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Parade of Unity – The Allied Cities and Territories with Their Banners, 1855

About the Item

1855 Parade of Unity – The Allied Cities and Territories with Their Banners This magnificent hand-colored lithograph, created by H. Jenny and lithographed by Kümmerly and Wittmer, is part of the *Fest Album* commemorating Bern’s entry into the Swiss Confederation on March 6, 1353. Published in Bern and Zurich in 1855, this large oblong folio captures the grand reenactments of 1853, celebrating the historic alliances, civic pride, and military traditions of the Swiss Confederation and its allied regions. The artwork presents a powerful scene of unity and heraldic grandeur as representatives from various Swiss cities and territories march together, each carrying a banner symbolizing their homeland. The array of flags, meticulously rendered in bold and contrasting colors, highlights the diverse political landscape of medieval Switzerland. From the golden imperial eagle to the fortified castles and heraldic crosses, each emblem tells the story of regional identity, independence, and allegiance. At the forefront, two commanding figures lead the march. One, clad in brilliant yellow and black, proudly carries the imperial eagle of the Holy Roman Empire, symbolizing Switzerland’s historical ties to the empire. His confident stance and direct gaze convey authority and determination. Beside him, a striking figure in red, black, and white holds another imperial banner, reinforcing the theme of loyalty and power. Their elaborately detailed Renaissance-style uniforms, complete with plumed hats, intricate embroidery, and doublets, enhance the ceremonial elegance of the scene. Behind them, a procession of flag bearers continues the march, each soldier carrying a banner representing a city or canton, including Solothurn, Fribourg, and Lucerne. Their synchronized movements and solemn expressions reflect the discipline and unity of the Confederation. The detailed rendering of their weapons, sashes, and garments showcases the exceptional craftsmanship of 19th-century lithographic artistry, capturing the Romantic-era fascination with Swiss independence and military heritage. This lithograph is a testament to the enduring pride and resilience of Switzerland’s historic alliances. It evokes the grandeur of medieval pageantry while paying homage to the political and military strength that defined the region. The careful balance of color, texture, and composition makes this a visually striking and historically significant piece. Condition Summary: The lithograph remains in good condition, with richly preserved hand coloring that enhances the bold heraldic designs. Minor signs of aging, such as light foxing in the margins, are present but do not detract from the overall appeal. The paper remains strong and well-preserved, making this a valuable addition to any historical collection. Framing Tips: For the best display, consider a high-quality frame with UV-protected museum glass or acrylic to prevent fading. A wide mat border in neutral tones will accentuate the vivid colors of the banners while maintaining an elegant presentation. A dark wooden or gold-accented frame will complement the historic significance of the piece. Using archival mounting materials will ensure its long-term preservation.

Dimensions:

Height: 13.39 in (34 cm)Width: 19.49 in (49.5 cm)Depth: 0.01 in (0.2 mm)

Materials and Techniques:

Paper

Period:

1850-1859

Date of Manufacture:

1855

Condition:

The lithograph remains in good condition, with richly preserved hand coloring that enhances the bold heraldic designs. Minor signs of aging, such as light foxing in the margins, are present but do not detract from the overall appeal.

Seller Location:

Langweer, NL

Materials

Paper

The Cantons Unterwalden and Lucerne – Display of Swiss Unity and Tradition, 1855

$625

Antique 1790s American Federal Prints

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1791 Gazette of The United States, with Plans for the Capital City of Washington

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Antique English Lithograph of Bombay “The City Travelers” C1900

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"The British Surrendering their Arms to Gen. Washington..." after Renault, 1819

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Presented is an engraving entitled “The British surrendering their arms to Gen. Washington after their defeat at Yorktown Virginia October 1781.” The dedication continues in the bottom margin, “To the defenders of American independence, this print is most respectfully inscribed by their fellow citizen, Jn. Fcis. Renault, assistant secretary to the Count de Grass, and engineer to the French Army, at the siege of York.” The engraving is after a painting by John Francis Renault, and engraved by Tanner, Vallance, Kearny & Co. and William Allen, in Philadelphia in January of 1819. This historic print depicts the surrender of the British forces after the Battle of Yorktown. The print shows Lord Cornwallis offering his sword to the Duke de Lauzun, who defers the weapon to General Washington. British officers stand with Cornwallis on the right and French and American officers are shown at center and left. The immediate background is filled with an elaborate allegorical scene. Behind the British troops is a female representation of “Discord,” wearing a billowing robes and liberty cap and floating on storm clouds, as she sends lightning bolts to up-end the British people and a chariot below her. Behind the American and French officers, “Prosperity” stands next to an overflowing cornucopia, with “Justice”, an infant child with a paddle inscribed “American Constitution,” representing the helm of statehood. They crowd around a neoclassical monument with a giant urn...

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