Painted Paintings

Eugene J. Quinn Jr. (American, 20th/21st c.). A plein air oil on Masonite titled, "Snow at Pigeon Cove". Signed and dated "Eugene J. Quinn, Jr., '03" at lower right. Painted at Pigeon Cove in Rockport...

Decorate a dining room table or an office with this elegant antique French oil on canvas painting. Set in the original carved gilt frame, the art ...

Lofty mixed media painting on brown paper of a parrot executed in classic Art Deco style with a bold stroke using watercolor and gouache. Signed by not...

Popularized during the Qing dynasty, reverse glass painting requires an artist to essentially work backwards, starting with details and shading before adding color and form. Lending the finished work a subtle three-dimensional effect, this exacting technique doesn't allow for any corrections, and is only revealed to its full effect when the glass pane is turned around. This example dates to the late 19th century and depicts the Taoist immortals He Xiangu and Cao Guojiu. Said to have attained immortality through their studies of the natural world, the Eight Immortals each represent a different condition in life and impart blessings of prosperity and longevity. The charming scene is likely one of a set of...

A very fine and Large Italian 18th-19th century oval-shaped oil on canvas titled "The Triumph of Venice" After the original work by Paolo Veronese (Venice, 1528-1588). The original of this painting hangs in the Palazzo Ducale, Venice. The 'Ricci' coloration suggests a late 17th-early 18th century date. In 1715 Charles de la Fosse advised Ricci to paint only "Veroneses and no more Riccis", Venice, circa 1800. Measures: Height: 45 1/4 inches (115 cm). Width: 29 inches (73.7 cm). Frame height: 58 1/4 inches (147.9 cm). Frame width: 43 1/4 inches (109.9 cm). Frame depth: 5 1/4 (13.3 cm). Provenance: Royal Academy of Scotland. Paolo Veronese (Born 1528, Verona, Republic of Venice - died April 9, 1588, Venice) was an Italian painter of the Renaissance in Venice, famous for paintings such as The Wedding at...

Decorate a man's office or study with this elegant pair of antique paintings; crafted in France and set in the original carved giltwood frame, each canvas features a nicely dressed p...

George Inness II (American 1854-1926), Barbizon style coastal landscape, circa 1887, an oil on panel view of coastal plain at sunrise with ocean close on horizon, signed and inscribed across the bottom and on the back. George Inness II was one of America's foremost figure and landscape artists. He followed in the footsteps of his father, one of the first American artists in the Barbizon and Impressionist Schools, and a founder of the Tonalist School...

An original British School Regency Period watercolor study of a Blackbird’s nest and eggs, mounted in a Georgian Period Maple frame – Dated 1863. These...

A bright and airy oil painting of Paris on stretched canvas made by Romanian painter Mariana Elas. The artwork is signed and dated 1990 in the lower left corner (see photo). Mariana ...

Original oil on canvas. In a rustic barnwood style frame with gold name plaque. Stunning painting with warm yellow tones done in an impressionism style. Painting portrays a group of ...

Originally a scenic backdrop for a French theater during the 1920s, this large painted canvas can be considered a trompe-l’œil. A trompe-l’oeil (literally “deceive the eye”) is a sty...

Allen Noonan Originals Millennial Designs Painting on Plywood. A treasure in art-no more than six of each design in the world. Allen Noonan was a UFO enthusiast and owner of a Cafe-A...

An antique Hudson River School landscape painting offers oil on canvas river scene, seated in giltwood frame, unsigned, c1890 Measures- 24.25''H ...

19th Century American School Nautical Painting. Wonderful oil on panel maritime painting of steam yacht with American flag. Signed by A Benson in lower right corner. Framed in ornate...

Scott Kerr is a self-taught Contemporary Abstract Artist. As a young boy, he was exposed to the art world by his father through the works of a local Texas artist, David Brownlow. Ama...

George Rouault Studio Fauvism Oil Painting on Paper on Board. Characteristic genre painting of a musician group in typical style and technique of George Rouault (1871-1958). The Fau...

Beautiful oil on canvas scene of a brook running through a woodland. Lovely old patina and warmth of tone highlight this stately piece, clearly created by a master painter. The gilt ...

