Romantic Paintings

Giuseppe Falchetti (Italian, 1843-1918). Nineteenth Century Oil-on-Canvas Still Life with Grapes and Ears of Corn, Signed Lower Left, 'G Falchetti,' the gilded frame with intricate ...

KARL FRIEDRICH BOSER German, 1809-1881 After Church Oil on canvas signed to column mid-right "F. Boser" circa 1860 Item # 312ZSB08X Vibrant and crisp, this extraordinary painti...

LATE 19TH CENTURY COPY OF ROSA BONHEUR'S "THE HORSE FAIR" Oil on canvas, signed lower right somewhat illegibly "A. Lionard (?) D' Rosa Bonheur" Item # 306TJZ21P A very nice late 91t...

PAUL EMILE LÉON PERBOYRE French, 1851-1929 Cuirassiers Sharing Wine with Rural Countryman Oil on canvas signed lower left "Perboyre" Item # 309ULM18A A rich historical painting that captures the heart and reality of the Franco-Prussian conflict, the scene depicts a troop of Cuirassiers stopping for the afternoon in a non-descript field in the French countryside. Presumably the owner of the field, an older man has come out in the heat of the afternoon to greet the soldiers with a basket of wine bottles, offering a glass to the officers while chatting casually with them. Perhaps he is a local guide offering a sense of what the soldiers might expect in the rural countryside, but more likely it is simply a moment of reprieve in the idyllic countryside and a distinct juxtaposition to the intensity and drama of Perboyre's battle scenes. The Franco-Prussian War (1870-1871) was the last use of "cuirassiers" in the French army with uniforms characterized by the distinct helmets known as a "casque à crinière" featuring a plume of horsehair. The cuirassiers wore a breastplate (cuirass) and the red trousers were a standard part of the French military uniform...

WILLIAM SHAYER, THE ELDER [attributed] British, 1787-1879 Lunching in a Wooded Glade Oil on canvas unsigned Item # 309JPZ22P A gorgeous example of the idealized and romanticize...

JOHN FAULKNER, R.H.A. Ireland, 1830/35-1894 "The Smeltery" Oil on canvas signed lower left original label verso titled "The Smeltery / John Faulkner R.H.A." Item # 909KRP13 A ...

HENDRIK MARTINUS FREDERIK GEORGE SAVRY Netherlands, 1823-1907 Pastoral Landscape of Cow along a Canal Oil on canvas signed "H. Savry f" lower left Item # 902GPP19Z A vibrant wo...

HERMANN OTTOMAR HERZOG German/American, 1832-1932 "Fishing Trawlers off the Coast" Oil on canvas signed lower right "H. Herzog" Item # 101BKD28S A vibrant and bright seascape that likely depicts the Belgian coast...

GUIDO HAMPE German, 1839-1902 Alpine Landscape with Waterfall (1881) Oil on canvas signed lower right "G. Hampe '81" Item # 106QJY03C An incredibly powerful Romantic landscape of the Alpine mountains with a waterfall cascading into a valley, the river pouring over the rocks and curving around the bend, flowing past a pair of figures seated on a grassy noll with a transcendant unearthly lighting that creates a focal point of the couple. It is as if the clouds have opened up just to shine light on them, emphasizing the glorious day the man and woman are experiencing on this leisurely hike through nature. Painted by Guido Hampe in 1881, the painting was acquired by Charles S. Shultz, president of the Hoboken Bank in Montclair, New Jersey where it remained in his home until its deaccession from the home in 2021. The home was particularly interesting for its total originality, the interior looking almost identical throughout its entire life to how it appeared at its inception in 1896. Enclosed in the collection of images is a shot of the painting in situ over the living room fireplace as captured by the Montclair Magazine article on the home in 2020. The work is signed in his typical script lower right "G. Hampe / 81". It remains housed in the original and substantial giltwood frame, fully restored and a very powerful presentation. An article on the Charles S. Schultz home can be found by clicking here. Artist Listings & Bibliography: *. E. Benezit Dictionary of Artists, Vol. VI, Gründ, 2006, p. 1105 Measurements: 32 1/4" H x 42 1/2" W [canvas]; 48 1/2" H x 58 5/8" W x 5 1/4" D [frame] Condition Report: A fine presentation ready to place: frame with minor wear/abrasion/loss; canvas with trace grime in the mountain tops and sky and all-over moderate craquelure. Surface bright and vibrant. Retains the original frame that we have had professionally restored with trace regilding and inpainting, some elements recreated; the restoration has preserved the antique nature of the frame and all restoration has been toned to match the aged aesthetic of the frame. Painting was acquired with its apparently first surface, an incredibly thick grime layer that significantly obscured the image - this was likely due to its placement above the fireplace in the Charles Shultz...

