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Phantastische Tiere, 1923: Limited Edition Lithograph by Nathan Altmann

About the Item

"Phantastische Tiere" (Fantastic Animals) by Nathan Altman is a compelling lithograph from the "Jüdische Graphik" series. Produced in 1923, this print shows an exquisite combination of avant-garde and Cubist styles, rendered in black and white on a burnished gold background, which enhances the mystical and otherworldly appeal of the subject matter. The artwork features fantastical creatures intertwined in an almost emblematic arrangement, suggesting a blend of mythological and allegorical themes. The use of monochromatic tones contrasts sharply against the gold background, focusing the viewer’s attention on the fluidity and dynamic motion within the composition. As with his other works in this series, Altman, a prominent figure in the Jewish, Russian, and Soviet avant-garde communities, draws upon a mix of traditional symbolism and modernist abstraction. "Phantastische Tiere" not only reflects his artistic ingenuity but also encapsulates the cultural ferment of early 20th-century Berlin. The limited edition of 250 copies adds to its rarity and historical value, making it a significant piece for collectors and scholars interested in Jewish art and avant-garde movements.
  • Dimensions:
    Height: 13.98 in (35.5 cm)Width: 18.9 in (48 cm)Depth: 0 in (0.02 mm)
  • Materials and Techniques:
  • Period:
  • Date of Manufacture:
    1923
  • Condition:
    Good, given age. Light scattered foxing in the margins and visible on verso, image clean. A few small stains right edge. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.
  • Seller Location:
    Langweer, NL
  • Reference Number:
    Seller: PCT-588781stDibs: LU3054341410592

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Die Löwen, 1923: Limited Edition Lithograph by Nathan Altmann, Jewish Graphics
Located in Langweer, NL
The print, titled "Die Löwen" (The Lions), by Nathan Altman is a compelling work in black and white lithography set against a burnished gold background. This specific print comes from a limited edition series titled "Jüdische Graphik" (Jewish Graphics), published in Berlin in 1923 by "Petropolis." Only 250 copies of this series were produced, making each surviving piece a rare collector's item. Nathan Altman was an influential figure in the Russian and Soviet avant-garde movement. Born in 1889 in Vinnytsia, Ukraine, he studied at the Odessa Art School, later moving to Paris to further his education at the Academie de la Grande Chaumiere. Altman's style evolved over the years, showing strong influences from Cubism and Futurism, which are evident in his approach to stage design and book illustration as well. "Die Löwen" reflects Altman's skill in using stark contrasts and geometric abstraction, characteristics common to Cubism. This work likely carries symbolic meanings, perhaps reflecting themes of power, resilience, or Jewish heritage, which are expressed through the stylized, powerful imagery of the lions. The choice of a gold background not only highlights the figures but also adds a regal or sacred connotation, elevating the subjects in a manner that may tie back to historical or cultural significance within Jewish art. Altman's contributions extend beyond visual arts; he was also notable for his set designs for Jewish theaters...
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Die Tauben, 1923: Symbolic Dove Lithograph by Nathan Altmann
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This artwork, presumably from Nathan Altman's "Jüdische Graphik" series, showcases a stunning lithograph of doves amongst foliage, rendered in black and white against a burnished gold background. The intricacy of the design, combined with the symbolic choice of doves—often representing peace or the Holy Spirit—suggests a layer of deep cultural or spiritual significance. The style retains Altman's avant-garde influences, merging cubist shapes and forms to create a dynamic and visually engaging composition. The print, possibly titled "Die Tauben" (The Doves), would be another example of Altman's ability to convey powerful themes through the medium of print, aligning with his other works from the 1923 series in terms of technique and thematic exploration. The limited edition nature of these prints adds to their rarity and desirability among collectors and scholars of both Jewish art and avant-garde movements of the early 20th century. As with the other prints from this series, the limited edition of only 250 copies increases its rarity and value. Altman's work not only captures significant biblical narratives but also reflects the broader themes of cultural identity and modernist experimentation in the early 20th century. Altmann’s choice of a burnished gold background not only enriches the visual impact but also elevates the symbolic elements, giving the artwork a solemn and revered quality. This specific piece, like others from the series, was produced in Berlin by the publisher "Petropolis," reflecting the vibrant Jewish artistic community that existed in pre-war Europe. Altmann’s work, especially given his background as a Jewish artist in Soviet Russia, often navigated between his cultural identity and the broader avant-garde movements, making each of his pieces historically and artistically significant. This print, considering its rarity and the mystery surrounding the number of surviving copies, is an exceptional representation of Jewish cultural history intertwined with early 20th-century art movements. Nathan Altman was an influential figure in the Russian and Soviet avant-garde movement. Born in 1889 in Vinnytsia, Ukraine, he studied at the Odessa Art School, later moving to Paris to further his education at the Academie de la Grande Chaumiere. Altman's style evolved over the years, showing strong influences from Cubism and Futurism, which are evident in his approach to stage design and book illustration as well. Altman's contributions extend beyond visual arts; he was also notable for his set designs for Jewish theaters...
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Programm eines Abendkonzerts, 1923: Avant-Garde Lithograph by Nathan Altmann
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Eva und die Schlange, 1923: Avant-Garde Lithograph by Nathan Altmann
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"Eva und die Schlange" (Eve and the Snake) by Nathan Altman is anintriguing lithograph from the "Jüdische Graphik" series produced in 1923. This artwork features a compelling and symbolically rich depiction of Eve entwined with the snake, set against the same burnished gold background that characterizes other prints from this series. The use of black and white lithography enhances the dramatic interplay between the figures, highlighting themes of temptation and knowledge that are central to the Biblical story of Eve. In this print, Altman's avant-garde sensibilities are evident in the stylization of the figures and the expressive, almost abstract forms of the snake and foliage. The inclusion of Hebrew text further anchors the piece within its Jewish cultural context, possibly adding layers of interpretation related to wisdom, sin, and redemption. As with the other prints from this series, the limited edition of only 250 copies increases its rarity and value. Altman's work not only captures significant biblical narratives but also reflects the broader themes of cultural identity and modernist experimentation in the early 20th century. This print serves as a fascinating example of how traditional stories are reinterpreted through modernist artistic lenses, making it a valuable piece for collectors and admirers of Jewish and avant-garde art. Altmann’s choice of a burnished gold background not only enriches the visual impact but also elevates the symbolic elements, giving the artwork a solemn and revered quality. This specific piece, like others from the series, was produced in Berlin by the publisher "Petropolis," reflecting the vibrant Jewish artistic community that existed in pre-war Europe. Altmann’s work, especially given his background as a Jewish artist in Soviet Russia, often navigated between his cultural identity and the broader avant-garde movements, making each of his pieces historically and artistically significant. This print, considering its rarity and the mystery surrounding the number of surviving copies, is an exceptional representation of Jewish cultural history intertwined with early 20th-century art movements. Nathan Altman was an influential figure in the Russian and Soviet avant-garde movement. Born in 1889 in Vinnytsia, Ukraine, he studied at the Odessa Art School, later moving to Paris to further his education at the Academie de la Grande Chaumiere. Altman's style evolved over the years, showing strong influences from Cubism and Futurism, which are evident in his approach to stage design and book illustration as well. Altman's contributions extend beyond visual arts; he was also notable for his set designs for Jewish theaters...
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