil painting on stretched canvas depicting boats in a harbor. Unsigned and new floating frame in pale wood. Unknown ...

Vintage Artwork on Paper within a Wooden Frame. Possibly Pen and Watercolor. Signed at The Bottom Corner as Pictured. Vintage Condition Consistent with Age as Pictured. Dimensions. ...

Oil on masonite by Eugenio Fernandez Granell (1912-2001). Fantastic piece of art, realized by the Spanish artist Eugenio Fernandez Granell, back in the 1952. This art-piece were realized during his living period in Puerto Rico, when he decided to emigrated from Spain. Represent several surrealistic animals and personages, like a bull, a horse and the synthesis of a torero with a helmet. Clearly a bullfighting image. Title: Estampa Taurina. Year: 1952 Technique: Oil on masonite wood. Art Measures: 463.55 mm by 368.30 mm (23.5 x 17.5 Inches). Frame Measures: 463.55 mm by 368.30 mm (29.5 x 23.5 Inches). Signature: At lower right corner signed, "GRANELL 52". Eugenio Fernandez Granell As a Surrealist artist, Eugenio's work is principally characterized by its bright and vivid colors that explore nature and the indigenous symbolism of the Americas. His most famous works include Autorretrato (1944), Elegía por Andrés Nin (1991) as well as Crónica de los fiscales de los años horrendos (1986). Granell's work has been incorporated into exhibitions in the Maeght Gallery, the Bodley Gallery, The Museum of Modern Art as well as The Museum of Contemporary Art alongside other Surrealists such as André Breton and Marcel Duchamp. Granell also dedicated himself as a poet, essayist and novelist, publishing 15 books in all. Some his first, and most prominent works, include "El hombre verde" (The Green Man, 1944) and Lo que sucedió (What Occurred), a book he illustrated and designed himself which won Mexico's Don Quixote novel prize in 1969. From the mid-1960s until retirement, he was professor of Spanish literature at Brooklyn College. The Eugenio Granell Foundation was inaugurated in 1995 to conserve the life and work of the artist with an expansive collection of his oils, drawings, constructions, collages and archives. The museum also dedicates itself to the preservation of other Surrealists such as Joan Miró, Wifredo Lam, José Caballero...

This is a wonderful painting of a male lion. Please take a look at all our pictures to see the intricate detail of his face and mane. We like the simplicity of the rest of the pict...

Possibly Acrylic or Oil On Canvas. Unsigned. Frame and Painting have Beautiful Petina Consistent with Age. Vintage Condition Consistent with Age as Pictured. Dimensions. 12 W ; 3/4 ...

Striking acrylic painting on canvas of a house with palm trees executed in a bold modernist style with primary colors and a sense of exaggeration by Palm Beach artist Barbara Sturgil...

Danish artist Knud Laursen (1924-) born in Herning in Jutland. The painting is called "Figurative landscape with farm in the background" and shows a land...

This is a stunning oil on canvas by Gaston Sébire entitled, "Le Bouquet de Paquerettes", Pitcher With Flowers. Depicted is a pitcher with a handle holding what appears to be daisies and grasses.The pitcher and flowers stand out against the black and brown background. His thoughtful attention to detail can be seen in the fallen flowers...

Original 1950s painting of the California desert in custom frame signed by Carlo of Hollywood. Needs professional restoration, due to a small tear on the canvas. The price has been l...

Wonderful Guy Harloff large abstract painting Signed, titled and dated on the back “Guy Harloff Positano 1954” Paper on canvas. Mixed technique The work is protected by a plexiglass ...

