Hand-Crafted Paintings

Brazilian Art by R. Aragão this Watercolor on Cardboard Painting, Abstract Stick Figures in Black and White and framed in Giltwood behind glass. Artist is ...

A Navajo sand painting mosaic art wall panel of the Navajo mythological Yei Dancers Rainbow Guardians created in the 1960s in a non traditional fo...

Italian Impressionist style seascape depicting a fishing boat pulled up on to the shore line with mountains in the background.

American mid-century oil on canvas depiction of a 3 step ladder with an orange on top over a tarp in front of a trifold screen

Copy of a Dutch/Flemish still life titled "Still Life with Chessboard" showing a lute with sheet music, cards, wine, bread, flowers & chess board in a faux tortoise frame

A wonderful abstract painting of a woman by the noted Mexican/American artist Rene Alvarado. It is signed and dated 01. Nicely framed. A striking image. The painting is in good condition. The frame is nicely suited to the painting and is in good condition with some minor spots of loss. René Alvarado Nationality: American Citizen Of Mexican Descent Education 1992-94 San Antonio College 1991-92 San Antonio Art Institute Solo Exhibitions 2019 René Alvarado “Tribal Narratives” René Alvarado Fine Arts Gallery, San Angelo, Texas 2019 Anarte Gallery & Studio “Social Observation” San Antonio, TX 2018 Flores De Cristal, René Alvarado Fine Arts Gallery, San Angelo, Texas 2017 Instituto Allende, San Miguel De Allende , Guanajuato , Mexico 2016 Gallery Shoal Creek “René Alvarado” Austin, TX 2015 Jorge Mendez Gallery “Journey Of The Subconscious”. PalmSprings,CA 2013 Georgetown Art Center “René Alvarado” Georgetown, TX 2012 Gallery Shoal Creek “Metaphorically Speaking” Austin, TX 2011 Ellen Noel Art Museum "From The Pueblo To West Texas: René Alvarado" Odessa, TX 2011 Maestros Tejanos 2011 - René Alvarado: Memories From El Manantial, Latino Cultural Center, Dallas, Texas 2010 Museum Of The Southwest "René Alvarado, The Madonna As Muse"Midland, TX 2009-10 The Madonna As Muse: The Paintings Of René Alvarado, Art Museum Of Southeast Texas, Beaumont, Texas 2009 The Paintings Of René Alvarado, Wichita Falls Museum Of Art At Midwestern State University, Wichita Falls, Texas 2008 Gallery Shoal Creek, Austin, Texas 2008 The Madonna As Muse: The Paintings Of René Alvarado, Jim Edwards, Curator, San Angelo Museum Of Fine Arts, San Angelo, Texas 2007 René Alvarado, Gallery Shoal Creek, Austin, Texas 2007 René Alvarado: Ode, Valley House Gallery, Dallas, Texas 2006 Transiciones, Gallery Shoal Creek, Austin, Texas 2004 From El Manantial [An Exhibition Of Work By René Alvarado], Organized By Insituto De Mexico En San Antonio, San Antonio, Texas (Catalogue And Film) 2004 Loteria I, Gallery Shoal Creek, Austin, Texas 2003 De Madonnas De Lloranas, Gallery Shoal Creek, Austin, Texas 2003 Annual Studio Exhibition, Rene Alvarado Studio, San Angelo, Texas 2002 Faces, Gallery Shoal Creek, Austin, Texas 2001 Gecko Gallery, San Angelo, Texas 2001 Gallery Shoal Creek, Austin, Texas 2001 Galeria Ortiz, San Antonio, Texas 2000 Evelyn Siegel Gallery, Fort Worth, Texas 2000 Galeria Ortiz, San Antonio, Texas 2000 Celebramos Las Bellas Artes, Gallery Shoal Creek, Austin, Texas 2000 René Alvarado, GTE Corporate Headquarters Gallery, Dallas, Texas 1999 Galeria Ortiz, San Antonio, Texas 1999 George & Company, Boerne, Texas Group Exhibitions 2019 Mykonos Biennale, Mykonos, Greece 2019 European Ambassador Residence, Washington D.C. 2019 Chimaya Gallery, Los Angeles, CA 2018 Raw 1899 Gallery “First.Love.Abstracted” San Angelo, TX 2017 Dan Pfeiffer Gallery Gallery One Year Anniversary Fredericksburg, TX 2017 Latin X: Artistas De Tejas (Louise Hopkins Underwood Center For The Arts) LHUCA Lubbock, TX 2016 Chimaya Gallery “A Retrospective Of Gender: Female/Male Portraits, Nudes & Pinups” Los Angeles, CA 2014 60th Anniversary Exhibition: A Celebration Of Valley House Artists, Valley House Gallery, Dallas, Texas 2010 Dallas Art Fair (Valley House Gallery), Fashion Industry Gallery, Dallas, Texas 2009 Thank You Fort Worth: An Appreciation From Valley House Gallery & Sculpture Garden, Fort Worth Community Arts Center, Fort Worth, Texas 2007 CADD Contemporary Art Dealers Of Dallas Inaugural Art Fair (Valley House Gallery), Three Three Three First Avenue...

