Glass Prints

Claude Monet 1979 Lithograph Poster "Nympheas" Left Panel Measuring 23”x36” in original black and gold wood frame from the Carnegie Institute Museum of Art. Unsigned Dimensions: Hei...

Original signed abstract screenprint, entitled "Seclusion" by Josef Albers for the limited edition "Washburn College Bible", 1979. Albers created this work as a frontispiece for Volu...

Selection of Joan Miro color lithographs, France, circa 1960s. We purchased a group of these color lithographs from the estate of a couple t...

Set of 18 hand colored copper engravings done by Carlo Lasinio depicting notable artists and scholars with captions pasted beneath, within frame of printed borderlines. The engravin...

Raoul Dufy lithograph signed by the artist himself - Interior at Nice. The south of France depicted in a charmingly intimate interior. Custom fra...

Rare illustrations under glass depicting young ladies and a girl in fashionable silk dresses of 1873. Prints and wall paintings A Century of French Fashion Illustration. After the...

Selection of Alexander Calder color lithographs, France, circa 1960s. We purchased a group of these color lithographs from the estate of a couple that lived in France from 1951-1983....

Egill Jacobsen was a Danish painter and professor. Jacobsen is known as a mask painter. The inspiration for the mask painting came from a trip to Paris in the 1930s, where Jacobsen m...

An antique framed map of Puerto Rico. Very nice antique map of Puerto Rico printed in a folio of two pages. This map was printed in thin pa...

An original color woodblock print by Salvador Dali, framed in giltwood, behind glass, and authenticated, 1964. The print portrays “Fraud” from his “Divine Comedy” series, and has bee...

A set of 4 black-and-white engravings from the book La Cuisine Classique by chefs Émile Bernard and Urbain Dubois. Published in the 19th Century, the illust...

Ian McKeever (British, B. 1946) "Colour Etching C" etching depicting a grid composition with organic, fine-lined black borders against a finely textured gray ground. The composition ...

Ian McKeever (British, B. 1946) "Colour Etching D" etching depicting an abstract grid composition with organic, fine-lined white borders against a black ground. The composition utili...

Selection of Joan Miro color lithographs, France, circa 1960s. We purchased a group of these color lithographs from the estate of a couple that lived in France from 1951-1983. These ...

Two Prints in Dark Frame Depicting Late-19th Century Fashion We present you these two German prints depicting the 19th-century women’s fashion.

Group of sixteen black-and-white prints after Sol LeWitt, from the limited edition folio "Black Gouaches," published by Stephan Natkin/Galerie Digital Arts, France, circa 1992. They ...

Selection of Joan Miro color lithographs, France, circa 1960s. Only the lithograph in the center is available. The lithographs on the right and left have been sold. We purchased a gr...

American print of St. Michael's church on Meeting Street, Charleston, SC. matted under glass in gilt frame. Elizabeth O'Neil Verner, early 20th century.

Offset lithograph in colour Hand signed H77 x W51cm (framed dimensions)

Original Jean Lurçat etching. Signed by the artist and numbered 44/85 in pencil. Born July 1, 1892, Bruyères, Fr. Died Jan. 6, 1966, Saint-Paul-de-Vence, Fr. French painter ...

This lithograph was done by the well known Karel or Karl Appel of the Netherlands in 1973 in his Modernist style. The print is done in vivid colors and is pencil marked "EH" on the b...

Hand-colored copperplate engraving depicting an interesting old view of Copenhagen seen from Frederiksberg Castle Gardens, approximate. 1790-1800. Framed in a mahogany frame from sam...

Selection of Mid-Century Modern Abstract Lithographs, recently professionally framed in vintage gilt wood frames under UV resistant glass. They are priced at $575 each or $2000 for all four works. From left to right, as seen in the first photo, they are: 1) Abstract lithograph by Raoul Ubac, from the limited edition portfolio Le Derriere Miroir...

