The Standard-Bearer of Bern Leading a Swiss Infantry Formation, Published 1855

Title: Proud Standard-Bearer of Bern – A Majestic Cavalry Figure from the 1853 Festival Description: This impressive hand-colored lithograph is part of the 'Fest Album Celebrati...

A Grand Spectacle in 1855 – The Historic Procession Through Bern This finely detailed lithograph presents a sweeping panoramic view of the grand historical procession that took p...

Title: The Cantons of Zug and Bern – A Striking Display of Swiss Military and Civic Pride Description: This detailed hand-colored lithograph is part of the Fest Album Celebrating ...

Rudolf von Erlach Leading the Swiss in Grand Festival Procession This striking hand-colored lithograph is part of the Fest Album Celebrating Bern’s Entry into the Swiss Confederat...

Swiss alp watercolor " Bern "

This colorful lithograph by H. A. Ogden was published in 1908 by Brigadier General J. B. Allshire. Originally published as a comprehensive series of U. S. military uniforms, this pri...

"Pleasures of Winter" Maintains the appropriate markings along with "New York, Published by N. Currier 152 Nassau Street. (The firm was located here in lower Manhattan from 1837-1872) The lithograph portrays a woman leaving her stately home with her two children, being escorted by two drivers to ride in a double seated horse drawn sleigh. In the background is a snowy field with other houses and a loaded horse drawn timber sleigh. In addition to the Amon Carter Museum in Dallas, an example of "Pleasures of Winter" is in: The Library of Congress The Springfield Museum (Massachusetts) Gift of Lenore and Sydney Alpert) Metropolitan Museum of Art (Gift of Colgate 1962) Museum of Fine Arts Boston (Donated by Lee M. Friedman) Dimensions: actual= 16 1/2" h x 23 13/16" w matte= 19 1/2" h x 25 1/4" w folio= 21 9/16" h x 27 1/2" w with frame= 26 1/4" h x 32 1/4" w frame= 1 1/4" burl bird's eye maple It is in very good all original condition; and housed and professionally mounted in a fine quality and attractive bird's eye maple wooden frame with preservation backing and frontal protective glass (important when dealing with 170 year old lithographs); it is the rare and desirable Currier large folio sheet example in fine original color. There is minor foxing and a tideline upper center (see images). The larger folios are more rare because they appealed to the wealthier sector of the population and were more expensive, thus fewer were made, albeit, knowing their more discerning customer base, there was more attention given to detail; hand coloring, and quality for example. This example has been framed and housed in museum quality conservation backing for over 80 years. I have had it professionally taken apart and I inspected the folio visually, and examined it with a black light and loop; as a result, I guarantee and can attest to the accuracy of my description of the lithograph. I then had the folio professionally remounted in it's original frame with an upgraded preservation backing (see images of original folios out of frame and for confirmation of inspection). This lithograph has no tears, no touch up paint, and no glued or taped repairs. This is one of the four iconic and highly desirable set of lithographs made by Nathaniel Currier (1813-1888) dated 1855 from the American Country Life series. They are named; Spring "May Morning"; Summer "Summer Evening"; Fall ""October Afternoon"; and Winter "Pleasures of Winter". The lithograph was produced from the painting of well known artist Frances (Fanny) Flora (Bond Palmer (1812-1876). She painted typical American scenes of daily American life that were used by Currier for years to come. She was an accomplished artist by the time she migrated to the United States from England, and Currier commissioned her to do the country scenes for this series. Each of the original images are toned lithographs with applied hand painted watercolor. The lithograph reflects an affluent life style, showcasing grandiose homes and glamorizing the rural way of living as urban areas became more densely populated with the tidal wave and arrival of immigrants. Nathaniel Currier began his lithograph business in 1835 with hand colored images portraying outdoor panoramic, historical, pastoral, and landmark scenes and events, with which the middle class and the wealthy sought to decorate their houses. James Ives (1824-1895) was his accountant) and would join him later in 1857 to help run the business. The hand painted lithograph is embellished with script text in the bottom margin of the folio "Entered according to art of congress in the year 1855 by N. Currier in the clerk's office of the southern district of N.Y." "F.F Palmer...

After Montague Dawson (British, 1895-1973), colour lithograph, matted and framed under non-glare glass. "The Thermopylae Leaving Foochow", published 1962 Frost & Reed Limited of Bristol & London, England. Born in Chiswick in West London in 1895, Montague Dawson was the grandson of the eminent Victorian landscape painter Henry Dawson (1811-1878). He studied under the celebrated seascape artist Charles Napier Hemy (1841–1917) at the Royal Academy and also worked in an art school in Bedford Row. Dawson joined the navy...