American 20th Century Surrealist Oil on Canvas, Robert Springfels, 1964

A pair of carved giltwood Chippendale crossed palm frames, with inset hand-painted chinoiserie portraits of 18th century oriental nobility. We a...

"Private Encounter" by noted New York artist Kevin Paulsen. Quaint village scene created with pigment and plaster on polystyrene, giving the piece a look of an old over-mantle itiner...

Colorful abstract painting of a modern urban landscape apparently at night. Fast and moving is the theme. Actual painting size is 24 x 30. Can be parcel posted. In excellent vintage ...

A very interesting and unusual Cornwall Iron Banks Original Oil Painting by artist J. Earle Pfoutz. The painting is produced on canvas and comes complete with what appears to be an original artist decorated/painted frame with later touch ups. The Cornwall Iron Banks Original Oil Painting is signed on the front by the artist and appears to be dated 1948 on the rear. Known for his unusual subjects Pfoutz outdid himself with this effort, capturing the workings of one of the largest iron ore mines in the eastern United States, located in Cornwall PA. This mine and others in the area that came before it, played a crucial role in the development of the United States of America from the Revolutionary War, through the industrial revolution up until the 1970’s when the mine was flooded during Hurricane Agnes and closed operations. Overall frame Size approximately 26″ wide x 2″ deep x 30″ high J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART Earle Pfoutz Born: 1891 – Lancaster, Pennsylvania Died: 1957 Known for: Landscape, figure, still life painting An image of J Earle Pfoutz Biography from the Archives of askART J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957) “A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life. A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes. In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.” In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively. A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck. Other pictures include Autumn Prelude, Miners Village, painted at Cornwall, PA; Humid Day, Saint Peters Kierch, at Middletown, PA; Lady Pfoutz, inspired by the painter’s wife; Sun Flowers, Sentimental Journey, Gyne, Luzon Woman, Old Bridge, The Cow Path. Lemures, based on Roman mythology, and Ethiopian, painted from an ebony wood carving...

Circle of ALESSANDRO ALLORI Portrait Of a Young Man Wearing A Ruff Wall Art , possibly portrait of a young Nobleman Oil on Wood Panel , unsigned . signs of restoration , normal wood panel cracks due to centuries and elements as seen in the pictures but overall great piece of Art. Alessandro di Cristofano di Lorenzo del Bronzino Allori (Florence, 31 May 1535 – 22 September 1607) was an Italian painter of the late Mannerist Florentine school. In 1540, after the death of his father, Allori was brought up and trained in art by a close friend, often referred to as his 'uncle', the mannerist painter Agnolo Bronzino, whose name he sometimes assumed in his pictures. This incredible Artwork painting would be beautiful addition to collectors or to decorate a law office a library , Hallway , Living room a man's room or as a great elegant gift idea for an office space and house warming . Antique dealer West Hollywood Melrose Ave La Cienega Blvd . On top of a dresser a semainier a secretaire or in the background of your desk , this outstanding painting with the hand carved wood gilt frame will be the touch of old world adding the charm history and elegance to your decore . This beautiful portrait of a gentleman is very versatile and can go with any design, rustic farm , elegant space , formal setting , modern or old world European charm . overall good shape, recanvassing so many of the wonderful Art In the prime of his career, Allori headed one of the "two most important workshops in Florence in the second half of the 16th century" (the other being headed by Santi di Tito...

This Italian 19th century oil on alabastrer painting depicts an opulent interior in full ancient neoclassical Pompeian style with people festing. The figurative inner scene is painted on a rectangular alabaster slab and housed in a wonderful giltbronze frame resting on casted arrow feet. This is a single section of a bigger surtout de table. You can now use it as a decorative centrepiece on a table or on a console or turn it into a wall decoration. We can provide framing options in this case. The characters enjoy a rich banquet in an elaborate interior, the room renderings...

