P. Marsh, (European School), 19th Century

English School (19th Century) Untitled "Squire Thornhill introduces himself to the family of The Vicar of Wakefield". Signed J. NOBLE l/r. Oil on canvas. Measuring 37 1/2 by 45 i...

R.(Raymond) Goubert, (20th/21st. Century) Alpine Landscape signed R. Goubert, lower left, with signature plate, oil on canvas 16 by 20 in., overall, framed 24 by 28 in. Condition Rep...

Continental School 20th Century "Reflecting" oil on board Board Sight Size: 8.5 x 10 in. (21.59 x 25.4 cm.) Size with Frame: 12 x 14 in. (30.48 x 35.56 cm.).  

Attributed, Édouard Bernard Swebach, (French, 1800-1870) Hunt in the Hills, oil on canvas, appears unsigned 13.5 in by 19 in., Overall 19.25 by 25 in. Condition Report relined

Mark William Langlois (British, 1848–1924) “Feeding the Kitten”, 1879 Oil on canvas, signed and dated A beautifully composed and sensitively rendered 19th-century English oil painti...

This 19th-century oil on mahogany board titled 'The Cut Finger' by William Hemsley, R.B.A., depicts a familial pairing in a cottage home. The girl tends to the eponymous cut with a white cloth pressed on the boy's finger. A dim light is cast from the window to the left, illuminating a cut loaf of bread, a knife, and simple stoneware to set the scene. The girl sits in a wooden chair wearing a salmon-colored blouse, while the young boy is dressed in a golden overshirt. William Hemsley, R.B.A., (1819-1906) was a prolific draughtsman and painter of genre scenes depicting English provincial life. Hemsley’s scenes of everyday reality, which were usually painted on a small scale, follow the gentle tradition of Webster and F. D. Hardy. He was, like them, fond of painting children at play. Many of his works depicted rustic domestic scenes, leading to him being described as "pre-eminently the painter of cottage life". He was also a member of the Society of British Artists. He exhibited frequently in London, particularly at the Royal Academy and the Suffolk Street Gallery. This gentle painting faithfully represents a moment between two people caring for one another. Hemsley painted in a style reminiscent of earlier golden-age Dutch genre painting, using light and color in a vibrant but elegant manner—signature on the lower left-hand corner. In the 19th century, it was common to paint on wood due to its durability, smooth surface, and long-standing tradition. Wood panels were preferred for their sturdiness and versatility, suitable for detailed artworks and various shapes and sizes. While wood was popular, especially for smaller works, canvas started gaining popularity later in the century for its lighter weight and ease of use. This rustic genre scene resides in an ornate Louis XIV Régence style convex frame with foliate shell cartouche corners, strap work, and c-scrolls on a cross-hatched ground with white pigment dispersed throughout. In the early 18th century the Louis XIV styles blended into the Régence frame style (c.1715-1723) which placed greater emphasis on the corners and centers. The full Regency style was both opulent and delicate, with the order and linearity of this period giving way to the swirling delicacy of the Rococo. This painting would be a wonderful addition to a home office, entryway, or library...

Painting by Hermann Baisch (Dresden 1846-Karlsruhe 1894), “Farmers taking a Rest”, oil on canvas Hermann Baisch was a German painter and illustrator ...

German artist Theodor von der Beek (1838-1921), circa 1880s oil on canvas painting in an ornate gold frame. Actual painting size is 28.5 inches high by 20 inches wide by 1 inch deep. Theodor von der Beek (born March 21, 1838 in Kaiserswerth , died March 15, 1921 in Dusseldorf, Germany ) German portrait and genre painter of the Dusseldorf school . Initially employed in the business of his father, a brewer, von der Beek entered the elementary class of Andreas Müller at the Düsseldorf Art Academy in 1856. In 1859 he moved to the painting class of Carl Ferdinand Sohn and was in the master class of Eduard Bendemann from 1862 to 1866 . In addition to portraits, including numerous self-portraits, he created many-figure compositions in the countryside or in rural milieus and interiors, the works of Ludwig Knaus , Benjamin Vautier d.Ä. or Carl Hübner recall, u. a. The Bridal Shoes...