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Roe Deer in the Woods Oil on Canvas Painting by Nelson Gray Kinsley

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Fox in the Snow Painting - oil on canvas - 40's
Located in Vo', Veneto
Fox in the snow Author: Hans Vilz Support: Canvas Technique: Oil Period: 1940s Dimensions: 60 x 80 cm - without frame 77 x 97 cm – with frame Description: A fox, in the muffled si...
Category

Vintage 1940s Italian Art Deco Paintings

Materials

Canvas

Ducks Oil on Canvas Painting by Keller-Kühne Josef Woldemar
Located in Vo', Veneto
Ducks – Keller-Kühne Josef Woldemar (1902 – 1991) Work dimensions: 49 x 79 cm Measurements with frame: 59 x 89 cm Technique: oil on canvas Period: 1950s Beautiful painting depicti...
Category

Vintage 1950s German Paintings

Materials

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Hilly Landscape Nature Painting Italian Oil on Canvas 1930
Located in Vo', Veneto
Hilly landscape Measures: 50 cm x 45 cm 65 cm x 60 cm framed 19.7 in x 17.7 in 25.6 in x 23.6 in framed Oil painting on board. Dense, material painting that gives stru...
Category

Vintage 1940s Italian Paintings

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Other

Hilly Landscape, Waldemar Runde, Oil on Canvas Painting, 1930
Located in Vo', Veneto
Hilly landscape - Waldemar Runde Measures: cm 60 x cm 80 (without frame) - oil on canvas, 1930s 23.6 in x 31.5 in (without frame) Waldemar Runde (1892 - 1988) XXth century ...
Category

Vintage 1920s German Paintings

Materials

Canvas

Huts in Landeck – European Alps - oil on canvas
Located in Vo', Veneto
Huts in Landeck – Oberinntal Work dimensions: 30 x 40 cm Dimensions with frame: 37 x 47 cm Technique: oil on canvas Period: 1942 Description: Summer view of some huts with classic ...
Category

Vintage 1940s German Paintings

Materials

Canvas

Italian Dolomites Oil on Canvas
Located in Vo', Veneto
The Vajolet Towers - Italy Artist: A. Thöny Period: Early 1900s Origin: Italy Technique and support: Oil on canvas mounted on cardboard Dimensions: Height – 33 cm Width – 27 cm Description: The artwork depicts a landscape view of the Vajolet Towers, a prominent rock formation in the Catinaccio Dolomite massif. The artist employs a vertical composition, ideal for emphasizing the upward thrust of the towers, which rise monumentally against the sky. Thöny’s pictorial language is marked by a dense and vigorous brushstroke, particularly evident in the rocky details, where the use of oil paint enhances the typical limestone hues of the Dolomite rock. Dominant tones include ochre, warm greys, and earthy greens, with accents of white and light blue suggesting reflected light or lingering snow. The atmosphere is conveyed through a balanced interplay of solid and airy elements: the towers emerge from low-lying clouds, creating a contrast between the mountain’s solidity and the sky’s dynamic quality. The latter is rendered in cool tones—shades of blue and light grey—achieved through light glazing, contrasting with the more textured and impasto treatment of the rock. The vantage point is elevated yet slightly off-center, offering a framing that enhances the landscape’s perspective and depth, with hints of blurred mountain ridges on the horizon, painted in cobalt blue and greys to evoke a sense of atmospheric distance. Signed lower right, “A. Thöny”. A. Thöny was active in Merano, in the alpine region of South Tyrol, and belonged to the romantic-naturalist school of the late 19th century, connected to the Central European tradition of alpine landscape painting...
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Vintage 1910s German Other Paintings

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Oil on Canvas Painting "The Slaughter" by Geiler Gonzalez
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