“Nature Morte, La Cafetiere Bleu” by Rene Couturier

Painting by Madeleine Arbus A mysterious nature Morte of the "Neue Sachlickeit" movement featuring a glass and candlestick by Madeleine Arbus, the daughter of Andre Arbus. ...

Michaelangelo Meucci (1840–1909) was an Italian artist based in the city of Florence. He was known for his paintings of birds, including dead game birds and animals. This grand maste...

Henri Valachman (1925-2020) "nature morte " oil on canvas.

ALFRED S. WALL United States, 1825-1896 Nature Morte: Fallen Doves (1865) Oil on canvas signed and dated lower left "Alfred Wall 1865" ref. 412APH13E 26 1/2" H x 32 1/2" W x 2 1/2" D [frame] 20 1/8" H x 26" W [canvas] Essay This finely executed still life painting captures a group of three doves laid upon a forest floor, rendered with meticulous attention to texture and natural detail. The composition follows the tradition of nature morte, a genre that captures the stillness of life through carefully arranged subjects. The artist employs a rich, earthy palette, contrasting the softness of the birds’ feathers with the dense foliage and scattered undergrowth, the colors in the foliage and fallen leaves suggesting an early fall setting for the scene. An almost ecclesiastical light falls on the doves, lighting them and showcasing the realism, drawing attention to the delicate gradations of color in the plumage and the subtle sheen of the wings. While the subject matter suggests themes of the hunt or the passage of life, the restrained execution avoids overt dramatization. Instead, the scene invites quiet contemplation, emphasizing form, texture, and atmosphere. Works of this nature were historically popular in European and American art, particularly in the 19th century, serving both as studies in naturalism and as reflections on mortality and transience. It is housed in what is almost certainly its first frame, a finely worked gilded composition that complements the painting beautifully with still-life emblems in the corners. Provenance: Private Collection, Senoia, Georgia Condition: Original stretchers in good condition, these only allowing for four keys instead of eight; linen is taut and unlined, in good condition. Ground layer is overall stable with fine age related craquelure throughout. Several losses under the frame rabbet that have associated inpainting. Areas of old overpaint on the dove chests removed during the conservation process. Our conservator removed the old varnish, inpainted the minor losses and applied a traditional Dammar varnish. Frame is likely the original frame and presents with minor losses, chips and overall discoloration to the gilding. A very fine presentation, ready to place. Biography Alfred S. Wall (1825–1896) was a central figure in the development of Pittsburgh’s artistic community during the 19th century. Born in Mount Pleasant, Pennsylvania, he was the son of English immigrants William and Lucy Wall. His father, a sculptor specializing in tombstones, instilled in him an appreciation for the arts, a legacy shared with his older brother, William Coventry Wall...

Claude Venard, French painter (1913-1999).Colorful abstract cubist oil on Canvas "Nature Morte Aux Fruits ". Signed "C. Venard", label to the back May 9, 1989, lot 60 Provenance: Collection of Litsa Tsitsera, New York;, Christie's East, NY, May 9, 1989, lot 60, "Modern and Contemporary Paintings...

A very charming French early 20th century Nature Morte - Still Life. Oil on canvas, a wonderful grouping of a bust, flowers and books. Wonderful craq...

Peinture sur bois nature morte bouquet fleurs numéroté 12 Signé ancien cadre Montparnasse sculpté patiné XXème

Two original paintings oil on wood signed by Gardy Claude (1947). Measure: 27/22 cm each.

Nature morte (French for “still life”) paintings first became popular in the Netherlands in the 16th century. Assemblies of flowers, fruit, and dead game were the main subject matters, and hundreds of artists from Western Europe would eventually participate in the genre. French artists such as Jean-Baptiste Oudry painted some exquisite scenes, depictions of hunt motifs including game and dogs. These subjects remained highly popular and were used in hunt lodges throughout France. The pair of paintings seen here are very well done 19th century examples of such hunt scenes, each one measuring over 57 inches wide. Both of our paintings depict hunting trophies displayed on an outdoor veranda. The balcony is elaborately styled with cavetto molding, volute scrolls, and a shaped cartouche beneath a bulbous gadrooned finial. Both paintings contain half of the cartouche and most of the finial, as if they were a continuous panoramic scene, complete with a blue sky and large trees in the background The left painting features three felled birds piled on top of a deer carcass, with fruit scattered around them. Beneath the trophies is a coiled horn with a red tassel tied to it. A similar scene can be found on the right painting, with three birds displayed on the edge of the balcony. The birds lie on top of a pale green fabric with tassels that has been loosely folded. Under the textile is a hunting rifle and another horn. A garland of fruit is draped across the rifle’s stock, rising onto the balcony. A beige fabric matte board and molded giltwood frame surround this pair of 19th century nature morte hunt trophy...

Title: Nature Morte A still life composition featuring vibrant flowers in a vase alongside a potted rubber plant. Oil on canvas, signed A.H. (1911-12). Exhibited at Ordrupgaard Museum, Denmark, in the "Astrid Holm...