We are so proud to offer this original work of art by legendary Palm Springs artist O. E. L. Graves. We discovered his work when we first purchased a second home here in 1997. His work was very difficult to come across, but stories about Mr. Graves were legendary, and the first art we saw of his were his extraordinary and very collectible cover art for vintage mid century Palm Springs villager magazines which we found at some thrift stores! We have since collected 8 original paintings. This is the Rolls-Royce of the collection. His artwork is now collected by a new generation of the Palm Springs younger rich and famous entertainment industry that have brought new life to the town with Coachella Music Festival and the endearing architecture Palm Springs is famous for! We purchased an amazing coffee table book by French photographer Robert Doisneau called “Palm Springs 1960” Mr Graves himself and his artwork is featured in wonderful 1960s vintage photographs. This spurred on more collectors looking for his paintings. This large painting was definitely owned by a Palm Springs/Beverly Hills client. His work was even sought out by Rockefeller that wanted to buy a painting of Mr. Graves that he refused to sell! The paintings were very expensive. Just the original painting’s framing alone shows how chic and special it was. The subject is a bird in its cage with a clock in the corner, In shades of silver, green, black and gold. There is a name on the painting, along side Mr. Graves signature we believe to be the title of the painting, “Orsi” It is such an extraordinary painting! Please check out the pictures to see the amazing color and details of this work. O. E. L. Graves (1897 - 1971) Graves was an American artist and painter/sculptor based in Palm Springs, California during Hollywood's golden years. His client list included many of the rich and famous of his era, from movie stars (Clark Gable, Bob Hope, Bing Crosby, Janet Gaynor) to business magnates (Raymond Loewys, George R. Hearst Sr.) to shady criminal kingpins. His own personal life was just as full of high intrigue and secrecy as the famous clients he cultivated. As a result, his need to maintain a relatively low profile in his private life has relegated him to near obscurity in death as an artist. Graves experimented constantly with new media and techniques for expressing his art. His works include delicate watercolors, fine detailed portraits, impressionistic oils, sculptures in metal, and some techniques of his own invention. Graves claims to have invented "sculpted oil painting", where multiple layers of thick oil paint are placed on masonite and then cut away to create the image. His sculpted oil paintings were displayed in some of the trendiest galleries and art museums, including the New York Metropolitan Museum of Art, which purchased some of his sculpted paintings after they had been shown there. Winthrop Rockefeller...

Watercolor of Three Ships, 1905, Signed Edward John Russell, (American, 1832-1906) Naval Battle Scene This 19th-century watercolor painting depicts a dramatic naval scene with three sailing ships engaged in battle. The watercolor is after an engraving by George Coggeshall called the "Battle of the Dolphin with British Ship Hebe and Three Brothers", signed and dated in lower right corner "Ewd. J. Russell 1905." The central ship, identified as "Bon Homme Richard," flies an American flag, while the other vessels appear to be British. The artist's attention to detail is evident in the rigging, sails, and the dynamic movement of the ships on the waves...

An absolutely charming pair of Japanese Tosa School six-panel folding screens painted with the "One Hundred Boys at Play" motif, featuring a multitude...

A wonderful and quite colorful oil on canvas painting by Swedish-American California artist Magnus Engstrom (1936- ). The painting features a futurist cityscape and is done in the neo-cubist abstract expressionist artistic painting style that Engstrom embraced. The painting is signed and dated (1970) by Engstrom. Would be a great addition to any Mid-Century Modern or California art painting collection...

Large Lee Reynolds abstract oil painting circa 1960s for Vanguard Studios original tag to back with a polished aluminum original frame.

Important painting representing a music lesson, composed of a group of three elegantly dressed ladies, listening to a musician playing the lute and accompanied on vocals by a man hold a musical score in hand. The artist’s genre scenes are distinguished by the softness of the eyes, the romanticism of the attitudes and the harmony of the tones used. Giuseppe Ghedina is born in Cortina d’Ampezzo on March 1st, 1825, he started studying in 1838 at the Academy of Fine Arts in Venice. Pupil of Ludovico...

American Contemporary abstract oil painting on paper with the colors of black, brown, and some grays in a black frame (ED ELLER)

Our gallery is proud to represent Gary Janis a noted local artist. This work is framed and signed and dated 2024. It is vibrant and evocative and beautifully represents Mr. Janis’ s...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Perhaps the most remarkable of all the crystal paintings made by Milton Bond in the 1940s, this depiction of beautiful nude figures, male and female, forming a symmetrical circle aro...

Decorate a study or a den with this antique chicken painting composition. Created in Belgium circa 1890, and set in the original thick carved giltwood frame, this large painting depi...

Modern Oil Painting, Urban Landscape by Joseph RAUMANN, France 1960s. Picturesque scene of a French village, with its typical buildings and street corners. Oil on canvas with very ...

Copy of a portrait painting of an American President titled " George Washington"

Antique (19th century) oil painting on canvas by Anton Brentano (1840-1888) depicting a beautiful gypsy woman.

Wonderful abstract painting Oil on board. Unframed Initialed on verso. Some interesting gallery information also on verso giving the artists biography.

Antique Oil on Canvas Landscape Painting, Mountain Lake Scene with Country Road, Giltwood Framed, C1890 Measures- 18.75''H x 24.75''W x 2.75''D

The hand-written notes on the back of this miniature watercolor tell what was, at the time, a scandalous story. The portrait is of Hanah Tichbon. The inscription reads in part, "wen...

A colorful oil on canvas representing a group of children playing in a garden area near a Cathedral. Framed by a carved giltwood frame with foliage det...

A black-yellow, dark green antique Austrian still life oil on canvas painting depicting a clear glass vase with many flowers painted by Franz Xaver Pieler in a hand carved, original gilded wood frame, in good condition. The colorful painting depicts a dining table in a DIM room, representing the 19th...

