“Venetian Canal” Antique Oil Painting by Warren Shepherd 'American, 1858-1937'

PIETER GERARDUS VAN OS Dutch, 1776-1839 Shepherd with Flock in a Pastoral Landscape (1821) Oil on canvas Signed lower left "PG Van Os f 1821" Item # 204GPP23A An extensive and brilliantly detailed scene, this fine woodland pastoral landscape highlights the ability of Pieter Gerardus van Os to manipulate light for dramatic and somewhat ecclesiastical effect. There is a certain other-worldly insinuation in the golden light as it pierces the dense cover of the leaves to highlight the shepherd and his flock as the focal point for the painting. Here we find the young boy entirely at peace on the bank surrounded by long golden grasses with his hat and staff tossed aside while watching the action of the small waterfall on the otherwise tranquil stream. His small dog stands beside him while the sheep graze carelessly, each showing total disregard for the two men and their dog hunting in shadows of the woods behind them. Across the bank a pair of unattended billy goats graze on the trees of the deeply shaded forest floor. There is a harmony and perfect sense of balance in this intricately detailed scene, an effective infusion of the transcendental into a quiet landscape scene. The work is signed lower left in his typical scrawling script "PG [intertwined] Van Os f 1821" and the back of the frame retains an early Christie's label. It is presented in a very fine carved giltwood frame. PIETER GERARDUS VAN OS Born in The Hague on October 8th of 1776 into the renowned Van Os family of painters, Pieter would spend his early years studying under his father Jan together with his brother Georgius Johannes Jacobus (Dutch, 1782-1861) in their father's studio. The three men had remarkable careers and would become some of the most influential painters in the Netherlands throughout the first half of the 19th century. Unlike his brother and father, Pieter moved away from still-life paintings and focused his work on rural landscapes of the Dutch countryside. He was self-taught in this pursuit, first as a copyist of the renowned Dutch "Golden Age" painters Karel Dujardin (Dutch, 1626-1678) and Paulus Potter (Dutch, 1625-1654) while also being heavily influenced by the landscape work of Jacob van Ruisdael and the allegorical landscapes of Nicolaes Pieterszoon Berchem. From his studio in Amsterdam, Pieter taught such notable pupils as Wouterus Verschuur...

HERMANN DAVID SALOMON CORRODI Italian, 1844-1905 Bucolic Landscape of Shepherds Caring for an Injured Lamb (1868) Oil on canvas signed lower left "H. Corrodi Roma 68" Item # C104...

HERMANN OTTOMAR HERZOG German/American, 1832-1932 "Fishing Trawlers off the Coast" Oil on canvas signed lower right "H. Herzog" Item # 101BKD28S A vibrant and bright seascape that likely depicts the Belgian coast...

CHARLES F. BLAUVELT (AMERICAN, 1824-1900) "The Relic Hunter" (1854) Oil on canvas Signed lower left "Blauvelt 1854" Item # 001PCX30W A rich scene executed in 1854 in oil on canvas by Charles Felix Blauvelt titled The Relic Hunter, the scene is large and bright and depicts an elderly man in the afternoon sun digging through the dirt with a small spade to find discarded objects in the soil. A similar work was painted by Blauvelt of the same title [offered at Northeast Auctions...

JULIEN LE BLANT French, 1851-1936 "Le Départ des Conscrits" (1888) Oil on canvas Signed lower left "J. Le Blant" Item # 301OIV16Z A moving study of a very young man hugging and kissing his father goodbye as the French Navy has arrived at his home to collect him for conscription to military service. His mother grips a hankerchief in one hand as she watches her teenage son with a complex expression that bridges grief and perhaps anger. His younger brother likely does not grasp the totality of the situation, dragging behind his feet a toy boat. The bright colors and vibrant life of the rural farm is juxtaposed against a deep sorrow. The present example dates from 1888 and was mentioned in the Gazette anecdotique et Littéraire of the same year. It is included in the ongoing catalogue research project on the works of Julien Le Blant by Dominique Formaz and is documented at Leblant. com JULIEN LE BLANT Julien Le Blant studied under E. Girard and made his debut at Salon in 1874. His work was regularly recognized, ultimately receiving the gold medal at the 1889 Exposition Universelle. He was made Chevalier of the Légion d'Honneur in 1885. The body of his work largely focuses on military scenes, particularly of the French Revolution, but also scenes of the First World War later in life. He completed hundreds of illustrations for a great number of books, including Les Chouans (Honoré de Balzac), Chevalier des Touches (Barbey d'Aurevilly), and Premier Grenadier de France (Paul Dérouléde) to name a few. His work is held in major museum collections and institutions around the world. For serious collectors of militarism and of the Romantic painters of the period, this is a simply outstanding investment grade selection. Works by Julien Le Blant very rarely make their way to the the open market. Museums: Musée de Mulhouse, France - The Regiment's Return Musée de Nantes, France - Death of General d'Elbee Musée de Troyes, France - The Battle of Fére Champenoise Further Reading and Notes: E. Benezit Dictionary of Artists, vol. VIII, Gründ, p. 588-9 Popular Nineteenth Century Painting...

JOHN FAULKNER, R.H.A. Ireland, 1830/35-1894 "The Smeltery" Oil on canvas signed lower left original label verso titled "The Smeltery / John Faulkner R.H.A." Item # 909KRP13 A ...

This is a beautiful oil on canvas painting of the view of the Ducal Palace and the entrance to the Piazza San Marco Canal in Venice by the renowned William Raymond Dommersen (1850 - 1927), signed lower right. William Raymond Dommersen came from a famous family of Dutch artists who moved to England in the 1860’s and changed the family name from Dommershuizen. He was the son of Peter Cornelis Dommersen and travelled around Europe and England painting marine and town scenes. His works are still very popular and many have been reproduced in print, his originals, not surprisingly, are very much sought after. This beautiful landscape captures a striking view across the canal. It features a busy canal scene with sailing boats and gondoliers in the foreground, in the distance the facades the spiralling tower of the San Marco Campanile complete the painting. Housed in it's original and beautiful gilt gallery frame. Several examples of his work have sold at top auction...

Vintage Venetian-Style (20th Century) painting of a bustling town on a canal and townspeople in route to board a gondola in the foreground, alongside several gondoliers waiting nearb...

Vintage Venetian-style (20th Century) painting of a canal busy with gondolas winding through a town of classical architecture cast partly in shadow, under a blue sky. Painted on rect...

Vintage Venetian-Style (20th Century) painting of a long, arched bridge stretching across a canal filled with boats and gondolas of all sizes, on unframed,...

Vintage Venetian-Style (20th Century) painting of a bustling Italian canal at dusk, depicting several boats under passage in the foreground, and crowds of ...

Grand Tour-Style (20th Century) unframed canvas oil painting of a bright, aqua canal crowded with gondolas under passage in front of Doge's Palace with St Mark's Campanile just behind it, and the domes of the Punta della Dogana visible in the distance in the lower left corner. Painting unsigned, noted as coming from a 20th-Century studio that specialized in historic commercial reproduction paintings...