Glass Prints

Selection of Alexander Calder color lithographs, France, circa 1960s. We purchased a group of these color lithographs from the estate of a couple that lived in France from 1951-1983....

Stipple engraving of "SHAKSPEARE. / Measure For Measure / ACT V, SCENE I." England, 1796 by Thomas Kirk (English painter and printmaker, 1765-1797) and John Boydell (1720-1804) & Jos...

Ottoman print number 2. Multi-color Giclèe print on 100% cotton paper. Ottoman personage against a ground of architecture and tropical flora. Bluette passepartout. Wide wood fashion ...

This stylish three piece set of neoclassical architectural elements will make a statement with their polychrome colorations, and their black and gold frames. Note: Mat opening dimen...

Selection of Alexander Calder color lithographs, France, circa 1960s. We purchased a group of these color lithographs from the estate of a couple that lived in France from 1951-1983. These are most likely from the limited edition folio “Derriere le Miroir”, published by the legendary Galerie Maeght. Please see our other 1stdibs listings for more Alexander Calder and Joan Miro lithographs from...

A fine French 19th century etching and drypoint Titled "Soirée d'été" (Summer Evening) by Jacques Joseph Tissot (French, 1836-1902) depicting Mrs. Kathleen Newton resting on a lounge chair. Signed and dated (l/l): J.J. Tissot, 1881 in the plate. Under the mat, the front of the sheet inscribed in pencil with a '1' in a circle, the verso of the sheet with old price inscription "450-" in pencil. Circa: 1881-1882. Measures: Plate Height: 9 inches (22.9 cm) Plate Width: 15 1/2 inches (39.4 cm) Sheet Height: 14 1/2 inches (36.8 cm) Sheet Width: 20 5/8 inches (52.4 cm) Frame Height: 19 inches (48.3 cm) Frame Width: 24 1/2 inches (62.2 cm) Frame Depth: 1 1/8 inches (2.9 cm) Literature: Wentworth 56. Note: Tissot's from 1881 is said to depict his lover, the Irish divorcee Mrs. Kathleen Newton, resting on a lounge chair. Provenance: Private collection, Los Angeles, California Jacques Joseph Tissot (French, 15 October 1836 – 8 August 1902), Anglicized as James Tissot, was a French painter and illustrator. He was a successful painter of Paris society before moving to London in 1871. He became famous as a genre painter of fashionably dressed women shown in various scenes of everyday life. He also painted scenes and characters from the Bible. Jacques Tissot was born in the city of Nantes in France and spent his early childhood there. His father, Marcel Théodore Tissot, was a successful drapery merchant. His mother, Marie Durand, assisted her husband in the family business and designed hats. A devout Catholic, Tissot's mother instilled pious devotion in the future artist from a very young age. Tissot's youth spent in Nantes likely contributed to his frequent depiction of shipping vessels and boats in his later works. The involvement of his parents in the fashion industry is believed to have been an influence on his painting style, as he depicted women's clothing in fine detail. By the time Tissot was 17, he knew he wanted to pursue painting as a career. His father opposed this, preferring his son to follow a business profession, but the young Tissot gained his mother's support for his chosen vocation. Around this time, he began using the given name of James. By 1854 he was commonly known as James Tissot; he may have adopted it because of his increasing interest in everything English. In 1856 or 1857, Tissot travelled to Paris to pursue an education in art. While staying with a friend of his mother, painter Elie Delaunay, Tissot enrolled at the Ecole des Beaux-Arts to study in the studios of Hippolyte Flandrin and Louis Lamothe. Both were successful Lyonnaise painters who moved to Paris to study under Jean-Auguste-Dominique Ingres. Lamothe provided the majority of Tissot's studio education, and the young artist studied on his own by copying works at the Louvre, as did most other artists of the time in their early years. Around this time, Tissot also made the acquaintance of the American James McNeill Whistler, and French painters Edgar Degas (who had also been a student of Lamothe and a friend of Delaunay), and Édouard Manet. In 1859, Tissot exhibited in the Paris Salon for the first time. He showed five paintings of scenes from the Middle Ages, many depicting scenes from Goethe's Faust. These works show the influence in his work of the Belgian painter Henri Leys (Jan August Hendrik Leys), whom Tissot had met in Antwerp earlier that same year. Other influences include the works of the German painters Peter Von Cornelius and Moritz Retzsch. After Tissot had first exhibited at the Salon and before he had been awarded a medal, the French government paid 5,000 francs for his depiction of The Meeting of Faust and Marguerite in 1860, with the painting being exhibited at the Salon the following year, together with a portrait and other paintings. Émile Péreire supplied Tissot's painting Walk in the Snow for the 1862 international exhibition in London; the next year three paintings by Tissot were displayed at the London gallery of Ernest Gambart. In about 1863, Tissot suddenly shifted his focus from the medieval style to the depiction of modern life through portraits. During this period, Tissot gained high critical acclaim, and quickly became a success as an artist. Like contemporaries such as Alfred Stevens and Claude Monet, Tissot also explored Japonisme, including Japanese objects and costumes in his pictures and expressing style influence. Degas painted a portrait of Tissot from these years (Metropolitan Museum of Art, New York), in which he is sitting below a Japanese screen hanging on the wall. Still on Top, 1873 Tissot fought in the Franco-Prussian War as part of the improvised defense of Paris, joining two companies of the Garde Nationale and later as part of the Paris Commune. His 1870 painting La Partie Carrée (The Foursome) evoked the period of the French revolution. Either because of the radical political associations related to the Paris Commune (which he was believed to have joined mostly to protect his own belongings rather than for shared ideology), or because of better opportunities, he left Paris for London in 1871. During this period, Seymour Haden helped him to learn etching techniques. Having already worked as a caricaturist for Thomas Gibson Bowles, the owner of the magazine Vanity Fair, as well as exhibited at the Royal Academy, Tissot arrived with established social and artistic connections in London. Tissot used...

