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Henry II of Castile: A Monarch's Contemplation, Hand-Colored Lithograph, 1847
$153.27
$191.5820% Off
£113.30
£141.6220% Off
€128
€16020% Off
CA$208.45
CA$260.5720% Off
A$233.57
A$291.9620% Off
CHF 121.58
CHF 151.9820% Off
MX$2,857.38
MX$3,571.7320% Off
NOK 1,543.27
NOK 1,929.0820% Off
SEK 1,457.60
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About the Item
Title: "Henry II of Castile: A Monarch's Contemplation"
Description: This print from "Costume du Moyen Age" likely dating from 1847, presents Henry II of Castile, standing in a pensive pose. The Castilian king is depicted with a solemn expression, his gaze directed off to the side, suggesting a moment of deep thought or contemplation. He is attired in a somber, dark cloak with a pronounced texture, draped over his shoulders and falling to his feet, which is indicative of the simple yet stately fashion of the time.
His head is adorned with a bright red cap, which stands out starkly against the muted tones of his cloak and provides a contrast that draws attention to his face. This type of headgear could signify his royal status or be indicative of the particular fashion of the Castilian court.
Underneath the cloak, the hint of a tunic can be seen, secured with a thin belt, suggesting a layered approach to clothing typical of the era. His hands appear to be clasped in front, either in a gesture of authority or perhaps reflecting a moment of personal introspection.
The print portrays a sense of quiet dignity and the weight of kingship, capturing a different aspect of royal life away from the battlefield or the pomp of public ceremonies. It is a humanizing depiction, offering a view of the king as an individual with internal life and responsibilities beyond the crown.
More about the vivid colors of this original hand-colored antique print:
The colors have a nice glow over them. Historically, egg whites, known as glair, and sometimes egg yolk were indeed used in illumination and painting, particularly in manuscripts, to give colors a brighter appearance and to add a sheen or gloss to the work. This technique was quite common during the Middle Ages and into the Renaissance.
Egg whites can be applied as a varnish over pigments to enhance their brightness and to protect the colors. This application could make the colors appear more vivid and also add a slight glossy sheen to the surface of the image.
Egg yolk, on the other hand, was commonly used as a binding agent in paint. It forms the basis of tempera paint, a medium that was widely used before the advent of oil painting. Egg yolk helps to create a durable and long-lasting color that adheres well to various surfaces.
In the context of the print from 1847, it's less likely that egg whites or yolks were used directly on the print, as by that time, commercial printing processes would have been more advanced and less reliant on such manual methods. However, if this print is a representation of an earlier style or is meant to mimic the appearance of hand-painted manuscripts, the original artists might have employed techniques or materials that gave a similar effect to those achieved with egg-based binders and varnishes.
- Dimensions:Height: 10.63 in (27 cm)Width: 7.09 in (18 cm)Depth: 0 in (0.02 mm)
- Materials and Techniques:
- Period:
- Date of Manufacture:1847
- Condition:Good. Overal very light toning and light soiling but the image itself clean and hand-colored almost 200 years ago and still in expliciet colors. Aged paper with typically warm, yellowish-brown hue, mostly around the edges.
- Seller Location:Langweer, NL
- Reference Number:Seller: BG-13635-391stDibs: LU3054337889182
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