Framed black and white lithograph by notable American artist William August Hoffman.
Hoffman was a noted artist who worked in several mediums including ceramic sculpture, oi...

Mr John Gould's tropical framed Bird prints 1955 taken from his limited edition of 1000. The most celebrated British ornithologist of the nineteen...

Christo and Jeanne-Claude, American, Bulgarian and Moroccan, b. 1935-2020 and 1935-2009. Newly framed and hand-signed. Title: Wrapped Reichstag Serie...

A pair of golf lithographs after Douglas Adams; Difficult Bunker and Putting Green. Sight: 11 ½ by 15 ½ inches Frame 18 ½ by 22 ½ inches

Selection of Joan Miro color lithographs, French, circa 1960s. They are from the limited edition folio “Derriere le Miroir”, published by the legendary Galerie Maeght, circa 1960s. P...

This graphic multiple was designed by Peter Phillips and printed in a limited edition (76/100) by Jabik & Colophon Editor in 1972. It features its ori...

Classic framed lithograph of a young Prince George of Wales portrait. This item is in its original frame. Great addition to your classic inspired interiors.

This Ponsard reclining nude framed print, signed and dated 1973, showcases elegant lines and sophisticated artistry. Encased in a classic frame, this piece is perfect for adding a to...

Each in later bird’s-eye maple frames. Depicting farm animals and skaters on a pond, houses and people in daily pursuits along a waterway.

1966 Lithograph in colours on wove Ed. 233/250 H70 x W90 cm (framed dimensions)

Selection of Joan Miro color lithographs, French, circa 1960s. They are from the limited edition folio “Derriere le Miroir”, published by the legendary Galerie Maeght, circa 1960s. P...

This is a lithograph of John Forsyth, who was the 13th Secretary of State of the United States, serving under both Andrew Jackson and Martin Van Buren. It is most likely from the ...

A color lithograph, depicting a horse head Rosebend. Signed C. W. Anderson. Solid cherry wood frame, polished and beeswaxed. Usa circa 1950.

Abstract lithographs by Josef Albers from Formulation and Articulation, published by Harry N. Abrams Inc., New York, and Ives Sillman Inc., New Haven, circa 1972. Edition of 1000. Th...

Beautiful old 1920s Wilhelm Hammershoi print of the motif “Sol i dagligstuen” produced by Winkel and Magnussen Kunstforlag, Mohr & Hvenegaard Copenh...

Alexander Calder "Merging Curves" Unsigned Abstract Color Lithograph "Merging Curves" is an abstract color lithograph by American artist and sculptor Alexander Calder (1898-1976). ...