Enamel on canvas "Untitled" signature on the back. Certification by the artist is present. Archived in 1997 Monte Titano Arte General Archive of Mario Schifano's paintings n. 713/97 dated 19.09.1997 Monte Titano Arte. Bibliography: the work is present in III° Mario Schifano Works on Canvas 1991-1998 page 401 The dimensions are without frame. This painting, comes from a private collection and is beautified by an impressive original frame in natural wood, in almost perfect condition. The painting is also protected by glass Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Mario Schifano (Homs 1934 - 1998) was an Italian painter and filmmaker. Together with Franco Angeli and Tano Festa he represented a fundamental point of Italian and European Pop Art. Perfectly integrated in the international cultural scene of the 1960s, he was reputed to be a prolific, exuberant and drug-addicted artist. A keen student of new painting techniques, he was among the first to use computers to create works and was able to process images from the computer and transfer them onto emulsified canvases. Mario Schifano was born in Italian Libya and after the end of the war returned to Rome where, due to his restless personality, he left school early to follow in his father's footsteps who worked at the Etruscan museum of Villa Giulia as an archaeologist and restorer. Thanks to this experience, he approached art, initially producing works that were influenced by Informal Art. His first solo exhibition was at the Galleria Appia Antica in Rome in 1959. In the late 1950s, he participated in the artistic movement Scuola di Piazza del Popolo together with artists such as Francesco Lo Savio, Mimmo Rotella, Giuseppe Uncini, Giosetta Fioroni, Tano Festa and Franco Angeli. The group met at Caffè Rosati, a Roman café then frequented by Pier Paolo Pasolini, Alberto Moravia and Federico Fellini, among others, and located in Piazza del Popolo, from which they took their name. In 1960, the group's works were exhibited in a group show at Galleria La Salita. In 1961 he exhibited in a solo show at Galleria La Tartarugadi Plinio De Martiis in Rome. In the meantime, he had met, among others, his future lover Anita Pallenberg at the Caffè Rosati, with whom he made his first trip to New York in 1962, where he came into contact with Andy Warhol and Gerard Malanga at the Factory. During this period he participated in the New Realists exhibition at the Sidney Janis Gallery, a group show that included most of the young artists of Pop art and Nouveau Réalisme, including Andy Warhol and Roy Lichtenstein. He then had the opportunity to participate in the New York social scene, which led to his first experiments with LSD.[6] On his return from New York, after participating in exhibitions in Rome, Paris and Milan, he took part in the XXXII International Art Exhibition in Venice in 1964. During this period, his paintings defined as 'Anemic Landscapes', in which it is memory that evokes the representation of nature with small details or allusive inscriptions, and the reinterpretations of art history that later led to his famous pictorial works on futurism appear in embryo. In Rome, he met and frequented Marco Ferreri and Giuseppe Ungaretti to whom, already in his 80s, he offered an evening at Peyote. But one of the acquaintances of this period that most influenced him was that with Ettore Rosboch, with whom he formed a deep friendship, based on a shared passion for music. In those years, also thanks to their constant trips to London, the two became friends with the Rolling Stones, to whom they introduced Anita Pallenberg, who in 1965 began a relationship with Brian Jones, and years later became Keith Richards' partner. In 1969, the flat in Piazza in Piscinula in Rome that then belonged to Schifano was used by Ferreri as the set for the film Dillinger is Dead, on the walls of which some of the artist's paintings can be seen. In 1969, the Rolling Stones dedicated the song Monkey Man to Mario Schifano. In 1971 some of his paintings were included by Achille Bonito Oliva in the exhibition Vitalità nel negativo nell'arte italiana 1960/70. Many of his works, the so-called 'monochromes', present only one or two colours, applied on wrapping paper glued on canvas. The influence of Jasper Johns was manifested in the use of numbers or isolated letters of the alphabet, but in Schifano's way of painting analogies can be traced to the work of Robert Rauschenberg. In a painting from 1960, one can read the word 'no' painted with drips of colour in large capital letters, as in a wall graffiti. The influence of Pop art can be seen in all the artistic production of Mario Schifano, who was fascinated by new technologies, advertising, music, photography and experimentation. In particular, the artist's closest works to Pop Art are those of the 1980s. Among the most important works of this period are the Propagande, a series dedicated to advertising brands (Coca-Cola and Esso) in which we have a clear example of the conveyance of commonly used and easily recognisable images quoted in multiple ways or details of them, bicycles, flowers and nature in general (among the most famous series are the Paesaggi anemici, Vedute interrotte, L'albero della vita...

