Earth Tone Geometric Abstract Projected Sand on Wood Panel by Angel Velasquez

Jack Brusca (1939-1993) was a painter who worked with an airbrush in acrylic paint. He won critical praise when he had his first one-man show, in 1969 at the Bonino Galleria on West...

Abstract art offers us its mysteries, a prolific field of nuances and multitudes of interpretations. Through it, our perception is tested - a silent but intensely emotional dialogue occurs. This oil painting by Carlos...

A Geometric Abstraction gouache on paper by Christopher Mark Brennan. This piece is very enjoyable to observe. The layers upon layers of shapes and playful colors, present us with ...

A white and black abstract lithograph depicting an imaginary galaxy by Louise Siekman. It is numbered 1/10. It sits in a black stained frame.

This stunning mid-century handwoven tapestry captures the dynamic energy of a galloping horse, rendered in vibrant earth-tone hues that shimmer with movement and life. A true piece of vintage textile art, the composition evokes the dreamlike, expressive style of Marc Chagall’s murals at the Metropolitan Opera House at Lincoln Center in New York. The horse’s powerful form and the bold use of color bring a painterly quality to the weaving, blending fine craftsmanship with artistic imagination. The rich palette of browns, golds, ochre, and deep reds enhances the sense of motion, giving the tapestry an almost three-dimensional depth. Perfect for collectors of mid-century modern décor, equestrian art, or lovers of Chagall-inspired aesthetics, this piece is not only a decorative statement—it’s a conversation starter and a rare example of artisan handwoven textile art from the mid-20th century. Dimensions: 38" x 68" Date of Manufacture: 3rd Quarter of the 1900s Place of Origin: Europe Material: Wool Condition: Excellent The Persian Knot Gallery, SKU 1699 Vintage Handwoven Tapestries, French Aubusson Tapestry, Aubusson Tapestry Pillows, French Tapestry Pillows, Antique Rug Pillows, Antique Persian Rug Pillows, Antique Paisley Shawl, South American Textile, Indian Textile, European Embroidery, Persian Kerman Suzani, Antique American Quilt, Antique American Coverlet, Antique Pennsylvania Coverlet, African Textile, African Tapestry, 18th Century Antique French Tapestry, Large Wall Tapestry, Handwoven Tapestry, Handmade Quilt, Modernist Tapestry, Mid Century Wall Tapestry, Antique Tapestry with...

A large woven textile panel from Nazca culture on the south coast of nowadays Peru circa 600 to 800AD. The panel with short fringes on the end used to be half of a sleeveless tunic (similar to poncho) in which two similar pieces were joined together. Professionally mounted and conversed on a linen-backed wood frame and presented in an acrylic shadow box. The textile was finely woven from a camelid fiber dyed with natural pigments. The work strikes the viewer immediately with its unexpected modernity. The tri-colored geometrical blocks created a zigzagged step design that is visually minimal but bold at the same time. Its repetition evokes a lyrical visual rhythm that is unparallel in the ancient textile art and could easily mistake it as an abstract art from the 20th century. The zigzag step design was one of the unusual abstract motifs used by the pre-Columbian weavers from Nazca, who created some of the most mysterious and soul-stirring work with a minimalism aesthetic that was rarely seen in the ancient world. Considering that the artists were completely isolated without the influences of other cultures, their intrinsic creativity and artistic vision are even more impressive. Reference: James W. Reid, The Lee M...

Abstract fiber art panel titled “Summer is Gone” by the painter and textile artist Helen Richards of Garden Grove, CA, circa 1960s.

Grandiose wall hanging inspired by the colours of the earth. The protagonist once again is mother nature. materials used for this wall panel are opaque beads, sequins, and cotton thr...