Two framed panels measuring 48.5 x 26.5 to create one Chromolithograph by Greg Copeland signed and numbered 4/250. Asian inspired with flat coloring of yellows and browns. Behind gla...

We present you this illustration printed from a book with depictions of old crafts – bell-founding in this case. This is one of the four graphics from the series on this topic. Each...

An astrological print depicting a hand with calligraphy from the mid 20th century, hand-painted on parchment. Found in Japan, this print attracts our attention with its depiction of ...

Jean Lurcat Cancer zodiac tapestry lithograph.

An astrological print depicting a hand with calligraphy from the mid 20th century, hand-painted on parchment. Found in Japan, this print attracts our attention with its depiction of ...

Ottoman prints 2. Multi-color Giclèe print on 100% cotton paper. Ottoman personage paired with romantic country views. Bluette passepartout. Black lacquered designer wood frame. Fro...

A watercolor finished print, depicting polo players. Frederic Remington. Solid cherry wood frame, polished and beeswaxed. USA circa 1900.

A watercolor finished print, depicting a galloping horses with jokeys. Frederic Remington. Solid cherry wood frame, polished and beeswaxed. USA circa 1900.

We present you this illustration printed from a book, depicting old crafts. This is one of the five graphics from the series on this topic. Each item is framed in passe-partout an...

We present you this illustration printed from a book, depicting old crafts. This is one of the five graphics from the series on this topic. Each item is framed in passe-partout an...

We present you this illustration printed from a book, depicting old crafts. This is one of the five graphics from the series on this topic. Each item is framed in passe-partout an...

Elegant colored Glicèe technique print representing a leaf motif. The handcrafted frame is in gilded wood with mirror inserts. Glicèe is a French term “to spray”, referring to how a...

Vibrant large scale Lithograph, after Henri Matisse, French, signed within the print "Matisse '52", this lithograph is probably circa 1970s. Th...

Jean Lurcat Libra zodiac tapestry lithograph.

A watercolor finished print, depicting four greyhound dogs. Solid cherry wood frame, polished and beeswaxed. USA circa 1900.

A watercolor finished print, depicting three horses with jockeys running. Solid cherry wood frame, polished and beeswaxed. USA circa 1900.

Selection of Joan Miro color lithographs, France, circa 1960s. We purchased a group of these color lithographs from the estate of a couple t...

A color print, depicting bullfrogs in a pond. Selmar Hess Publisher, NY. Solid cherry wood frame, polished and beeswaxed. USA circa 1898.

Hans Fischer "Beasties" etchings, circa 1959. These etchings are from the limited edition folio ''Homme Deguise en Homme" and dep...

A framed Georgian period lithograph titled "A View of High Street, Birmingham" from the early 19th century, signed T. Hollins. Born in England during the early years of the 19th cent...

Artistic decorative hand water coloured print representing a silver-washed fritillary butterfly. This print has been pressed with an ancient press called "a Stella" and entirely han...

A watercolor finished print, depicting racing horses. Samuel Howitt. Solid cherry wood frame, polished and beeswaxed. England 1799.

Vibrant color lithograph after Henri Matisse, circa 1950s. Signed, dated 1951, and titled, all within the lithograph. It has been framed in a simple, clean lined black lacquer wooden...

Josef Albers abstract lithograph from Interaction of color, circa 1960s.

A color lithograph, depicting a horse head Rosebend. Signed C. W. Anderson. Solid cherry wood frame, polished and beeswaxed. Usa circa 1950.

A very rare nicely framed original lithograph by Georges Braque for Galerie Maeght, circa 1950s.

