Parker Panttila "Passion Eclipsing Enlightenment Don Juan" Watercolor

Parker Panttila (Brooklyn, New York 1924-2002) watercolor still life of a forest tableau in attractive earth tones. The subject appears to be a partial...

Parker Panttila (Brooklyn, New York 1924-2002) gouache / pastel / watercolor entitled, "Dance Night.' Surrealist in style, incorporating both macabre...

Giuseppe Napoli (1929 - 1967) mixed media on paper (collage / watercolor). An integral part of the 1950s - '60s Greenwich Village artist community and New York School, Napoli was an...

Iris Brody (American - d. 1961, NY, drug overdose) oil wash on paper laid on masonite figural study of a boy. Brody, part of the Kerouc / Ginsberg Lower Eas...

Rare very early watercolor by this famous 'Washington D.C. Colorist'(from the group of Morris Louis, Kenneth Noland and Gene Davis), signed and dated L.L. 1958. Matted and framed in ...

Prudence Whittlesey signed watercolor painting in a gilt wood frame. Dimensions: 38.5” H x 32” W x 3” D Bio: Prudence Whittlesey is an American artist. A Pollock-Krasner Foundatio...

O/8182 - This is an unusual painting: the famous Austrian painter Paul Renner, on the occasion of his own wedding, painted a series of watercolors as a gift to friends invited to his wedding. This one looks like steam coming out of a magic lamp...

Jean Da Milano (1928-2017), Abstract composition, Oil on paper, Signed lower right, N° 844-74, n° 493, 1974, France. Measures : Height 65,5 cm, Width 50 cm. Jean Da Milano is an abstract painter from Nice who was cradled by the rich breeding ground of the School of Nice and its artists. Active from the 1960s to the 2008s, his works were forgotten and rediscovered by the HARTER Gallery, which today highlights his touch. According to Agnès Roux, Honorary Secretary for Culture, “Jean Da Milano is one of those modest painters who knew how to develop abstract painting alongside his contemporaries. In an infinite world, the kinetic object on an astral background gradually transforms into a pictorial relief, where the painting falsely becomes painting and invisibly paper. The humility of its formats does not give the work the fullness it deserves. But the almighty gaze of the spectator engenders the feelings and sensations of a cosmogonic painting steeped in universality ". We indeed observe in his work an evolution which begins with an almost cosmic painting in the 70s, then what we could qualify as “implosions” in the 80s and finally, a real research on paper and pictorial relief. in the 2000s. According to Georges Braque "Everyone is a creator, the viewer is himself a creator, it is the way of seeing that gives life to the object. " Personal exhibitions: - 1992: Golden Gallery Nice - 1988: Acropolis Nice - 1982: Municipal Gallery Renoir Nice - 1977: Municipal Museum Saint-Paul-de-Vence Collective exhibitions: - 1992: Golden Gallery - 1991: Golden Gallery - 1990: Golden Gallery - Art Jonction - 1989: Nice university center - 1987: Acropolis - 1985: Chapel of Mercy Vallauris - 1984: CIAC Paris and Chapelle des Pénitents in Péone - 1983: Art Expo Dallas Texas and Art Expo New York - 1980: Galerie Waterlot Nice - 1971: Necrolium Nice - 1970: Maison de la Culture Magnan Nice and Musée de la Salle Marine Nice - 1969: Galerie Le Nombre d´Or Nice - 1968: Musée de la Salle Marine Nice and Galerie Salmon Nice - 1966: Paul Langevin Biot school group - 1965: Chapelle St Esprit...