S U P E R B ! MID CENTURY MODERN C I T Y S C A P E P A I N T I N G ! ICONIC HELLER MID CENTURY STYLE! OIL ON BOARD HUGE! Approx. 29 " x 53 " C I R ...

Geometric landscape by Helen Gerardia. Signed lower right, Gerardia. Circa 1950-60. Good overall condition with some surface paint scuffs and losses. Ov...

A large and evocative circa 1950 framed impressionist landscape oil painting on canvas titled “Princeton Beach [Boat Repair]” by noted northern California artist William “Will” E. Frates (b. 1896–1969). Captivating coastal setting depicts an unassuming barn-like structure beside a pair of fishing boats in dry dock, one of which is on stilts with figures discernible on deck going about their repairs. Sandy shoreline terrain in the foreground and turquoise-colored waters in the cove lead to a sliver of beach below verdant foothills in the distance that rise up into a cloud-filled sky. Earthy palette punctuated by reddish-orange pops of color that capture the warm glow of an inimitable California sunset on the building, boat hulls, and a section of water. Artist’s loose yet assured brushwork on wonderful display throughout, with impressionistic details and textures that reward those who lean in for a closer look. Based on Frates’ San Francisco Bay Area roots and the title, the setting could be somewhere near Princeton-by-the-Sea just north of Half Moon Bay, which is a short drive south of San Francisco on scenic Highway 1. Signed on front at bottom and signed, titled, priced, and notated in pencil on verso. Title on verso appears to have originally been “Princeton Beach Boat Repair”, with “Boat Repair” having been crossed out. Original circa 1950 price was possibly overwritten from “$200” to “$300”, which in either case translates to nearly $4,000 in today’s dollars. Presented in its original plaster-coated wood frame with painted faux-stone finish and painted white wood interior border. Canvas backed by stiff paperboard. Will Frates was born in Hayward, California in 1896, and was an active, versatile, and very skilled oil, watercolor, pastel, and etchings artist from the 1920s until his passing while on a painting excursion in Myrtle Creek, Oregon in 1969. His subjects were mostly San Francisco Bay Area and California “Mother Lode” landscapes, though he also painted scenes far afield, from New Mexico to the coast of Maine. Frates first studied art in San Francisco with noted landscape painter and ornithologist William Otto...

RARE ABSTRACT EXPRESSIONIST WORK! MODERN ART CUT & LAYERED INCREDIBLE WOOD DRIP TECHNIQUE OIL PAINTING! After Jackson Pollock DIMENSIONS: Approximately 26" x 24" x 2" This i...

Pair of Vintage Paintings of Garden Scenes . One Painting Features Swan and other Shows a Court Yard.They are Complimentary due to the Pink Floral Accents and the Similar ponds . Woo...

Important work in marker on cardboard by the great Roman artist Tano Festa, one of the major exponents, together with Mario Schifano, of the Scuola di Piazza del Popolo. "Homage to ...

An incredibly sweet and whimsical painting by American artist Nura Woodson Ulreich. The sweet subject matter, the PAFA (Pennsylvania Academy of the Fine Arts) provenance and the incr...

20th Century Abstract Oil on Wood Painting Attributed to Burton Wasserman. Burton Wasserman (1929-2017) was born in Brooklyn, NY to Orthodox Jewish immigrants from Poland. He attend...

Vintage Painting on Canvas, Signed in the Lower Corner as Pictured. Textured Paint.,Particularly on the Wolves. Complimented Well with the ...

Historic Print of Original Oil Painting by Fr. & R. Stegmiller of Jerusalem in 1928. Primarily Red and Yellow Tones as Pictured. Vintage Condition Consistent with Age as Pictured. D...

MONUMENTAL! ORIGINAL OIL PAINTING CARLO OF HOLLYWOOD ARAB MARKET DIMENSIONS: ( LARGE Approx 53" By 22" Framed ) If you're a mid century art collector, you've likely heard of Carlo of Hollywood and his unique and coveted pieces! In the post war period, original art for the home was a rarity. There was no internet, very few art galleries in the new suburbia or throughout most of middle America...