Vintage mid-century modern still life oil painting on canvas by Vintage mid-century modern still life oil painting on canvas by Joseph Duv. He was born in Algeria in 1918 and at the ...

Copy of a pastel portrait showing a mother and her children Condition: Good; Wear consistent with age and use

Japanese Abstract Expressionist Serigraph, Signed & Numbered edition: 31/40 (MASHIKO)

Copy of a portrait of a Frenchman in uniform in a gold oval frame- (Companion to TR2006)

Copy of an 18th Century portrait of Russian royal Pavel Pavlovic in a brown suit showing him in seated at desk in front of statue of a lady with a simple dark gold frame Condition: ...

Italian Neo-classic style framed print of map of Italy

Japanese Abstract Expressionist Serigraph, Signed & Numbered edition: 25/28, (MASHIKO)

American Federal print portrait in silhouette of a gentleman in a distressed gold frame

Large Modern Framed Artwork Decorative Painting Landscape LA CA Art Gallery . Wall Art Decorative Hand painted Oil on Canvas Falling Vessel sculpted hand crafted silvered Frame. "Fa...

This beautiful pair of wood-painted panels is likely from the 1800s. They showcase the charm and artistry of folk art at that time. They are a great size, which makes them easy to w...

19th Century French Pair of Mixed Media Tinsel Print Collages is a charming and whimsical set of artwork that beautifully blends several artistic techniq...

Vintage original etching features a brass bed with a flower garland draped over the headboard and 2 pairs of shoes under the bed; a couple can be seen through the ornate headboard. T...

Painted by our very own starving artist here at Old Plank. A Garden in Versailles. This stunning Wall Art is 3- dimensional, so you actually feel as though you are in the garden, per...

A patchwork of 19th century Tibetan linnen mounted as a painting. We selected this linnen because of its naturele serene appearance. After cleaning we had the strapps connected and f...

A very interesting and unusual Lancaster Bridge Original Oil Painting by artist J. Earle Pfoutz. The painting is produced on artist board and comes complete with what appears to be an original artist decorated/painted frame. The painting is signed on the front by the artist. Overall frame Size approximately 42″ wide x 2″ deep x 30″ high J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART Earle Pfoutz Born: 1891 – Lancaster, Pennsylvania Died: 1957 Known for: Landscape, figure, still life painting An image of J Earle Pfoutz Biography from the Archives of askART J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957) “A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life. A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes. In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.” In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively. A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck. Other pictures include Autumn Prelude, Miners Village, painted at Cornwall, PA; Humid Day, Saint Peters Kierch, at Middletown, PA; Lady Pfoutz, inspired by the painter’s wife; Sun Flowers, Sentimental Journey, Gyne, Luzon Woman, Old Bridge, The Cow Path. Lemures, based on Roman mythology, and Ethiopian, painted from an ebony wood carving...

Large tribal style Polynesian tapa or barkcloth from the South Pacific Island nation of Tonga. The cloth measures over 12 feet wide and over 8 feet high. Handcrafted from the bark of...

Wonderful contemporary feeling watercolor. Framed in Baltimore, not sure if this is the original frame for the work. Signed and dated 1932, Unknown artist. Procured in US. W 19.5 ...

A beautiful Ancestor portrait of an important Chinese Matriarch. The piece is hand painted in vibrant colors and has held the test of time. The gilt wood framing is an unusual fram...

Japanese two panel screen: Chrysanthemums Through the Mist Obara Paper Art Screen. Surreal and masterful rendering of chrysanthemums cloaked in mist that varies in opacity made entirely of carefully arranged mulberry paper fibers in a Japanese art practice called Obara. Accented with gold leaf. Unique in terms of both execution and dreamlike mood. Made by Yamauchi Issei (b. 1929), stamped in the corner. Issei is well known throughout Japan as the leading artist in Obara Paper Art. Starting in 1948, he apprenticed with Fuji Tatsukichi, a leading proponent of the arts and crafts movement in Japan who worked to revive many cultural traditions on the brink of extinction. Issei started exhibiting in the Nitten in 1953, won the gold medal in 1963, and eventually became a juror. His artwork was given as a gift to the Showa Emperor of Japan, as well as dignitaries such as General Douglas MacArthur...

"Whispers of the Fjord Pines" – Rare Original Oil Painting by B. Berntzen (ca. 1970s) A true collector’s treasure, this original oil on canvas by B. Berntzen stands apart as an exce...

