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1930s Schiaparelli Baretti GalalithRoseMotifFuchsiaGarland CordTiedBrassNecklace

About the Item

With 1930s findings in the distinct highly-textural and unusual-mixed-media style of French parurier Lina Baretti (1899-1994), who was a frequent designer of unsigned one-of-a-kind costume jewelry and decorative buttons for Parisian couturier Elsa Schiaparelli ((1890-1973), this unique adjustable silk-cord-fastening multi-pendant heavy garland necklace features dozens of densely dangling 0.75-inch-diameter shiny marbled violet-fuchsia rose-shaped galalith charms and contrasting smaller smooth reflective brass balls that are hand-wired to a centered brass linked chain. The rest of the necklace is finely textured with petal-like stamped brass accents that cap both ends of each matte fibrous twisted cord. Two additional matching button-like galalith pendants are wired to the upper brass caps to dangle near the neck when worn. Contributing to identification of this necklace, Baretti's adjustable-length textile-fastening necklaces often featured a simplified flora motif with over-the-top pendants (such as pine cones) and were finely textured like embroidery or intricately assembled like cannetille. More so, in the 1930s Schiaparelli was known for embracing the use of plastic decoration, along with traditional materials in more surprising or colorful ways. We suspect this necklace was made between 1937-1939 when both the rose motif and unique plastic decorations are prolific in Schiaparelli fashions, and while Baretti designed an abundance of her couture jewelry and buttons for a handful of those seasonally-themed collections. From this period, TheMet museum has many Schiaparelli rose-themed plastic-decorated acquisitions, while its 1938 evening coat in ecru silk has plastic buttons that seem to match our necklace (see our photo). For this colorful multi-textured mixed-materials necklace, the rose design in the style of Baretti was likely realized by the Parisian workshop of Louis Rousselet, who produced custom-made decorative galalith, metal and glass findings for leading fashion designers since 1920. In a way similar to Baretti's otherwise characteristic tightly-wrapped textural decoration, the silk cords are handcrafted to result in a complimentary color to the fuchsia charms that subtly echos the tone of the brass findings. Undyed blonde cording was wrapped with orange thread before they were twisted to create two-tone functional ropes to tie the necklace. In the 2010-published hardcover book by Patrick Mauriers, titled Lina Baretti Parures, page 83 features a photo of a similarly constructed rope necklace in two tones of twisted golden wire wrapped with black silk-velvet ribbon. More closely resembling the colorful flower-head motif, unusual mixed-media, and fastening style of our necklace, the photo spread on pages 60-61 with a huge bright-yellow raffia-textured pendant-- which Baretti designed for Elsa Schiaparelli shortly before the fashion designer retired--provides a closeup of its woven cords that, like our necklace, enable a knot or bow to secure it at the length desired by the wearer. For over 60 years since at least 1930, Corsica-born Baretti was commissioned by multiple Parisian couturiers, notably including Gabrielle "Coco" Chanel and Cristobal Balenciaga, to create unprecedented costume jewelry to accessorize the clothing ensembles of their clients. She continued to evolve her favored textural materials beyond reflective metal, silk, glass and crystal--such as feathers, plaid-wool fabric, suede and cork--to create what she called "bijoux fantaisies". For more unsigned couture creations designed by Baretti in the 1930s for Schiaparelli and Chanel, please see our other listings.
  • Creator:
  • Metal:
  • Weight:
    114 g
  • Dimensions:
    Width: 1.5 in (38.1 mm)Length: 34 in (863.6 mm)
  • Style:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    1930s
  • Condition:
    Wear consistent with age and use.
  • Seller Location:
    Chicago, IL
  • Reference Number:
    1stDibs: LU3244222117912
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