A fine French 19th century etching and drypoint Titled "Soirée d'été" (Summer Evening) by Jacques Joseph Tissot (French, 1836-1902) depicting Mrs. Kathleen Newton resting on a lounge chair. Signed and dated (l/l): J.J. Tissot, 1881 in the plate. Under the mat, the front of the sheet inscribed in pencil with a '1' in a circle, the verso of the sheet with old price inscription "450-" in pencil. Circa: 1881-1882. Measures: Plate Height: 9 inches (22.9 cm) Plate Width: 15 1/2 inches (39.4 cm) Sheet Height: 14 1/2 inches (36.8 cm) Sheet Width: 20 5/8 inches (52.4 cm) Frame Height: 19 inches (48.3 cm) Frame Width: 24 1/2 inches (62.2 cm) Frame Depth: 1 1/8 inches (2.9 cm) Literature: Wentworth 56. Note: Tissot's from 1881 is said to depict his lover, the Irish divorcee Mrs. Kathleen Newton, resting on a lounge chair. Provenance: Private collection, Los Angeles, California Jacques Joseph Tissot (French, 15 October 1836 – 8 August 1902), Anglicized as James Tissot, was a French painter and illustrator. He was a successful painter of Paris society before moving to London in 1871. He became famous as a genre painter of fashionably dressed women shown in various scenes of everyday life. He also painted scenes and characters from the Bible. Jacques Tissot was born in the city of Nantes in France and spent his early childhood there. His father, Marcel Théodore Tissot, was a successful drapery merchant. His mother, Marie Durand, assisted her husband in the family business and designed hats. A devout Catholic, Tissot's mother instilled pious devotion in the future artist from a very young age. Tissot's youth spent in Nantes likely contributed to his frequent depiction of shipping vessels and boats in his later works. The involvement of his parents in the fashion industry is believed to have been an influence on his painting style, as he depicted women's clothing in fine detail. By the time Tissot was 17, he knew he wanted to pursue painting as a career. His father opposed this, preferring his son to follow a business profession, but the young Tissot gained his mother's support for his chosen vocation. Around this time, he began using the given name of James. By 1854 he was commonly known as James Tissot; he may have adopted it because of his increasing interest in everything English. In 1856 or 1857, Tissot travelled to Paris to pursue an education in art. While staying with a friend of his mother, painter Elie Delaunay, Tissot enrolled at the Ecole des Beaux-Arts to study in the studios of Hippolyte Flandrin and Louis Lamothe. Both were successful Lyonnaise painters who moved to Paris to study under Jean-Auguste-Dominique Ingres. Lamothe provided the majority of Tissot's studio education, and the young artist studied on his own by copying works at the Louvre, as did most other artists of the time in their early years. Around this time, Tissot also made the acquaintance of the American James McNeill Whistler, and French painters Edgar Degas (who had also been a student of Lamothe and a friend of Delaunay), and Édouard Manet. In 1859, Tissot exhibited in the Paris Salon for the first time. He showed five paintings of scenes from the Middle Ages, many depicting scenes from Goethe's Faust. These works show the influence in his work of the Belgian painter Henri Leys (Jan August Hendrik Leys), whom Tissot had met in Antwerp earlier that same year. Other influences include the works of the German painters Peter Von Cornelius and Moritz Retzsch. After Tissot had first exhibited at the Salon and before he had been awarded a medal, the French government paid 5,000 francs for his depiction of The Meeting of Faust and Marguerite in 1860, with the painting being exhibited at the Salon the following year, together with a portrait and other paintings. Émile Péreire supplied Tissot's painting Walk in the Snow for the 1862 international exhibition in London; the next year three paintings by Tissot were displayed at the London gallery of Ernest Gambart. In about 1863, Tissot suddenly shifted his focus from the medieval style to the depiction of modern life through portraits. During this period, Tissot gained high critical acclaim, and quickly became a success as an artist. Like contemporaries such as Alfred Stevens and Claude Monet, Tissot also explored Japonisme, including Japanese objects and costumes in his pictures and expressing style influence. Degas painted a portrait of Tissot from these years (Metropolitan Museum of Art, New York), in which he is sitting below a Japanese screen hanging on the wall. Still on Top, 1873 Tissot fought in the Franco-Prussian War as part of the improvised defense of Paris, joining two companies of the Garde Nationale and later as part of the Paris Commune. His 1870 painting La Partie Carrée (The Foursome) evoked the period of the French revolution. Either because of the radical political associations related to the Paris Commune (which he was believed to have joined mostly to protect his own belongings rather than for shared ideology), or because of better opportunities, he left Paris for London in 1871. During this period, Seymour Haden helped him to learn etching techniques. Having already worked as a caricaturist for Thomas Gibson Bowles, the owner of the magazine Vanity Fair, as well as exhibited at the Royal Academy, Tissot arrived with established social and artistic connections in London. Tissot used...

A rare 18th Century set of 12 handcoloured copperplate engravings of Zoological studies, featuring primates of varying species. Each colourfully executed with a naive charm, and Lati...

Selection of Joan Miro large color lithographs, France, circa 1960s. We purchased a group of these color lithographs from the estate of a couple that l...