Alex Tschernjawski (Born 1933) is active/lives in New York / Yugoslavia (former). Alex Tschernjawski is known for Figure, street landscape. Good o...

Vintage Painting of Red and Floral Bouquet Signed by Helmer. Frame has Black Velvet or Accent. Possibly Oil or Acrylic on Cavas. Vintage Condition Consistent with Age as Pictured. D...

Vintage Landscape Painting with Purple hue on Board. Signed in the Lower Corner as Pictured. Vintage Condition Consistent with Age as Pictured. Dimensions. 20 W ; 16 H

Nude Portrait of a Woman. Appears to be Pastel or Watercolor on paper. Signed UP Gaston as Pictured. Wear and Condition Consistent with Age. Dimensions. 26 W ; 20 H

Possibly Oil or Pastel on Paper. Frame Has Been Reinforced on the back. Frame has Floral Motifs. Frame Circa 1920s. Vintage Condition Consistent with Age as Pictured. Dimensions. 26...

Donald Roberts mid century modern large oval abstract geometric formica sandblasted painting titled Aureole Project Azure March 1966. Donald Roberts b.1923-2015 in Boston, Massachu...

Vintage Illustration of British Soldier on Horse. Frame has Makers Mark on the Backyard. Vintage Condition Consistent with Age as Pictured. Dimensio...

Dimensions: Height: 38 3/4in Width: 28 3/4in Depth: 1in This vintage abstract painting on canvas is perfect for you and your home! If you look at the photos provided, you can see...

Vintage Signed Artwork on a Canvas that Doubles as a Fully Functioning Radiator. The Back of the Painting Contains Safety Information , the Switch to Turn the Heater on is on the Si...

A somber rendering of a young girl with a page boy haircut wearing a red dress seated in a high back chair. Her arms are raised above her head. Oil paint on board. Entitled "Seated" ...

