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Turkish Architectural Ornamentation in Glazed Ceramics from Ornamentenschatz
About the Item
This vibrant print by H. Dolmetsch is a fine example from the "Ornamentenschatz" collection, published by Verlag J. Hoffmann, Stuttgart, in 1887.
This particular piece showcases Turkish ornamental designs, characterized by their intricate patterns and rich color palette. The print illustrates the architectural decorations often found in glazed ceramic and clay works, which are typical in Turkish art.
The panels demonstrate a mixture of floral motifs intertwined with geometric patterns, a hallmark of Islamic art that emphasizes the unity of design and spirituality.
The color scheme—predominantly deep blues and greens punctuated with red and yellow accents—adds depth and vibrancy, reflecting the luxurious aesthetic often associated with Ottoman art.
This print is particularly attractive for its sophisticated use of symmetry and the meticulous attention to detail, which captures the essence of traditional Turkish decorative arts. Such works are valued not only for their beauty but also as cultural representations of a rich artistic heritage.
- Dimensions:Height: 13.78 in (35 cm)Width: 9.85 in (25 cm)Depth: 0 in (0.02 mm)
- Materials and Techniques:
- Period:
- Date of Manufacture:1887
- Condition:Condition: Good, given age. Very good considering age. General age-related toning and/or occasional minor defects from handling. Please study scans carefully.
- Seller Location:Langweer, NL
- Reference Number:Seller: BG-13766-2-291stDibs: LU3054341363952
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This is the title page from "Recueil Des Plus Beaux Édifices Anciens et Modernes," a compilation celebrating the finest architectural designs and decorative works, published in 1761 and renewed in 1766. The engraving features an elaborate frame adorned with classical columns, cherubs, and cartouches. At the top, a medallion portrait is prominently displayed, flanked by richly detailed ornaments. Jacobs Vignellius, whose name appears on the medallion in the engraving, is not a widely recognized historical figure. His inclusion in the artwork might refer to an individual associated with architecture, design, or art history at the time. It is possible he was a patron, contributor, or editor connected to this collection of architectural and decorative works.
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Translation of Text:
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