Salvador Dalí (Spain, 1904-1989) The Punishment of Vanni Fucci, circa 1960 lithograph sight: 9 ½ by 12 ½ inches frame: 17 ¼ by 21 ½ inches

Henry Moore prints, from the limited edition folio entitled "The Drawings of Henry Moore", published by Curt Valentin, New York, 1946. They have been professionally matted and framed...

Zamy Steynovitz (Israeli 1951-2000) - "Bride On Her Wedding Night" - fine art serigraph on wove paper - signed in pencil lower right - Artist's Proof 8/65 lower left - artist's inven...

Guillaume Azoulay "The Last Furlong" Sepia Colored Etching This is a sepia-toned etching by Moroccan graphic artist Guillaume Azoulay. "Last Furlong" is a beautiful example of Azoul...

Influenced by Western advertising, commercial posters featuring beautiful women in modern settings gained popularity in China in the 1920s and 1930s. Commercial companies presented posters, like this one, to their clients for Chinese New Year. This poster depicts a woman luxuriously dressed in a western style fur-trimmed coat holding a purse that also indicates Art Deco influences. This brand of Chinese advertisement draws on the classic American advertisements...

Bay Bridge, San Francisco. An unusual original back lit picture printed on glass that has an electric light in a specially made Victorian style frame...

United Kingdom - Offset Lithograph on Paper, from the original show 1993 Christopher Wool’s paintings and prints explore the confluence of image, text, and pattern. They often feature enigmatic, confrontational found phrases or illegible scribbles, which are either stencilled or plastered in black across flat white fields. The artist occasionally covers the compositions with spray-paint marks and screen-printed elements (some taken from his previous works), erasing and relayering as he goes. His process—which focuses on the possibilities of reproduction, appropriation, and accretion—is as important as the results themselves. Wool studied at Sarah Lawrence College and the New York Studio School. New York’s vibrant 1970s downtown No Wave and punk scenes became major influences, and Wool reached his mature style in the mid-1980s. Wool has exhibited in New York, Los Angeles, Chicago, London, Paris, Tokyo, Berlin, and beyond, and his work belongs in the collections of the Museum of Modern Art, the Centre Pompidou, and the Tate. His work has achieved eight figures on the secondary market. Drawing from Minimalism and Conceptualism, Felix Gonzalez...

1987 Monoprint in colours on two sheets of Arches wove, signed and dated in white pencil H80 x W54 cm

Selection of Joan Miro color lithographs, French, circa 1960s. They are from the limited edition folio “Derriere le Miroir”, published by the legendary Galerie Maeght, circa 1960s. P...

Josef Albers abstract lithographs from Formulation and Articulation, published by Harry N. Abrams Inc., New York, and Ives Sillman Inc., New Haven, circa 1972. These works are from P...

Josef Albers abstract lithographs from Formulation and Articulation, published by Harry N. Abrams Inc., New York, and Ives Sillman Inc., New Haven, circa 1972. These works are from P...

Fantastic woodblock by well noted Japanese artist, Joichi Hoshi c1974. In original frame with non-glare museum glass. Hoshi was a Japanese printmaker best known for his woodblock p...

Selection of modernist lithographs or gallery wall, French, circa 1960s. From top left to right, they are: 1) Joan Miro color lithograph, from Derriere Le Miroir, circa 1960s. Seen at upper left. It measures 18.5" H x 25.5" W framed. Newly framed in clean lined black lacquer gallery frame under conservation grade glass. 2) SOLD Alberto Giacometti lithograph...

Thomas Rowladson Satirical Billiards Escene Framed Engraving Print An antique English hand colored framed print titled "Billiards" by Thomas Rowlandson, Gentlemen playing billiard s...

Suite of seven abstract lithographs by Josef Albers, from folder XVIII-11 of interaction of color. They measure: the left column, from top to bottom measures: 5.25"H x 3.75"W, 4.5"H ...

This is a gorgeous carved, painted decorated or polychromed frame in gesso and wood. The lithograph is signed and absolutely beautiful. The piece dates to the 1920s era and is in goo...