Selection of modernist lithographs or gallery wall, French, circa 1960s. From top left to right, they are: 1) Joan Miro color lithograph, from Derriere Le Miroir, circa 1960s. Seen at upper left. It measures 18.5" H x 25.5" W framed. Newly framed in clean lined black lacquer gallery frame under conservation grade glass. 2) SOLD Alberto Giacometti lithograph...

Elegant hand-coloured print representing a blue feather with black wooden frame with mirrors. This print is made with a special technique called giclée. The giclée printing technique...

After Roy Lichtenstein Thinking of Him Published by New York Graphic Society 24"x 30" print 26" x 32" black lacquer frame.

Selection of Joan Miro color lithographs, France, circa 1960s. The lithograph on the left in the first photo has been sold. The other two are available. We purchased a group of these...

Artistic decorative hand water colored print representing a poplar admiral butterfly. This print has been pressed with an ancient press called "a Stella" and entirely hand water colored by a skilled draftsman. The frame is in tulipwood covered with polished edge mirror finished. 8 different butterflies available to create a bright composition. Completely produced in Florence Italy by Artecornici design...

A color print, depicting a hunting scene (Full Cry – Hunting incidents). Solid cherry wood frame, polished and beeswaxed. England circa 1880.

Ottoman print 1. Multi-color Giclèe print on 100% cotton paper. Ottoman personage paired with romantic country views. Bluette passepartout. Black lacquered designer wood frame. From...

Selection of Alexander Calder color lithographs, France, circa 1960s. We purchased a group of these color lithographs from the estate of a coup...

Selection of Joan Miro color lithographs, France, circa 1960s. We purchased a group of these color lithographs from the estate of a couple t...

A watercolor finished print, depicting the head of a Pointer dog with the pheasant in his mouth. Solid cherry wood frame, polished and beeswaxed. Usa circa 1920.

A watercolor finished print, depicting an English lying bulldog. Solid cherry wood frame, polished and beeswaxed. England circa 1910.

Robert Combas, large original serigraphy mounted on canvas, 83/100, 1992, signed in pencil, framed. 125 x 98cm with frame, 110 x 85cm without.  

Selection of Alexander Calder color lithographs, circa 1960s. They have been recently framed in clean lined black lacquered wood gallery frames...

Josef Albers abstract lithographs from Formulation and Articulation, published by Harry N. Abrams Inc., New York, and Ives Sillman Inc., New Haven, circa 1972. These works are from P...

An antique Spanish print depicts Spaniard Siesta with girl playing guitar, signed G Ferris, matted and framed, c1888 Measures - 27" H x 20.25" W x 1.25" ...

Pair of Josef Albers abstract lithographs from folder XVI-2 interaction of color, circa 1960s. updated

Framed characters of Bordeaux. Ten elegant hand coloured French engravings of personages / vocations Bordelais stamped 1820 under celadon matting with rippled antique glass in a Rege...

Toyin Loye (1959-) Nigeria A colorful silkscreen with title “My family I” 2001, numbered 46/55 Signed lower right The measurement in passe-partout are 42 cm high and 39 cm wide The framed size is 63 cm square and the depth 2,5 cm Toyin Loye (1959) Toyin Loye studied Fine Art at Obafemi Awolowo University in Ile Ife, Nigeria. His work has been exhibited in solo and group exhibitions in Nigeria, Senegal, Argentina, Indonesia, Japan, South Korea, United Kingdom, Australia, United States, Germany, Spain, Norway, Belgium and the Netherlands. Toyin was commissioned by FIFA along with Andreas Gursky, Luo Brothers...

Selection of Joan Miro color lithographs, France, circa 1960s. We purchased a group of these color lithographs from the estate of a couple that lived in France from 1951-1983. These ...

Christo and Jeanne-Claude, American, Bulgarian and Moroccan, b. 1935-2020 and 1935-2009. Newly framed and hand-signed. Title: Wrapped Reichstag Serie...

French Art Deco chimney sweep lithograph poster, France or Brussels, circa 1930s. It measures an impressive 63" height x 48" width. It has been professio...

Multicolor Giclèe print on 100% cotton paper. Ottoman personage against a ground of architecture and tropical flora. Bluette passepartout. Wide wood fashion frame with Leopard patter...

Elegant colored Glicèe technique print representing a leaf motif. The handcrafted frame is in gilded wood with mirror inserts. Giclèe is a French term “to spray”, referring to how a...

Josef Albers abstract lithographs from Formulation and Articulation, published by Harry N. Abrams Inc., New York, and Ives Sillman Inc., New Haven, circa 1972. These works are from P...

A Chinese framed print offers mixed media depiction of ceremonial deity mask, 20th century Measures - 18" H x 14.25" W x 1" D. Catalogue Note: Ask about D...

A pair of 1910 framed prints of Asian porcelain in giltwood frames. Beautifully matted in French matts.