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Johnny Friedlaender Haarlem 251/350 Signed Original Lithograph 1976 Framed
$1,000
£754
€868.88
CA$1,387.27
A$1,554.43
CHF 809.14
MX$19,016.05
NOK 10,270.53
SEK 9,700.39
DKK 6,486.40
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About the Item
A marvelous modern inspired lithograph on wove paper titled Haarlem by Jonny Friedlander. Hand signed in pencil on the bottom right with an annotation of 251/350 on the bottom left. Created in 1976 for the exhibition of the artist at the Frans Hals Museum in Haarlem. Dimensions: 30.25" W x 1.5" D x 39.25" H (framed). In very good vintage condition.
Johnny Friedlaender (1912-1992) was a leading German/French 20th-century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery.
- Creator:Johnny Friedlaender (Artist)
- Dimensions:Height: 39.25 in (99.7 cm)Width: 30.25 in (76.84 cm)Depth: 1.5 in (3.81 cm)
- Materials and Techniques:
- Period:
- Date of Manufacture:1976
- Condition:
- Seller Location:Keego Harbor, MI
- Reference Number:1stDibs: LU2715330251782
Johnny Friedlaender
Johnny Gotthard Friedlaender was born in Pless (Silesia) and his early studies were in Breslau under Otto Mueller. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L 'Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In 1947, he produced the work Reves Cosmiques, and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Stael and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951, and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968, Friedlaender was travelling to Puerto Rico, New York and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth century artists. 1978 brought a retrospective of Friedlaender's works at the Musee d'Art Moderne de la Ville de Paris. He was awarded the Lovis Corinth Prize in Regensburg three years later. On his 75th birthday, Friedlaender was given a retrospective in the Bremen Art Museum. On his 80th birthday he held a retrospective exhibition in Bonn at the municipal council offices. Friedlaender died in Paris at the age of 89.
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