Set of 2 Antique Mythology Prints after Bloemaert 'c.1680'

These images are rare but fine examples of original 17th-century European engravings, displaying characteristics that might point to an Italian origin based on stylistic analysis. Th...

Set of seven antique prints of various personifications including: 1) Plate XIII: Personification of Religion, section of a fresco from the Anticamera del Concilio, Caprarola; a f...

Set of three antique prints depicting: 1) Leonilla turns into an orange tree. 2) Harmonillus turns into a lemon tree. 3) Tirsenia turns into a lemon tree. These prints originate from 'Hesperides, sive, De malorvm avreorvm cvltura et vsv libri quatuor' by Giovanni Battista Ferrari, published in 1646. The prints are an illustration for the introduction by G.B. Ferraris book...

Antique print of various figures and putti in a garden. Source unknown, to be determined. Artists and Engravers: Anonymous. Condition: Good, general age-related toning. Minor wear...

Each engraving depicting a typical street and genre scene, respectively, both in antique walnut frames

Wonderful copper-plate engraving after Jan Luyken Published by Marten Schagen, Amsterdam. 1724 Text on verso The measurement given is the paper size.

18Th Century, Pair of Italian Allegorical Paintings By Vittorio Amedeo Rapous Pair of paintings depicting the Allegory of Spring with putti and the Allegory of Autumn with putti, Vi...

A beautiful pair of burin engravings depicting "Saint Bernardo degli Uberti" and "Saint Hilary of Poitiers" two of the patron saints of the city included in the base of the cupola ( dome ) of Parma cathedral frescoed by Antonio Allegri known as Correggio (Correggio, August 1489-Correggio 5 March 1534) between 1524 and 1530. Admirable work by the great master in which his genius as a forerunner of the Baroque is fully seen. In 1642 Giovanni Battista Vanni etched a series of fifteen plates from Correggio's frescoes. Giovanni Battista Vanni was born in Pisa around 1599; he studied successively under Jacopo da Empoli, Aurelio Lomi, and Matteo Rosselli, and then became a disciple of Cristofano Allori. He is better known as an engraver than as a painter. From 1624 to 1632, he lived in Rome, then returning to Florence after visiting Venice. In addition to the series of prints...