Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 21

Monumental 19th C., "The March of the Guards to Finchley" After William Hogarth

About the Item

After William Hogarth (English, 1697-1764), originally done circa 1750 - this is likely done in the mid 1800's. "The March of the Guards to Finchley, also known as The March to Finchley or The March of the Guards, is a 1750 oil-on-canvas painting by English artist William Hogarth, owned by and on display at the Foundling Museum. Hogarth was well known for his satirical works, and The March of the Guards to Finchley has been said to have given full scope to this sense of satire; it was described by Hogarth himself as "steeped in humour". The painting is a depiction of a fictional mustering of troops on the Tottenham Court Road to march north to Finchley to defend the capital from the second Jacobite rebellion of 1745, which was part of a series of uprisings that had been occurring since the late 17th century and were aimed at returning the Stuart Dynasty to the throne after the Glorious Revolution of 1688. It portrays the soldiers in a humorous light, placing exaggerated emphasis on their lack of training and respect for discipline. The March of the Guards to Finchley was originally intended to be a gift to the incumbent King of England, George II. However, George was insulted by the apparent jab at his best troops and rejected it when it was offered to him. Upset at the King's spurning of his work, Hogarth opted to change the engraving and present the painting instead to the King of Prussia, Frederick II, who, being known for his skills as a soldier rather than an artist, was reportedly much more satisfied with the gift." Measures: 64" w, 53" h, 4.875" d.
  • Creator:
  • Dimensions:
    Height: 53 in (134.62 cm)Width: 64 in (162.56 cm)Depth: 4.875 in (12.39 cm)
  • Style:
    British Colonial (In the Style Of)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    19th Century
  • Condition:
    Wear consistent with age and use. Minor wear commensurate with age and use. Some frame wear and gilt loss commensurate with age. Painting has been professionally conserved.
  • Seller Location:
    Atlanta, GA
  • Reference Number:
    1stDibs: LU7838242417602

More From This Seller

View All
19th C., After Claude Lorrain “Embarkation of the Queen of Sheba” Oil on Canvas
By (after) Claude Lorrain (Claude Gellée)
Located in Atlanta, GA
After Claude Lorrain - Embarkation of the Queen of Sheba. The original painting which was painted in 1648 is housed in the National Gallery, Londo...
Category

Antique Mid-19th Century Paintings

Materials

Canvas, Paint

19th Century, American School "The Monk" Ship Nautical Watercolor
Located in Atlanta, GA
19th Century, American. This finely executed 19th-century American watercolor captures a dynamic maritime scene featuring the ship The Monk as its central subject. The vessel, depi...
Category

Antique 19th Century American American Colonial Paintings

Materials

Giltwood, Paint

Set of 3, 19th Century Allegorical Reverse Glass Paintings
Located in Atlanta, GA
**Set of 3, 19th Century Allegorical Reverse Glass Paintings** This captivating set of **three 19th-century allegorical reverse glass paintings** presents richly detailed narratives imbued with symbolism and classical themes. Each painting is executed in the traditional reverse glass technique, providing a smooth and reflective surface that enhances the vibrant palette and fine detailing. 1. **Painting 1 (Left Panel):** This scene portrays a dramatic encounter, likely a moment of judgment or persuasion, set against a distant landscape. A figure in a flowing blue robe gestures emphatically toward a well-dressed couple, perhaps symbolizing conflict, intervention, or moral decision-making. The background includes a sweeping view of the countryside, with figures in the distance adding depth and context. 2. **Painting 2 (Center Panel):** The central panel features a pastoral scene steeped in allegorical significance. A central figure dressed in red, resembling a shepherd, commands attention under a radiant sunburst. Surrounding characters appear in moments of tension and repose, including a reclining figure and a soldier-like character. This composition evokes themes of guidance, struggle, and divine providence, with the bright sky and natural elements reinforcing the allegorical tone. 3. **Painting 3 (Right Panel):** The final panel depicts an intimate interior scene, with two seated women engaged in conversation, one gesturing emphatically as a standing male figure observes. The setting includes detailed furnishings, such as a writing desk, a red draped curtain, and objects hinting at scholarly or domestic pursuits. This tableau may represent themes of wisdom, counsel, or moral reflection, supported by the characters' thoughtful expressions and elaborate dress. Each painting is framed in its **original dark wooden frame**, complementing the vibrant colors and enhancing their display value. The set embodies the **19th-century European fascination with allegory and storytelling**, making it a significant piece for collectors of reverse glass art...
Category