Antique Framed Oil Painting on Canvas by Victor Waegemaeckers is a wonderful example of the interior painting genre that flourished in the 19th century giving us insights into the da...

A vintage oil painting of a white Persian cat. This sweet painting, by Beno Boleradsky (a well-known Hungarian artists), depicts a playful white cat, wit...

Original French acrylic painting attributed to Roland David, from the mid-late 20th century. Not known well in the states, but we enjoy lookin...

Splendid oil painting on a panel, framed in a carved and gilded wooden frame, and accompanied by an elegant passe-partout. The work represents an enchanting glimpse of a house's gard...

Museum-Quality Painting by Norwegian Artist Nikolai Olsen Berg (1875–1955) "Farmyard at Jølster" circa 1910 This exceptionally rare work by Norwegian painter Nikolai Olsen Berg exem...

An Oil on Canvas painting of an old mill in the English Countryside near Keniworth . By a well known English Oil painter of that time . The frame is original with cracks and small p...

A vibrant 1969 lithograph by Ken Kusaka. Signed numbered and dated lower margin. In a period shadow box. Frame has some age wear and paint loss. Litho is in good condition.

"Spitting Pink IV" by New York artist Kevin Paulsen. Crafted with a polystyrene base with pigment and plaster applied to surface, mounted in painted wooden shadowbox surround.

The miniature etching on paper depicts a landscape of Venice with a view of Basilica of Santa Maria della Salute, with gondolas and small boats passing by. The etching is signed by t...

Henry Martin Pope was an exceptional 19th century Midlands artist who exhibited widely. Later he founded the Birmingham Arts Circle whose elite members included Walter Langley, Edwin...

Amazingly detailed and rich organic effects express that world wide angst and pessimism that permeated the second half of the 20th century. Loureiros' mysterious manipulations of pa...

Benjamin Jorj Harris, Newman Decor - American Art Deco airbrush painting on illustration board - featuring an over-sized group of white gardenia blossoms ...

Nude Portrait of a Young Woman with a Scarf, Maurice Ehlinger, Circa 1940. We present a rare and refined work by a master portraitist of the 20th century. Details of the Artwork: ...

This charming and sophisticated wall decoration has been entirely hand-painted on 100% natural cotton paper, using the sumi-e technique inspired by ancient Korean paintings. Particul...

Vintage "The Falconer" Original Oil Painting on Panel Signed by Charles Bragg, Linen and Painted Finish Wooden Frame, Wire Hanging back of the Frame. Dimensions: 28"W X 2"D X 24"H

A Very Large and Unusual 19th Century KPM Porcelain Plaque by Carl Meinhelt. This plaque was produced by the Königliche Porzellan-Manufaktur (KPM) in Berlin and is signed by the art...

Robert Mcgregor genre oil painting of french village scene circa 1890. Here we have a Robert Mcgregor (1848-1922) painting illustrating peasant life. This is a well-balanced oil on ...

This unique and stunning artwork by Juan Quevedo is a masterpiece of contemporary art that embodies the essence of Cubism. The painting, titled "Adoracion...

CONNOR - Vintage semi nude acrylic painting on canvas - signed and dated lower right - circa 1994. Excellent vintage condition - minor paint loss - no damage - no restoration - sign...

Immerse yourself in the raw, vibrant energy of Pervis Young's unique artistic vision with this captivating painting. This piece captures a dynamic basketball scene, a recurring m...

Colorful painting on copper in a (recent) black frame. Signed: JH. F...(unknown). Dated: 1970

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning pair of original Swedish Oil on Board Paintings in large hand carved oak frames Please note t...

This antique "fixe sous verre" (or églomisé glass) wall clock was created in France, circa 1850. This clock features a painted pastoral scene with boat...

David Emile Joseph de Noter 'Still Life with Roses' Oil on Panel Belgium Mid 19th Century A still life with roses and jewelry by the renowned Belgian painter David Emile Joseph de N...

Vintage Art Deco Framed Oil on Canvas Painting Wall Art Wall Decor Cool large Art Deco painting in a silver frame. Signed

Stunning Norwegian / Scandinavian Art-- "Winter Mood" by A. SCHREINER. Oil on canvas, A Museum Quality antique art from Norway. Title: "Winter Mood / Vinterstemning" Medium: Oil on ...

Vintage gouache and watercolor painting on paper - likely for the tourist market - signed 'Pepe' verso - unframed - Spain - circa 1970's. Excellent vintage condition - no loss - no ...