HERMANN DAVID SALOMON CORRODI Italian, 1844-1905 Bucolic Landscape of Shepherds Caring for an Injured Lamb (1868) Oil on canvas signed lower left "H. Corrodi Roma 68" Item # C104...

This 19th century watercolor with pen and ink is most likely Dutch, having been acquired in Holland. It shows a romantic scene of an attractive walled city with buildings and rooftop...

JOSEPH JANSEN German, 1829-1905 "A Dutch Homestead" (1884) Oil on canvas signed lower right "J. Jos. Jansen 1884" Frost & Reed label verso with title Item # 308EPG23Z An excee...

ATTRIBUTED TO JOHN SMITH OF CHICHESTER England, 1717-1764 "The Second Premium Landscape, a copy" oil on canvas unsigned, attributed posthumously verso in pitch "jno Smith of Chich...

JULIEN LE BLANT French, 1851-1936 "Le Départ des Conscrits" (1888) Oil on canvas Signed lower left "J. Le Blant" Item # 301OIV16Z A moving study of a very young man hugging and kissing his father goodbye as the French Navy has arrived at his home to collect him for conscription to military service. His mother grips a hankerchief in one hand as she watches her teenage son with a complex expression that bridges grief and perhaps anger. His younger brother likely does not grasp the totality of the situation, dragging behind his feet a toy boat. The bright colors and vibrant life of the rural farm is juxtaposed against a deep sorrow. The present example dates from 1888 and was mentioned in the Gazette anecdotique et Littéraire of the same year. It is included in the ongoing catalogue research project on the works of Julien Le Blant by Dominique Formaz and is documented at Leblant. com JULIEN LE BLANT Julien Le Blant studied under E. Girard and made his debut at Salon in 1874. His work was regularly recognized, ultimately receiving the gold medal at the 1889 Exposition Universelle. He was made Chevalier of the Légion d'Honneur in 1885. The body of his work largely focuses on military scenes, particularly of the French Revolution, but also scenes of the First World War later in life. He completed hundreds of illustrations for a great number of books, including Les Chouans (Honoré de Balzac), Chevalier des Touches (Barbey d'Aurevilly), and Premier Grenadier de France (Paul Dérouléde) to name a few. His work is held in major museum collections and institutions around the world. For serious collectors of militarism and of the Romantic painters of the period, this is a simply outstanding investment grade selection. Works by Julien Le Blant very rarely make their way to the the open market. Museums: Musée de Mulhouse, France - The Regiment's Return Musée de Nantes, France - Death of General d'Elbee Musée de Troyes, France - The Battle of Fére Champenoise Further Reading and Notes: E. Benezit Dictionary of Artists, vol. VIII, Gründ, p. 588-9 Popular Nineteenth Century Painting...

Large, very fine KPM porcelain plaque of 'Tannhauser und Venus,' after Knille German, late 19th century Measures: Frame: height 58cm, width 67cm, depth 7cm Plaque: height 44cm, wi...

"AN ALPINE VILLAGE" JOSEPH HEINRICH LUDWIG MARR (GERMAN, 1807-1871) Oil on panel, signed lower left "H. Marr" Item # 012PXI11A A scene full of life and romance, a picture of toil among friends and neighbors, this exquisite painting of Alpine life by Joseph Heinrich Ludwig Marr captures the very essence of Romanticism. An idyllic glimpse at the past capturing a space shared by man and beast alike, the work sought to capture a nostalgia for a time of simplicity and Community for city-dwelling patrons and clients. Some women of the village gather around the well at the center of the town to clean and dry baskets...

Large KPM porcelain plaque after Louis Gallait German, Late 19th Century Frame: height 53cm, width 48cm, depth 6cm Plaque: height 40cm, width 35cm Signed ...

ALBERTUS VERHOESEN Dutch, 1806-1881 Cattle and Sheep in a Landscape (1852) Oil on panel Signed lower left "A. Verhoesen 1852", ink-stamped verso "32 SPK(?)" "G.A.S. 51" with torn ...

JOHN WILSON CARMICHAEL British, 1800-1868 "View over Lake Nemi, Italy" (1865) Oil on canvas Signed lower right "1865 J. W. Carmichael" Item ...