Antique Mid-19th Century Italian Baroque Paintings

Materials

Glass, Paint

19th C, Orientalist Architectural Interior of Alcazar of Seville by Tomas Aceves
Located in Atlanta, GA
Tomas Aceves (Spanish, 19th century), circa 1870. Oil On Board in Giltwood Frame. "Alcazar of Seville Interior". This masterfully executed architectural interior painting, signed b...
Category

Antique 19th Century Spanish Aesthetic Movement Paintings

Materials

Giltwood, Paint

Madonna and Child, Attr. to the School of Anthony van Dyck - 18th C or Earlier
Located in Atlanta, GA
18th Century or Earlier, Oil Painting on Canvas and Later Laid to Panel. This captivating oil painting of the Madonna and Child is attributed to the School of Anthony van Dyck, one...
Category

Antique 18th Century Dutch Baroque Paintings

Materials

Canvas, Wood, Paint

19th Century American, School of George Hetzel O/C Still Life Circa 1868
Located in Atlanta, GA
19th Century American, School Of George Hetzel O/C Still Life Circa 1868. A good quality American oil on canvas still life painting. School of George Het...
Category

Antique 19th Century American American Classical Paintings

Materials

Canvas, Paint

You May Also Like

Set of 6 Original Antique Prints After William Hogarth, "Marriage A La Mode"
By William Hogarth
Located in St Annes, Lancashire
Wonderful set of Hogarth prints This is the " Marriage A La Mode " series typical of the satirical/political artwork of Hogarth Steel engravings Published by Jones & Co., Temple ...
Category

Antique 1840s English Rococo Prints

Materials

Paper

19th Century Swiss Oil Painting of the Legend of William Tell
Located in Stamford, CT
19th century miniature Swiss oil painting on tin depicting the Legend of William Tell. Showing William Tell on bent knee aiming the crossbow at hi...
Category

Antique Early 19th Century Swiss Romantic Paintings

Materials

Tin

Monumental 19th Century Russian Icon of Annunciation of the Blessed Virgin Mary
Located in West Palm Beach, FL
Monumental 19th-century Russian icon of the Annunciation of the Blessed Virgin Mary Russia, mid-late 19th century  A stunning monumental 19th-century R...
Category

Antique 19th Century Russian Paintings

Materials

Velvet, Wood

William Hogarth English Georgian Framed Print of "Analysis of Beauty. Plate I"
Located in Queens, NY
English Georgian print of a scene with models and sculpture of classic figures in a black and gold trim frame (titled: Analysis of Beauty-Plate I) (aft...
Category

Antique 19th Century British Georgian Paintings

Materials

Paper

"The Gallant Pastor" after François Boucher, 19th century
By François Boucher
Located in Paris, FR
This painting is a copy of the "Gallant Shepherd" painted by François Boucher for the audience room of Prince Hercule-Mériadec, Duke of Rohan, on the first floor of the Hôtel de Soub...
Category

Antique Mid-19th Century French Rococo Paintings

Materials

Canvas, Giltwood

19th Century Painting Attributed to William Shayer Snr. 'British', 1787-1879
By WILLIAM SHAYER SENIOR (1787-1879)
Located in Dublin, IE
Artist: William Shayer Senior (British) 1787 - 1879 Medium: Oil on canvas in original gilt frame Framed Size: H: 34 in / 86.3 cm ; W: 51 in / 129.5 cm Artists Biography: William Joseph Shayer senior was a self-taught artist, who began by painting decorations on rush-bottom chairs, and moved on to painting carriages in the town of Guildford, after which he started doing heraldic painting...
Category

Antique 19th Century English Romantic Paintings

Materials

Canvas, Giltwood

Recently Viewed

View All