Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Oil on Canvas; The West Prospect of Leeds Castle, Kent, 18th Century British

$79,351.35
£58,000
€68,238.19
CA$108,977.17
A$121,966.99
CHF 63,685.80
MX$1,488,004.39
NOK 808,407.72
SEK 767,129.15
DKK 509,570.54
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

This carefully observed view of Leeds Castle, enlivened by an array of figures and animals moving across its verdant grounds and medieval moat, is an important testimony of the building’s appearance after the renovations carried out by Sir Richard Smythe (1563-1628) at the beginning of the seventeenth century. Smythe, a wealthy tradesman and member of parliament, transformed the existing Tudor palace, once a residence of King Henry VIII, into a grand Jacobean country house that survived, much altered and damaged, until 1821, when it was inherited by Fiennes Wykeham Martin (1769-1840), who initiated a campaign of restoration that resulted in the so-called New Castle visible today, completed in 1823. Originally, Leeds Castle – which draws its name from the old English word ‘Esledes’, meaning ‘slope’ or ‘hillside’- had been the site of a Saxon royal manor that came into the possession of Odo, Bishop of Bayeux and half-brother to William the Conqueror, after the Norman Conquest. Odo’s nephew, King William ‘Rufus’ II, granted the manor to his liege Hamo de Crevecoeur, whose descendant Robert de Crevecoeur built the first stone castle, taking advantage of the site’s naturally protected position on two islands within the River Len. In 1278, the Castle came into the ownership of King Edward I and his queen, Eleanor of Castille, which marked the start of a long period of royal tenure. With some interruptions and much intrigue, Leeds Castle remained a royal residence throughout the War of the Roses and the reign of King Henry VIII, who invested large sums of money in renovating and beautifying it. As well as a cherished family heirloom, this view of Leeds Castle is the record of an important chapter in the eventful history of the manor. The eighteenth century was arguably the age of the English country house, when estates were embellished not just with lavish art collections, but also with landscaped gardens and rolling parkland, as mapped in the aforementioned 1748 survey (for a full illustration see Bryant, pp. 20-21). It is likely that after commissioning the survey, Robert Fairfax also wished to celebrate the appearance of his house and its grounds in a more decorative manner, namely a painting. At the time, it was customary for the aristocracy and landed gentry to commission such “portraits” of their estates, which would be hung in pride of place and sometimes disseminated in the form of prints. Further literature, upon request. Provenance Olive, Lady Baillie (d. 1974), Leeds Castle, Kent until transferred to the ownership of her daughter and son-in-law Geoffrey Russell, 4th Baron Ampthill (d. 2011) and his wife, Lady Ampthill (d. 2001), The Maiden’s Tower, Leeds Castle, 1960 and by descent to David Russell, 5th Baron Ampthill, Rye, Mountsfield House, East Sussex, 2002 Literature Leeds Castle, foreword by Sir Arthur Bryant, London, 1994, p. 17, illustrated
  • Dimensions:
    Height: 34.26 in (87 cm)Width: 49.61 in (126 cm)Depth: 1.19 in (3 cm)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    Mid-18th Century
  • Condition:
    Wear consistent with age and use.
  • Seller Location:
    London, GB
  • Reference Number:
    1stDibs: LU848142243392

More From This Seller

View All
Oil on Canvas; Hunting Scene, Circle of Francis Sartorius I (British, 1734-1804)
Located in London, GB
This bucolic representation of the English countryside, animated by a hunting scene in the foreground, is characteristic of the tradition for sporting pictures that developed in Brit...
Category

Antique Late 18th Century English Paintings

Materials

Paint

Capriccio of Architectural Ruins, Oil on Panel Painting, Early 18th Century
Located in London, GB
An Early 18th Century Oil on Panel Capriccio of Architectural Ruins In later frame with small brass hanging loop, showing an arcadian landscape setting, with shepherds and their dog...
Category

Antique Early 18th Century Paintings

“War of the Spanish Succession, 1702-13”, Marine Scene Painting by Peter Monamy
By Peter Monamy
Located in London, GB
Oil on Canvas; “War of the Spanish Succession, 1702-13”, A Mid 18th Century Marine Scene by Peter Monamy “War of the Spanish Succession, 1702-13″, the fleet under Admiral Sir George...
Category

Antique Early 18th Century Paintings

Oil on Canvas; Large Scale Landscape Depicting Leopardess, Lioness, Wolf & Hare
Located in London, GB
A mid 17th century large scale oil on canvas depicting a Leopardess, a Lioness and a Wolf toying with a Dead Hare in an Arcadian landscape; in the style of the Dutch Golden Age ‘Anim...
Category

Antique Mid-17th Century English Paintings

Materials

Paint

Oil on Canvas; Newfoundland off the English Coast, by Edmund Bristow (1787-1876)
Located in London, GB
The son of a heraldic painter, Edmund Bristow was born in Berkshire in 1787 ( (1 Apr 1787 – 12 Feb 1876), and lived all his life locally in Eton, after having attended school in near...
Category

Antique Early 19th Century English Victorian Paintings

Materials

Paint

‘Scamp’, the Duke of Devonshire’s Racehorse Painting, 18th Century
Located in London, GB
An 18th Century Painting of ‘Scamp’, the Duke of Devonshire’s Racehorse; signed John Wootton A charming equestrian painting, depicting the third Duke of Devonshire’s beloved racehor...
Category

Antique 18th Century Paintings

You May Also Like

English 18th Century Oil On Canvas Painting Named Rosewood Castle
Located in West Palm Beach, FL
A beautiful and very high quality English 18th century oil on canvas painting named Rosewood Castle, N. Wales by Julius Caesar Ibbetson circa 1781. The wonderfully executed painting depicts washerwomen cleaning clothes in the river near a Bridge at Rosewell Castle, North Wales. In the background is a beautiful blue sky with clouds...
Category

Antique 18th Century English Paintings

Materials

Canvas, Giltwood

18th Century Oil on Canvas Italian Antique Landscape Painting, 1750
Located in Vicoforte, Piedmont
Antique Italian painting from 18th century. Framework oil on canvas, on the first canvas, depicting a view with characters, animals and ruins of good pictorial quality. Large size fr...
Category

Antique 1750s Italian Paintings

Materials

Canvas

17th Century Oil on Canvas Italian Landscape Painting, 1760
Located in Vicoforte, Piedmont
Antique Italian painting from the 17th century. Framework oil on canvas, on the first canvas, depicting an animated landscape with towers of good pictorial quality. Modern frame in c...
Category

Antique 1760s Italian Paintings

Materials

Canvas

Oil on Canvas, Roman Follower of Paolo Anesi, Landscape with Milvio Bridge
Located in IT
Roman School, follower of Paolo Anesi, Roman Landscape with the Milvio Bridge, Half of the 18th Century Oil on canvas, measures: frame cm W 149 x H 112 x D...
Category

Antique Mid-18th Century Italian Louis XV Paintings

Materials

Canvas

18th Century Oil on Canvas Italian Antique Landscape Painting, 1750
Located in Vicoforte, Piedmont
Antique Italian painting from the mid-18th century. Oil on canvas artwork depicting a landscape with characters and architecture along the river, of good pictorial quality. Finely ca...
Category

Antique 1750s Italian Paintings

Materials

Canvas

18th Century Oil on Canvas Venetian Architectural Capriccio Landscape Painting
Located in Vicoforte, Piedmont
Refined Italian landscape from the second half of the 18th century. Oil painting on canvas depicting a splendid view with ancient ruins and figures in Venetian dress, of remarkable p...
Category

Antique 1760s Italian Paintings

Materials

Canvas