Carl Bloch (1834–1890). Etching on paper. "A Norwegian Bride".

Carl Bloch (1834–1890). Etching on paper. Houses by the road. Dated 1883. In perfect condition. Signed. Total dimensions: 42.0 cm x 30.5 cm. Antique frame in dark oak.

Carl Bloch (1834–1890). Etching. Danish landscape with sailboats. Dated 1882. In perfect condition. Signed. Total dimensions: 41.0 cm x 31.0 cm. Antique frame in dark oak.

Louis Icart (1888-1950). Etching on paper. "At the Urn". Dated 1923. Visible dimensions: 44 x 33 cm. Total dimensions: 48 x 38 cm. The frame measures: 1.5 cm. In excellent condit...

Niels Simonsen (1807-1885). Danish Golden Age painter and orientalist. Oil on canvas. Oriental beauty. Dated 1859. The canvas measures: 48 x 41 cm. ...

Title: "Isabeau of Bavaria: The Queen's Regalia" Description: This print is a depiction of Isabeau of Bavaria, Queen Consort of King Charles VI of France. She is shown in an ornate ...

Antique costume print titled 'Georgienne (Asie)'. Original antique print of a Georgian woman. This print originates from 'Moeurs, usages et costumes de tous les peuples du monde' by ...

Antique costume print titled 'Deutsche Fürstin in Schellentracht, um 1410'. Old print showing a German princess around the year 1410. This print originates from 'Blätter für Kostümku...

The lithograph of the Georgian woman, titled "Georgienne," is a beautifully rendered depiction of traditional Georgian attire, illustrating not only the cultural fashion but also the detailed craftsmanship typical of the region. Here are some fascinating aspects of the print and its broader cultural context: 1. Traditional Georgian Dress: The woman is depicted wearing a traditional Georgian dress, which is both colorful and ornately decorated. Such dresses typically feature intricate embroidery and vibrant patterns, reflective of the rich textile traditions in Georgia. 2. Headpiece and Veil: The headpiece, adorned with an initial 'A', possibly a personal or family symbol, is characteristic of the regional headdresses worn by women in Georgia, which often signify marital status and regional identity. The veil adds an element of modesty and grace, common in many traditional Georgian women's outfits. 3. Jewelry and Accessories: The use of necklaces and other jewelry in the print highlights the importance of metalwork and jewelry in Georgian culture, often used to signify status and personal wealth. 4. Cultural Representation: Georgian traditional costumes are known for their diversity, influenced by the various historical periods under different empires. Each region in Georgia has its distinct style of dress, which tells a lot about the local customs and the historical influences that shaped them. 5. Artistic Technique: The print is a handcoloured lithograph, a popular method in the 19th century that allowed for detailed and vivid coloration in printed materials. This technique involves drawing onto a stone or metal plate with a greasy substance; the image is then inked and pressed onto paper, after which it is often colored by hand. This particular print not only serves as a visual delight but also as a cultural document, preserving the traditional attire and aesthetic sensibilities of Georgian women in the 19th century. It provides valuable insights into the historical and cultural identity of Georgia during this period. When searching for prints like the Georgian woman lithograph, people typically use keywords that reflect the cultural, historical, and artistic aspects of the piece, like the following: 1. **Antique Georgian prints...