PIETER GERARDUS VAN OS Dutch, 1776-1839 Shepherd with Flock in a Pastoral Landscape (1821) Oil on canvas Signed lower left "PG Van Os f 1821" Item # 204GPP23A An extensive and brilliantly detailed scene, this fine woodland pastoral landscape highlights the ability of Pieter Gerardus van Os to manipulate light for dramatic and somewhat ecclesiastical effect. There is a certain other-worldly insinuation in the golden light as it pierces the dense cover of the leaves to highlight the shepherd and his flock as the focal point for the painting. Here we find the young boy entirely at peace on the bank surrounded by long golden grasses with his hat and staff tossed aside while watching the action of the small waterfall on the otherwise tranquil stream. His small dog stands beside him while the sheep graze carelessly, each showing total disregard for the two men and their dog hunting in shadows of the woods behind them. Across the bank a pair of unattended billy goats graze on the trees of the deeply shaded forest floor. There is a harmony and perfect sense of balance in this intricately detailed scene, an effective infusion of the transcendental into a quiet landscape scene. The work is signed lower left in his typical scrawling script "PG [intertwined] Van Os f 1821" and the back of the frame retains an early Christie's label. It is presented in a very fine carved giltwood frame. PIETER GERARDUS VAN OS Born in The Hague on October 8th of 1776 into the renowned Van Os family of painters, Pieter would spend his early years studying under his father Jan together with his brother Georgius Johannes Jacobus (Dutch, 1782-1861) in their father's studio. The three men had remarkable careers and would become some of the most influential painters in the Netherlands throughout the first half of the 19th century. Unlike his brother and father, Pieter moved away from still-life paintings and focused his work on rural landscapes of the Dutch countryside. He was self-taught in this pursuit, first as a copyist of the renowned Dutch "Golden Age" painters Karel Dujardin (Dutch, 1626-1678) and Paulus Potter (Dutch, 1625-1654) while also being heavily influenced by the landscape work of Jacob van Ruisdael and the allegorical landscapes of Nicolaes Pieterszoon Berchem. From his studio in Amsterdam, Pieter taught such notable pupils as Wouterus Verschuur...

EUGENE VERBOECKHOVEN Belgian, 1798-1881 Sheep and Goats in a Bucolic Landscape (1859) Oil on panel Signed lower left "Eugene Verboeckhoven 1859...

JOHN MOGFORD, R.I. British, 1821-1885 "A Scottish Loch at Sunrise" Oil on canvas Signed lower right "John Mogford" Item # 109YWG10X A sweeping landscape view, this lovely scene ...

"BEFORE THE HUNT" LANDSCAPE PAINTING BY JOHN SYER, JR. (BRITISH, 1846 - 1913) In oil on canvas, signed lower right "J. Syer 188.." Item # 012IRM11P A fine open landscape depicting ...

PAIR OF LANDSCAPES "RESTING ON THE BLUFF" ATTRIBUTED TO PIETER VAN BLOEMEN (FLEMISH, 1657-1720) Unsigned, later engraved attribution plaque on each frame, executed in oil on canvas I...

H. RIVERS American School, 19th century The First Lesson on the Drum Oil on Canvas Signed lower left "H. Rivers" label verso ex. Schwarz Gallery Item...

GENRE PAINTING OF MEN CONVERSING OVER A PINT BY HEDWIG OEHRING (GERMANY, 1855-1907) Signed "H. Oehring / Munchen" lower left; in oil on panel; partial label verso "636" Item # 012NPP...

"THE START OF THE DAY" BY WILLIAM SHAYER SR. (BRITISH, 1788-1879) Executed in oil on canvas, signed lower left Item # 012PGJ11S An extremely fine painting by self-taught artist Will...

Great grandson of the famous writer Victor Hugo, the painter Jean Hugo (1894-1984) was in the thick of the Paris art scene between the wars. A member of the avant garde, he was a friend of Picasso, Cocteau and Colette and was associated with the Neo Romantics. His small gouaches on paper were avidly collected by Dr. Albert Barnes, and can be seen today in the Barnes Collection in Philadelphia. Hugo's most desirable work -- landscapes, interior scenes, set designs -- date from the mid 1920s to the late 1930s. This whimsical painting, signed and dated 1927, is set in a curtained, classical interior furnished with Victorian lighting fixtures...

Adolfo Belimbau (1845-1938). "Two young ladies reading a book," 1893, oil on canvas signed and dated 'A Belimbau. Livorno' upper right.

FRENCH SCHOOL Early 20th century "At the Bath" Oil on canvas Signed lower left illegibly Item # 109UPI24Z An exquisite tonalist work from the French School of the early 20th ce...

A pretty watercolor on paper of a lovely woman in a garden setting by Giacomo Favretto (Italian, 1849-1887), a well regarded Italian genre painter wh...