A large scale whimsical still life painting signed by the Belgium artist, Paule Bisman. The oil painting is on canvas and is framed by a complimentary car...

A lovely painting depicting a nude female figure, with arms upright, caressing a sheet about her face. The work is done with thick, pastel colored paints and invokes a sense of seren...

This listing is for a beautiful set of 12 Chinese Export Gouache (watercolor) Paintings on Rice / Pith Papers. The paintings depict the traditional Chinese living...

19th century still life painting after Pieter Claesz (1597-1660) Dutch. This outstanding 19th century oil painting on copper shows an amazing intuitiv...

Antique oil painting of a landscape with wild flowers. The painting is painted in an impressionistic style, with a quick touch. The paint ...

Portrait of an elegant young lady and very much in the manner of Jean-Baptiste Greuze. An 18th-century painter of melodramatic genre, morality lessons, female figures, and portraits ...

Antique large German painting with an Italian landscape - Many European painters came to Italy to paint its beautiful natural landscape, full of sun. This painter was Franz Krause, born in Germany 31th March 1823 , died in Leitmeritz on 18th March 1878. If you want, You can use the large frame for a MIRROR, leaving the picture free...

Monumental oil on canvas by caricaturist Georges Goursat, also known as SEM. Georges Goursat - 23 November 1863 - 26 November 1934 - was a French caricaturist and portraitist famous during the Belle Époque and Art Deco periods. This painting greeted visitors to the cellars...

This exquisite 19th-century French toleware tray is a remarquable piece of artistry and craftsmanship. This tray is both functional and decorative, making it a versatile addition to ...

Untitled Portrait - I Peter Keil, Berlin, 1970s. Oil on board, unframed Measures: artist board 39" x 27". This striking untitled portrait, titled "Untitled Portrait - I," was creat...

Dramatically illustrating the legend that says that St. Martin of Tours used his sword to divide his cloak and share it with a naked beggar, this large and striking Art Deco painting depicts St. Martin riding a pale gray horse, with the beggar standing beside him, in the midst of a dark forest with starlit sky overhead. The two figures are accompanied by a running hound, and overhead a pair of geese...

17th Century Italian School Crucifixion Oil on Panel This exquisite 17th-century Italian School Crucifixion oil painting is a masterpiece of...

Scott Kerr is a self-taught Contemporary Abstract Artist. As a young boy, he was exposed to the art world by his father through the works of a local Texas artist, David Brownlow. Ama...

MAGGIE FRASER - Untitled - Vintage watercolor painting on paper - signed and dated lower right - contained in a vintage matte - unframed - Canada - circa 1996. Excellent vintage con...

2 portraits, late 18th century, oil on board.

As found in Europe, this very serene landscape of a stream feeding into a lake has been painted in oil. Cotton-like clouds and tall trees surround the wa...

Frederick Arthur Bridgman La Fête des Bois, Les Bacchantes signed F.A. Bridgman (lower left) oil on canvas Dimensions: Height: 73" Width: 150" ( 185.4cm x 381cm) La fête des bois, les bacchantes imagines a celebratory procession of flower-crowned revelers parading joyfully through the woods. Bridgman exhibited a near identical version, approximately one third of its size, at the Paris Salon of 1896, no. 311 (for illustration, see Sotheby's, February 12, 1997, lot 71). The painting certainly raised eyebrows and stirred feisty commentary when it was exhibited at London's Royal Academy. As one critic wrote in the Atheneum: Provenance Sale: American Art Association, New York, The Works of F. A. Bridgman, March 14, 1899, lot 72 William Randolph Hearst (offered, his sale, Gimbel Brothers...

This oil on canvas was executed in the 19th century in the style of Camille Corot. The painting portrays a countryside scene: in the foreground, a few figures are suggested with gen...

A rare pair of Flemish 18th century "Verre Églomisé" Reverse Glass Paintings, each depicting riverfront scenes with figures, fishermen castles, co...

An English oil on board horse painting from the 20th century by K.M Nadler, in carved giltwood frame. Immerse yourself in a captivating depiction of equine grace with this mesmerizing 20th-century oil on board horse painting by the artist K.M. Nadler, born in 1928. This elegant artwork, framed in a luxurious carved giltwood frame, beckons the viewer into a tranquil stable setting. Nadler’s exquisite brushwork breathes life into the magnificent horse that stands poised and serene, portrayed in profile. The finesse in capturing the horse’s anatomy and the subtle sheen on its coat reveals a mastery of realism. The depth in the horse’s eye whispers tales of its unwavering spirit. Adding a dramatic element, an ethereal light source from the upper right casts an emphatic shadow on the stable wall, enveloping the scene in an enigmatic aura. The ambiance is further enriched with red terracotta floor tiles...

One of a kind, original oil on canvas, with trompe l'œil effect of curling figures. Signed lower right; unframed. 50.25ʺW × 1.25ʺD × 40ʺH Piece has a whimsical Surrealist feel and ...

A large 19th century German Meissen rectangular porcelain plaque depicting Mary Magdalene reclining reading from a book. After Antonio Allegri (Ita...