Vintage DoubleSpiral Twisted Silver Wire Filigree Link Choker Collar Necklace

All featuring white cat's-eyes, the 21 gray 3mm ball-cut moonstones of this necklace are beaded symmetrically on this antique choker between stations of shiny 14-karat gold-filled tu...

Since 1920, French costume-jewelry glass-master Louis Rousselet was among a handful of paruriers favored by the leading Parisian couture houses, primarily Chanel. Beyond the stamped ...

Featuring stamped-brass findings c1930, this Miriam Haskell collar necklace was made by her first designer Frank Hess in an Art-Nouveau style with ornate floral motifs for its 15 dangling bud-shaped or fluted-ball pendants, along with intricate textural patterns on the stamped bands that link the oval-ring chain choker. Among the festoon of graduating charms, the largest centered pendant is 1.5 inches long and 0.75 inches in diameter. One of our photos show that the surprisingly light-weight pendants are hollow--some with a hole punched at the bottom. The distinct stamped bands, which include a fold-over clasp, are found in more obviously Haskell-Hess pre-WWII jewelry...

Created by a gallery-exhibited progressive artist in the 1990s in a way that foreshadowed TheMet museum exhibition "Sleeping Beauties: Reawakening Fashion", this ingenious signed sterling-silver chain link collar necklace features eight convertible pink-gem-accented pendants that can fasten your own pierceable larger elements, such as fresh flower heads or cut felt. It was initially acquired in the late 1990s from the U.S. avant-garde modern jewelry exhibition space Jewelers' Werk based in Washington D.C., which is printed on the included original black box with gold text. The versatile necklace that fastens with a handcrafted filigree floral clasp enables the wearer to choose from a wide variety of objects that can be pierced by the removable prong-set sparkly fuschia studs--from felt balls to folded origami paper--to attach to the likewise removable oxidized sterling cups. The perhaps morganite or crystal studs, whose silver ends are not visible after affixing such objects, can be mixed or interchanged with your own earring stud(s) or dangling pieces to enable more movement when worn. As shown in photos, a buyer can avoid the contact of such interchangeable objects with long hair by removing studded cups towards the back of the neck, whereby symmetrical sterling-stud fasteners that serve to link the chain necklace will discreetly remain. If the collector would like to use all of the sterling cups that surround the neck, one of their studs is missing its crystal, which can be replaced if entirely pink stones are preferred. We photographed the necklace populated with fresh and dehydrating daisy heads, which slowly wilt or dry while worn. With inspiration from TheMet current museum exhibition featuring beautiful contemporary clothes designed to show the passage of time, along with some of its archived fragile fashion based on the fiction-inspired theme "The Garden Of Time...

Glowing red aurora borealis crystals, set in flowing gold art-nouveau style links. Goldplated. Circa 1950s. 12 inches to 15.25 inches with extension chain.

Elegant Prasiolite (Green Amethyst) and White Sapphire Necklace. 161 pieces of fancy-cut triangle green amethyst, oval prasiolite (220 ctw), and round white sapphires individually ha...

Elegant diamond shape cubic zirconia necklace featuring over 500 pieces of round Cubic Zirconia individually handset in 18k gold & platinum rhodium p...

Elegant White Topaz and White Sapphire Necklace. 161 pieces of concave-cut triangle white topaz, oval white topaz (220 ctw), and round white sapphires individually handset in platinu...