MICHAEL RAEDECKER Day at Night, 2023

PHOTOGRAPH Print made with archival pigments on fine art rag paper with glossy finish 12.00 x 17.00 in 30.5 x 43.2 cm Edition of 250This work comes with a Certificate of Authenticity and an artist signed label on verso. "I shot the video in 2000, in my home in SoHo. I knew prior to shooting what I wanted to do and I envisioned the piece exactly as it turned out. First, I experimented with a metal cookie tin placed on a hot stove. It didn't work because the ice cube melted too quickly. I tried a hairdryer but as the cube melted, the hair-blower blew the remaining cube away. Thus, I let the cube melt on it's own accord in real time. It took about three hours to fully dissolve into a puddle of water. I used a glass plate on Glassene paper: all that transparency made the black lines of the plate look line a charcoal line drawing. The title is important because it precisely explains the work: The Long Dissolve is exactly of an ice cube dissolving." —Burt Barr Claiming that "black and white are the only two colors I'll ever need," Burt Barr is a believer in the single take and the static shot. Meant to be projected directly onto a wall and looped for continual viewing, his films equate more to hanging drawings or black and white photographs than they are moving pictures...

Print Full bleed six-color silkscreen printed on Letra Ecru 300 gsm Measures: 34.00 x 24.50 in 86.4 x 62.2 cm Edition of 50 This work is signed and numbered by the artist on recto. The imagery for this edition is derived in part from what Michael Bauer calls his “telephone drawings”—quick, loose sketches made while talking on the phone or otherwise distracted. Bauer saves these doodles, no matter how rough or silly, and uses them as raw materials to be copied, scanned, altered, and combined. Bauer often works in series, making groups of paintings that metaphorically “talk back” to one another while simultaneously standing on their own as individual works. As he says, “Every painting that I do relies on the last twenty I did.” In a neat literalization of his process, this print includes the words “baba” and “creme,” recurring terms Bauer uses as verbal readymades for their phonetic qualities and mutable meanings. The amorphic, animalistic forms of German painter Michael Bauer are built upon color washes, meandering lines, and bulbous protrusions. Utilizing a variety of rendering techniques and materials, including pointillism, text and high-chroma colors, Bauer transforms his free-form compositions into dynamic and ornamented abstractions. He borrows from the colorful tradition of Modernist composition, juxtaposing collaged cutouts with a bevy of 20th century painting methodologies—including Cubist, Pop, and Surrealist techniques—to make the swirling paintings...

Mixed Media Inkjet print with silkscreen Measures: 24.00 x 18.00 in 61.0 x 45.7 cm Edition of 108 Signed and numbered by the artist. This work is part of the Vera List Annive...

Photograph Photograph taken with a digital single-lens reflex camera and printed with archival pigments on fine art rag paper Measures: 30.00 x 40.00 in 76.2 x 101.6 cm Edition...

Archival pigment print by Chris Austin. Untitled (Night #33), 2008. Edition 1/5.

Oliver Boberg "Gasse" , 2003?Signed Copy 18/20

FI Gallery original one-of-one hand created & signed art piece by Tammy Price. Premium solid wood glass encased frame in matte black with gold accent. Multi shades predominantly of e...

"Fabrikgelānde"/ Factory Site 2002 ?C print, Exhibition print