Beautiful and evocative oil painting by the great French school modern artist Moya Dyring specializing in marinas. It depicts a harbor with boats probably from the French Riviera painted with great intensity but giving, at the same time, a sweet sense of serenity. Moya Claire Dyring was born in Coburg, Victoria in 1909. She produced drawings, oil paintings and pastels. She was one of the first women artists to embrace Modernism and exhibit cubist paintings in Melbourne. For several years she was a member of the modern art community known as the Heide Circle, named after the home of art collectors John and Sunday Reed, and now the Heide Museum of Modern Art. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Dyring then travelled to the USA and France, where she lived most her life. Her work is held in the Heide Museum as well as the National Gallery of Australia. One of her earliest works in cubist in style, Melanctha, 1934, was acquired by Sunday Reed. In 1934 Dyring also painted Portrait of Sunday Reed which went into the Reed's collection, along with a cubist style Portrait of a Woman from the same year. While her early works were figurative or cubist, in France she turned to landscape as she travelled to various towns throughout France. In her later years, unable to travel freely, she painted children against the backdrop of Paris. As time passed, she was largely glossed over and not included in major exhibitions of artists, especially women artists, of the 30s, 40, and 50s. In 2002, at the University of Melbourne, Gaynor Patricia Cuthbert delved into her life and work for a doctoral thesis, helping to bring back attention to her work. Collection The Heide Museum of Modern Art holds many paintings and drawings, some acquired through the John and Sydney Reed collection. The National Gallery of Australia, Canberra includes one drawing. The Art Gallery of New South Wales holds multiple works. Third child of Carl Peter Wilhelm Dyring, medical practitioner, and his second wife Dagmar Alexandra Esther, née Cohn, both Victorian born. Moya was educated (1917-27) at Firbank Church of England Girls' Grammar School, Brighton. After visiting Paris in 1928, she studied (1929-32) at the National Gallery schools, Melbourne, and shared fellow student Sam Atyeo's interest in artistic innovation. Classical modernism engaged her attention in the early 1930s. She painted at the George Bell school and studied under Rah Fizelle in Sydney; Mary Alice Evatt and Cynthia Reed were her colleagues. For several months in 1937 she took charge of Heide, the home and garden of John and Sunday Reed, at Bulleen, Melbourne. The Reeds were pivotal both to her sympathy for modernism and her belief in congenial fellowship. She enjoyed something of the intense relationship with Sunday Reed that the latter would subsequently extend to Joy Hester. In June Dyring held an exhibition, opened by H. V. Evatt, at the Riddell Gallery, Melbourne. Less enthusiastic than the Reeds and the Evatts about her art, Basil Burdett wrote of her 'somewhat incoherent interpretation of modern ideas', although he did acknowledge that her work had 'audacity of colour and a certain monumental feeling for form . . . qualities rare enough in Australian painting'. In August Dyring embarked for Panama whence she travelled by bus to New York, breaking her journey to view major galleries. She had intended to paint in the United States of America, but disliked the work of contemporary American artists and sailed for France. In 1938 she was based in Paris, taking advantage of Atyeo's contacts within the avant-garde. She studied at the Académie Colarossi, the Académie de la Grande Chaumière and with Andre Lhote, although by October she denounced him as a 'racketeer'. In 1939 Dyring and Atyeo settled on a farm at Vence, France; inspired by memories of Heide, they grew fruit and flowers. Sam accepted a commission to decorate a house in Dominica, West Indies, leaving Moya at Vence. Evacuated to Australia via South Africa, where she painted and searched for tribal art, she then journeyed to Dominica and married Atyeo. They were not happy, neither painted and Dyring was ill. Evatt offered Atyeo work and Dyring accompanied him to the U.S.A. She viewed art, painted occasionally and claimed to have exhibited in Washington in 1943. After World War II Evatt found Sam various postings, while Moya returned to Paris to pursue a full-time career in art. They were to be divorced in 1950. From about 1946 Dyring's art was more personal than innovative. She gained a considerable reputation among French regionalist and nationalist artists for her sympathetic appreciation of provincial scenes and life. Bernard Smith placed her in the French tradition of intimiste painters. In 1948 she leased and renovated an apartment on the Ile St Louis, which, as Chez Moya, became a centre for Australians who enjoyed her hospitality, cooking and practical assistance. She revisited Australia and exhibited in various cities in 1950, 1953, 1956, 1960 and 1963; the press carried her reports of Parisian cultural life. Dyring held a solo exhibition in London in December 1949 and was in close contact with expatriate Australians, among them Loudon Sainthill, Donald Friend...

Large Scale " Butterflies " Oil Painting on Board Signed R.Cooper, 1967.

A vintage Mid-Century Modern original oil painting on canvas. A chic Abstract composition in pale neutral colors. Signed and Dated 1963. Acquired from an Miami estate.

“ The Child and the Falcon “ was Created by Kate Bossier in 1979. Numbered 10/20. Red and Black Accents. Vintage Condition Consistent with Age as Pictured. Dimensions. 29 W ; 1/2 D ...

Are you looking for a unique and beautiful work of art for your interior? Then this painting of a man in traditional dress might be for you. This pai...

Fantastic vintage abstract original oil. A brilliantly colored composition on wood. Signed and dated by the artist Jack Hammack, 1967. Acquired from a Portland estate

Possibly Acrylic on Canvas with Wood Frame. Muted Color Palette with Yellow and White Highlights. Signed In the Lower Corner as Pictured. Punctured Holes Around the Border of the Vin...

Beautiful 1960's acrylic on canvas. Attractive and airy abstract expressionist style that is reminiscent of the work of Helen Frankenthaler, Clyfford Still and Perle Fine. Confidentl...

Charles Levier born of a French Father and American mother. He was was active/lived in New York, California / United Kingdom, France and is known for landscape, still life and figura...

Possibly Painting on Fabric.Signed G. Jobs as Pictured.Matching Artwork Available through Separate Post. Vintage Condition Consistent with Age as Pict...