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Louis Icart. Color lithograph on paper. Don Juan. 1920s.
$1,500
£1,145.21
€1,311.67
CA$2,101.49
A$2,349.73
CHF 1,232.53
MX$28,460.83
NOK 15,558.26
SEK 14,698.80
DKK 9,790.29
About the Item
Louis Icart (1888-1950). Color lithograph on paper.
Don Juan.
1920s.
Signed in pencil.
In perfect condition.
Total dimensions: 50 cm x 67.5 cm.
Image dimensions: 39.0 cm x 57.5 cm.

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Located in København, Copenhagen
Louis Icart (1888-1950). Etching on paper. "Look".
Dated 1928.
Visible dimensions: 46 x 35 cm.
Total dimensions incl. passepartout: 67 x 49 cm.
The frame measures: 2 cm.
In exc...
Category
Vintage 1920s French Art Deco Prints
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Louis Icart, Etching on Paper, "Départ", Approx. 1920
Located in København, Copenhagen
Louis Icart (1888-1950). Etching on paper. "Départ". Approx. 1920.
Visible dimensions: 42 x 30 cm.
Total dimensions: 52 x 40 cm.
Signed in pencil.
In excellent condition.
Category
Vintage 1920s French Prints
Materials
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Louis Icart, Etching on Paper, "Arrival", Approx. 1920
Located in København, Copenhagen
Louis Icart (1888-1950). Etching on paper. "Arrival". Approx. 1920
Visible dimensions: 42 x 30 cm.
Total dimensions: 39 x 49 cm.
The frame measures: 7 cm.
Signed in pencil.
In e...
Category
Vintage 1920s French Art Deco Prints
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Louis Icart, Etching on Paper, "at the Urn", Dated 1923
Located in København, Copenhagen
Louis Icart (1888-1950). Etching on paper. "At the Urn". Dated 1923.
Visible dimensions: 44 x 33 cm.
Total dimensions: 48 x 38 cm.
The frame measures: 1.5 cm.
In excellent condit...
Category
Vintage 1920s French Art Deco Prints
Materials
Paper
Louis Icart. Art Deco color lithograph. Faust with a young girl.
Located in København, Copenhagen
Louis Icart (1888-1950). Art Deco color lithograph on Japanese paper.
Romantic composition featuring Faust with a young girl, in a church architecture.
1928
After the work of Goethe....
Category
Vintage 1920s French Prints
Materials
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Louis Icart (1888-1950). Color lithograph. "Les Lettres". No. 199. Ca. 1930.
Located in København, Copenhagen
Louis Icart (1888-1950). Color lithograph.
"Les Lettres".
No. 199.
Ca. 1930.
Hand-signed in pencil.
Blind stamp.
In excellent condition with two small scratches. See photos.
Dimensio...
Category
Vintage 1930s French Art Deco Prints
Materials
Paper
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Louis Justin Laurent Icart was born in Toulouse in 1890 and died in Paris in 1950. He lived in New York City in the 1920s, where he became known for his Art-Deco color etchings of glamourous women.
He was first son of Jean and Elisabeth Icart and was officially named Louis Justin Laurent Icart. The use of his initials L.I. would be sufficient in this household. Therefore, from the moment of his birth he was dubbed 'Helli'. The Icart family lived modestly in a small brick home on rue Traversière-de-la-balance, in the culturally rich Southern French city of Toulouse, which was the home of many prominent writers and artists, the most famous being Henri de Toulouse-Lautrec.
Icart entered the l'Ecole Superieure de Commerce de Toulouse in order to continue his studies for a career in business, particularly banking (his father's profession). However, he soon discovered the play writings of Victor Hugo (1802-1885), which were to change the course of his life. Icart borrowed whatever books he could find by Hugo at the Toulouse library, devouring the tales, rich in both romantic imagery and the dilemmas of the human condition. It was through Icart's love of the theater that he developed a taste for all the arts, though the urge to paint was not as yet as strong for him as the urge to act.
It was not until his move to Paris in 1907 that Icart would concentrate on painting, drawing and the production of countless beautiful etchings, which have served (more than the other mediums) to indelibly preserve his name in twentieth century art history.
Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard.
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