Two Landscapes Attributed to Elias Martin

Two Romantic paintings depicting a country landscape with mill, and a pastoral scene with shepherds and peasants dancing or discussing. The pastoral, or bucolic, scenes depict life in an idealized manner, with schepherds herding livestock around open areas of land according to seasons and the changing availability of water and pasture. Pastoral scenes were very popular in the 18th century litterature, music and art, in line with Rousseau's ideas in favour of the original harmony between man and nature. Giltwood frames with original labels marked: E. Grosvallet / Cadres anciens...

Two large pendant watercolors depicting lake and mountain river landscapes in Switzerland. Localized: the course of the Aare. Circa: 1840 François Jules Collignon was born in 1811 i...

Two oil on panel paintings of "Landscapes with cows", attributed to Jean-Michel Diebolt (1779-1824). Both paintings present mountainous landscapes with cows. The first painting repre...

Set of 3 miniatures: - First miniature: miniature depicting the portrait of Madame Vigée-Lebrun and her daughter after Elisabeth Vigée-Lebrun (1755-1842). Signed "Joséphine Rozier",...

Landscapes, Xalapa, Mexico. Pair of oils on canvas. Spanish school, around 1840. Provenance: Conde de la Cortina collection, Jalapa, Mexico. Couple of landscapes framed within the Spanish school of the first half of the 19th century, with a clear romantic affiliation. Both evidence the knowledge of the Dutch classicist landscape, one of the main influences on the Spanish romantic landscape. Thus, we see compositions in "V", closed on the sides and open in the center, very low horizons that allow a wide development of the sky, spaces built in depth based on successive planes subtly differentiated by light and color, and small figures perfectly integrated into the natural setting. In addition, the skies are scenographic and dramatic, with low clouds behind which the golden light characteristic of the classicist landscape filters. One of the most radical aspects of romantic painting was the attempt to replace large canvases with historical or religious themes with landscapes. They wanted the pure landscape, almost figureless or totally devoid of them, to achieve the heroic significance of history painting. They were based on the idea that human feeling and nature should be complementary, one reflected in the other. In other words, the landscape should arouse emotion and transmit ideas. Thus, landscapers like the author of these canvases tried to express their feelings through the landscape, instead of imitating it. The romantic landscape had two main aspects: the dramatic one, with turbulent and fantastic views, and the naturalistic one, which emphasized images of a peaceful and serene nature. This second conception is what we see embodied in these works; the painter tries to communicate a religious reverence for the landscape, nature in its fullness. In fact, the author's own use of light here conveys a foggy, cloudy, dreamlike atmosphere that invites the viewer to meditate and contemplate himself in the landscape. The romantic landscape is constituted, however, by manifestations of very different types and not comparable to each other; it does not affect all national schools equally, staying more faithful to tradition in schools such as the French or the Dutch. Thus, in this canvas we do not find the grandiose scenery of the British and Germans, the steep mountains or the monumental Gothic ruin...

A lovely pair of Dutch oil on panel framed paintings by Jan Evert Morel, (1777-1808), both signed lower left and late 18th Century in date. The painti...

This stunning pair of antique oil paintings is an incredible example of traditional French art, signed by the renowned artist Lambert. The medium-siz...

Francesco Simonini (Parma, 16 June 1686 - Parma, 1766) “The rest of the soldiers” and “The march of soldiers” oil on canvas cm 40 x 58 and 40 x 60 ; frame: h 52,5 x W 70,5 x D 6 an...