Original Abstract Painting Entitled "Full Serve" by Michelle Williams

An original black and white modern abstract painting in an elegant vintage gold frame created by Houston artist, Shannon Weir

An original pink and white modern abstract painting in an elegant antique gold frame created by Houston artist, Shannon Weir.

The Original French Abstract Painting on wooden board mesmerizes with its evocative blend of colors and textures. Predominantly swathed in serene shades of blue and green, the canvas...

"The Shepherd" is a 19th-century English painting that showcases a pastoral scene enveloped within a lavish gilt frame. The artwork presents a picturesque depiction of rural life, ca...

Abstract midcentury painting by Claffy Williams, circa 1980s.

Westley G. Olmsted (1934-2011) was a painter and sculptor. He was born in Buffalo, New York, and was a distant relative Frederick law Olmsted, th...

Introducing the captivating "ABS TRACT" Original Oil Painting by Philip Williams, a true masterpiece that effortlessly blends colors and shapes to create a visually stunning artwork....

Modern abstract, oil on canvas painting, titled “Summertime III” by Michelle Hénault, a conceptual fine artist. Signed on front bottom right, also, signed, dated and titled on back; measuring approximate 30" H x 36" W x 1.5” D. Gallery wrapped, finished sides, dated circa 2019. Michelle Hénault is a Conceptual Fine Artist, born in Lachute, Quebec, living and working in Montreal since 1991. She completed a Bachelor degree in Fine Arts at UQAM in 1998. After exploring sculpture and photography, she dedicated herself to oil painting. She has exhibited in numerous solo and group shows over the last fifteen years. In 2010, she moved to Scotland with her partner for two years. Since returning to Montreal, she has devoted her time to oil painting and her work has flourished. Inspired by her many travels, her work explores landscapes as a contemplative territory. The desire to revisit past voyages through painting and to recapture the sentiments she experienced in various places was her primary motivation for producing these landscapes. "For the last fifteen years I have explored the reconstruction of landscapes in my painting. My practice is concerned with our relation to land as the memory of place. A land can be occupied, shared, transformed and dreamed, idealized. The land, as homeland or an idyllic land to travel to, where the memory is presupposed. Through my art, I explore that memory of travel, the journeys I made and the ones I dreamed. When contemplating a landscape and experiencing the change of light or atmosphere we realize the passage of time. As explorers from bygone eras, seeking unknown lands, my work proposes a return to the essential…that the French call ‘le bapteme de la solitude’. It is a unique sensation, and it has nothing to do with loneliness, for loneliness presupposes memory. Here, in this wholly mineral landscape lighted by stars like flares, even memory disappears; nothing is left but your own breathing and the sound of your heat beating. A strange, and by no means pleasant, process of reintegration begins inside you, and you have the choice of fighting against it, and insisting on remaining the person you have always been, or letting it take its course. For no one...